Label |
S |
Musiktitel |
Play |
St |
T.-Stil |
Interpret |
Ps |
Begleitung |
Jahr |
Zeit |
Aufn.-Ort |
Aufn.-Dat. |
Vö.-Dat. |
Matrize |
Verweis |
GEMA-Nr. |
CAE/IPI |
Art.-Nr./EAN |
EAN/Art.-Nr |
Label 2 |
Musik: = Komponist, Text: = Texter |
Chart |
Bemerkung |
Musiker |
Quelle |
Seite |
O |
Vocalion 1000 |
|
Plantation Blues |
|
|
|
Clay, Sonny & His Plantation Orchestra |
|
|
1926 |
|
|
19.03.1926 |
|
E-2328 |
|
|
|
|
|
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Musik: Clay, Sonny/Text: Coycault, Ernest |
|
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The Online Discographical Project |
|
|
Vocalion 1000 |
|
Chicago Breakdown |
|
|
|
Clay, Sonny & His Plantation Orchestra |
|
|
1926 |
|
|
19.03.1926 |
|
E-2329 |
|
|
|
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Vocalion 15254 |
Musik + Text: Morton, Jelly Roll |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1001 |
|
I'm Gonna Shout All Over God's Heaven |
|
V |
|
Cotton Belt Quartet |
|
|
1926 |
|
New York City |
01.02.1926 |
|
E-2319 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1001“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15263 |
|
|
Gesang: „Caldwell, Gaylord C. & DeMund, Harold A. & McCoy, Frederic D. & Giles, Raymond H.“. |
|
Brunswick Records, Vol. 1. New York Sessions 1916-1926. |
0406 |
|
Vocalion 1001 |
A |
We'll Be Ready When The Great Day Comes |
|
V |
|
Cotton Belt Quartet |
|
|
1926 |
|
New York City |
01.02.1926 |
|
E-2321 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1001“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15263 |
|
|
Gesang: „Caldwell, Gaylord C. & DeMund, Harold A. & McCoy, Frederic D. & Giles, Raymond H.“. |
|
Brunswick Records, Vol. 1. New York Sessions 1916-1926. |
0406 |
|
Vocalion 1002 |
|
Charleston Blues |
➧ |
|
|
McCoy, Viola & Dixie Trio |
|
|
1926 |
3:07 |
New York City |
15.02.1926 |
|
E-2442 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1002“. Siehe auch: Bemerkung. |
|
|
| Album2133 |
Vocalion 15268 |
Musik + Text: Smolev, Marvin/Seaman, Bernie |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1002 |
A |
South Street Blues |
➧ |
|
|
McCoy, Viola & Dixie Trio |
|
|
1926 |
3:03 |
New York City |
15.02.1926 |
|
E-2440 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1002“. Siehe auch: Bemerkung. |
|
|
| Album2133 |
Vocalion 15268 |
Musik + Text: Roberts |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1003 |
|
Pig Alley Stomp |
|
|
|
Three Jolly Miners |
|
|
1926 |
|
|
15.02.1926 |
|
E-2435 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1003 |
|
Pig Alley Stomp |
|
|
|
Three Jolly Miners |
|
|
1926 |
|
|
15.02.1926 |
|
E-2435/36 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1003“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15269 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1003 |
|
Ridiculous Blues |
|
|
|
Three Jolly Miners |
|
|
1926 |
|
|
15.02.1926 |
|
E-2437 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1003 |
A |
Ridiculous Blues |
|
|
|
Three Jolly Miners |
|
|
1926 |
|
|
15.02.1926 |
|
E-2437/8 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1003“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15269 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1004 |
|
F Minor Blues |
|
|
|
Three Jolly Miners |
|
|
1926 |
|
|
15.01.1926 |
|
E-2113 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1004“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15271 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1004 |
A |
F Minor Blues |
|
|
|
Three Jolly Miners |
|
|
1926 |
|
|
15.01.1926 |
|
E-2113 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1004 |
A |
Chicago Back Step |
|
|
|
Three Jolly Miners |
|
|
1926 |
|
|
15.01.1926 |
|
E-2108 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1004“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15271 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1005 |
|
Golden Slippers, The |
|
V |
|
Cotton Belt Quartet |
|
|
1926 |
|
New York City |
16.03.1926 |
|
E-2647-8 |
|
|
|
|
|
|
|
|
Gesang: „Caldwell, Gaylord C. & DeMund, Harold A. & McCoy, Frederic D. & Giles, Raymond H.“. |
|
Brunswick Records, Vol. 1. New York Sessions 1916-1926. |
0422 |
|
Vocalion 1005 |
|
Lord I've Done What You Told Me To |
|
V |
|
Cotton Belt Quartet |
|
|
1926 |
|
New York City |
16.03.1926 |
|
E-2649-0-1 |
|
|
|
|
|
|
|
|
Gesang: „Caldwell, Gaylord C. & DeMund, Harold A. & McCoy, Frederic D. & Giles, Raymond H.“. |
|
Brunswick Records, Vol. 1. New York Sessions 1916-1926. |
0422 |
|
Vocalion 1006 |
|
Georgia Man |
➧ |
|
|
Peters, Teddy |
|
|
1926 |
3:04 |
Chicago |
11.03.1926 |
|
E-2636-37 |
|
|
|
|
|
|
Musik + Text: Jones, Richard M. |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1006 |
|
What A Man |
|
|
|
Peters, Teddy |
|
|
1926 |
|
Chicago |
11.03.1926 |
|
E-2638-39 |
|
|
|
|
|
|
Musik + Text: Donaldson, Walter/Williams, Ralph |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
COVER. Original filtern. |
Vocalion 1007 |
|
Too Bad |
|
I |
|
Oliver, King & His Dixie Syncopators |
|
Jones, Richard M. |
1926 |
2:59 |
Chicago |
11.03.1926 |
|
E-2632/33 |
|
|
|
| Sampler0403 |
Decca 31027 |
Musik: Schoebel, Elmer/Text: Myers, Billy |
|
Vokalist aus Diskografie im Datenfeld „Begleitung“. |
|
Jazz and Ragtime Records 1897-1942 |
1267 |
COVER. Original filtern. |
Vocalion 1007 |
A |
Snag It |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
Jones, Richard M. |
1926 |
3:07 |
Chicago |
11.03.1926 |
|
E-2635 |
|
1469490 |
00782296112 |
| 6899087 |
Brunswick 80039 |
Musik + Text: Oliver, Joe |
|
Vokalist aus Diskografie im Datenfeld „Begleitung“. |
|
Jazz and Ragtime Records 1897-1942 |
1267 |
ORIGINAL. Cover filtern. |
Vocalion 1008 |
|
Put Me In The Alley Blues |
|
|
|
Chicago Hottentots |
|
|
1926 |
2:54 |
|
10.03.1926 |
|
E-2630 |
|
|
|
| Album2371 |
|
Musik + Text: Jones, Richard M. |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1008 |
A |
All Night Shags |
|
|
|
Chicago Hottentots |
|
|
1926 |
2:50 |
|
10.03.1926 |
|
E-2628 |
|
|
|
| Album2371 |
|
Musik + Text: Jones, Richard M. |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1009 |
|
Tia Juana Man |
|
V |
|
Brown, Ada |
|
|
1926 |
2:58 |
Chicago |
10.03.1926 |
|
E2626-27 |
|
|
|
|
|
|
Musik + Text: Dickerson, Aletha/Jones, Richard L. |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0053 |
|
Vocalion 1009 |
|
Panama Limited Blues |
|
V |
|
Brown, Ada |
|
|
1926 |
3:09 |
Chicago |
10.03.1926 |
|
E2624-25 |
|
|
|
|
|
|
Musik + Text: Jones, Rickie Lee |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0053 |
|
Vocalion 1010 |
|
29th And Dearborn |
|
|
|
Russell, Luis & His Hot 6 |
|
|
1926 |
3:01 |
|
10.03.1926 |
|
E-2620 |
|
|
|
| Album2356 |
|
Musik + Text: Jones, Richard M. |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1010 |
|
Sweet Mumtaz |
➧ |
|
|
Russell, Luis & His Hot 6 |
|
|
1926 |
3:06 |
|
10.03.1926 |
|
E-2622 |
|
|
|
| Album2356 |
|
Musik + Text: Russell, Luis |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1011 |
|
Fulton Street Blues |
➧ |
V |
|
Henderson, Rosa |
|
|
1926 |
3:04 |
|
31.03.1926 |
|
E-2716 |
|
|
|
|
|
|
Musik + Text: Mills/Smith |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1011 |
|
Do It Mr. So-So |
➧ |
V |
|
Henderson, Rosa |
|
|
1926 |
2:56 |
|
31.03.1926 |
|
E-2713 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Nicht veröffentlicht!“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik: McHugh, Jimmy/Text: Dowell |
|
Do It Mr. So And So |
|
The Online Discographical Project |
|
|
Vocalion 1012 |
|
Swing Alone |
|
V |
|
Umbrian Glee Club |
|
|
1926 |
|
|
20.04.1926 |
|
E-2884 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1012 |
|
Ma Honey |
|
V |
|
Umbrian Glee Club |
|
|
1926 |
|
|
20.04.1926 |
|
E-2888 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1013 |
|
Rain Song |
|
V |
|
Umbrian Glee Club |
|
|
1926 |
|
|
20.04.1926 |
|
E-2890 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1013 |
|
Exhortation |
|
V |
|
Umbrian Glee Club |
|
|
1926 |
|
|
20.04.1926 |
|
E-2885 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1014 |
A |
Jackass Blues |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1926 |
3:05 |
Chicago |
23.04.1926 |
|
E-2914 |
|
|
|
|
|
Vocalion 15394 |
Musik + Text: Kassell, Art/Stitzel, Mel |
|
|
|
RHJ |
|
COVER. Original filtern. |
Vocalion 1014 |
B |
Deep Henderson |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1926 |
3:07 |
Chicago |
21.04.1926 |
|
E-2892 |
|
|
|
| Sampler1057 |
Vocalion 15394 |
Musik + Text: Rose, Fred |
|
|
|
RHJ |
|
COVER. Original filtern. |
Vocalion 1015 |
|
Who's Gonna Do Your Lovin' (When You're Good Man's Gone Away) |
➧ |
V |
|
Henderson, Edmonia |
|
|
1926 |
2:58 |
Chicago |
20.04.1926 |
|
C-176/7 |
|
|
|
|
|
Brunswick A 169 |
Musik + Text: Henderson, Edmonia |
|
|
|
Jazz and Ragtime Records 1897-1942 |
|
|
Vocalion 1015 |
|
Nobody Else Will Do |
➧ |
V |
|
Henderson, Edmonia |
|
|
1926 |
2:47 |
Chicago |
20.04.1926 |
|
C-178/9 |
|
|
|
|
|
Brunswick A 169 |
Musik + Text: Austin, Lovie |
|
|
|
Jazz and Ragtime Records 1897-1942 |
|
|
Vocalion 1016 |
|
I'm Sitting On Top Of The World |
|
|
|
Collins, Delta & Gene |
|
|
1926 |
|
|
19.04.1926 |
|
E-2862 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1016 |
A |
Sadie Green (The Vamp Of New Orleans) |
|
|
|
Collins, Delta & Gene |
|
|
1926 |
|
|
19.04.1926 |
|
E-2859 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1017 |
|
Sorrow Valley Blues |
➧ |
V |
|
Scruggs, Irene |
|
|
1926 |
2:34 |
Chicago |
22.04.1926 |
|
C-230 |
|
|
|
|
|
|
Musik + Text: Scruggs, Irene |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1017 |
|
Home Town Blues |
➧ |
V |
|
Scruggs, Irene |
|
|
1926 |
2:46 |
Chicago |
22.04.1926 |
|
C-228 |
|
|
|
|
|
|
|
|
(in Wax 16) |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1018 |
|
Chief Corner Stone, The |
➧ |
V |
|
Zimmerman, Hermes |
|
|
1926 |
3:09 |
|
21.04.1926 |
|
E-2894 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1018 |
|
Life's Railway To Heaven |
➧ |
V |
|
Zimmerman, Hermes |
|
|
1926 |
3:01 |
|
21.04.1926 |
|
E-2896 |
|
|
|
|
|
|
Musik: Tillman, Charles/Text: Abbey, M. E. |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1019 |
A |
Fat Meat And Greens |
➧ |
I |
|
Morton, Jelly Roll |
|
|
1926 |
2:56 |
|
20.04.1926 |
|
C-164 |
|
|
|
|
|
|
Musik: Dickerson |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1019 |
B |
Sweetheart O' Mine |
➧ |
I |
|
Morton, Jelly Roll |
|
|
1926 |
2:58 |
|
20.04.1926 |
|
C-163 |
|
|
|
| Sampler1057 |
|
Musik + Text: Morton, Jelly Roll |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1020 |
|
King Porter Stomp |
➧ |
I |
|
Morton, Jelly Roll |
|
|
1926 |
2:54 |
|
20.04.1926 |
|
C-166 |
|
|
|
|
|
|
Musik + Text: Morton, Jelly Roll |
|
|
|
www.ebay.de |
|
|
Vocalion 1020 |
|
Pearls, The '26 |
|
I |
|
Morton, Jelly Roll |
|
|
1926 |
|
|
20.04.1926 |
|
C-160 |
|
|
|
|
|
|
Musik + Text: Morton, Jelly Roll |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1021 |
A |
Here Comes My Baby |
➧ |
V |
|
Henderson, Rosa |
|
|
1926 |
3:02 |
|
14.05.1926 |
|
E-3048 |
|
|
|
|
|
|
Musik: Dowell/Mchugh/Mills |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1021 |
A |
Chicago Policeman Blues |
➧ |
V |
|
Henderson, Rosa |
|
|
1926 |
2:53 |
|
14.05.1926 |
|
E-3051 |
|
|
|
|
|
|
Musik: Smith |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1022 |
|
Give Me That Old Time Religion |
|
V |
|
Cotton Belt Quartet |
|
|
1926 |
|
|
13.05.1926 |
|
E-3044 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1022 |
|
In My Heart |
|
V |
|
Cotton Belt Quartet |
|
|
1926 |
|
|
13.05.1926 |
|
E-3046 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1023 |
|
Swing Low Sweet Chariot |
|
V |
|
Cotton Belt Quartet |
|
|
1926 |
|
|
08.06.1926 |
|
E-3211/3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1023 |
A |
I Couldn't Hear Nobody Pray |
|
V |
|
Cotton Belt Quartet |
|
|
1926 |
|
|
09.06.1926 |
|
E-3215/6 |
|
|
|
|
|
|
Musik: (arr Bradford) |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1024 |
|
Steal Away To Jesus |
|
V |
|
Cotton Belt Quartet |
|
|
1926 |
|
|
15.06.1926 |
|
E-3236/7 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1024 |
|
Go Down Moses |
➧ |
V |
|
Cotton Belt Quartet |
|
|
1926 |
2:59 |
|
21.06.1926 |
|
E-3268 |
|
|
|
|
|
|
Musik: Traditional |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1025 |
|
Daddy Come Back |
|
V |
|
Henderson, Rosa |
|
|
1926 |
|
|
05.06.1926 |
|
E-3193/4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1025 |
|
I've Got Somebody Now |
➧ |
V |
|
Henderson, Rosa |
|
|
1926 |
2:46 |
|
05.06.1926 |
|
E-3195/7 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1026 |
|
I'm Savin' It All For You |
|
V |
|
Henderson, Rosa |
|
|
1926 |
|
|
05.06.1926 |
|
E-3191/2 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Nicht veröffentlicht!“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik: Williams, Clarence/Text: Davis |
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Nicht veröffentlicht |
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The Online Discographical Project |
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Vocalion 1026 |
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Hock Shop Blues |
➧ |
V |
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Henderson, Rosa |
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1926 |
3:10 |
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05.06.1926 |
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E-3189/90 |
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Musik + Text: Easton, Sidney |
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The Online Discographical Project |
|
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Vocalion 1027 |
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Static Strut |
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Tate, Erskine & His Vendome Orchestra |
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1926 |
|
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28.05.1926 |
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C-0334 |
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The Online Discographical Project |
|
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Vocalion 1027 |
A |
Stomp Off, Let's Go |
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Tate, Erskine & His Vendome Orchestra |
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1926 |
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28.05.1926 |
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C-0337 |
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Musik + Text: Schoebel, Elmer |
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The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1029 |
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Leaving Town To Wear You Off My Mind |
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Lewis, Sammie & His Bamville Syncopators |
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1926 |
|
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14.06.1926 |
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E-3226 |
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The Online Discographical Project |
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Vocalion 1029 |
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Hateful Papa Blues |
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Lewis, Sammie & His Bamville Syncopators |
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1926 |
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14.06.1926 |
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E-3224 |
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The Online Discographical Project |
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Vocalion 1030 |
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There'll Come A Time |
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Lewis, Sammie & His Bamville Syncopators |
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1926 |
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14.06.1926 |
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E-3222 |
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Musik + Text: Brooks, Shelton |
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The Online Discographical Project |
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Vocalion 1030 |
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Arkansas Shout |
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Lewis, Sammie & His Bamville Syncopators |
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1926 |
3:02 |
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14.06.1926 |
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E-3220 |
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www.musiktiteldb.de |
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Vocalion 1031 |
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Evil Minded Blues |
➧ |
V |
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Liston, Virginia |
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1926 |
2:45 |
Chicago |
29.05.1926 |
|
C-364/5 |
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Brunswick A 166 |
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Moanin' Low: A Discography Of Female Popular Vocal Recordings |
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Vocalion 1031 |
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Titanic Blues |
➧ |
V |
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Liston, Virginia |
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1926 |
3:05 |
Chicago |
29.05.1926 |
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C-361/2 |
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Brunswick A 166 |
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Moanin' Low: A Discography Of Female Popular Vocal Recordings |
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Vocalion 1032 |
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I'm Gonna Get Me A Man That's All |
➧ |
V |
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Liston, Virginia |
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1926 |
3:00 |
Chicago |
29.05.1926 |
|
C-366/8 |
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Musik + Text: Liston, Virginia |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1032 |
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Rolls Royce Papa |
➧ |
V |
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Liston, Virginia |
|
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1926 |
2:51 |
Chicago |
29.05.1926 |
|
C-359/60 |
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Musik + Text: Liston, Virginia |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1033 |
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Sugarfoot Stomp |
|
I |
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Oliver, King & His Dixie Syncopators |
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1926 |
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29.05.1926 |
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E-20503 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 15503“. Siehe auch: Bemerkung. |
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Musik: Oliver, Joseph 'King' |
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The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1033 |
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Wa Wa Wa |
➧ |
I |
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Oliver, King & His Dixie Syncopators |
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1926 |
2:41 |
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29.05.1926 |
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E-3181 |
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| 82404601392 |
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Musik + Text: Schaeffer, Mort |
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www.musiktiteldb.de |
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Vocalion 1034 |
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Gut Struggle Blues |
➧ |
V |
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Davis, Wilmer |
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1926 |
2:52 |
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29.05.1926 |
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C-375/7 |
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| DOCD-5390 |
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Musik + Text: Jones, Richard M. |
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www.musiktiteldb.de |
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Vocalion 1034 |
A |
Rest Your Hips |
➧ |
V |
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Davis, Wilmer |
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1926 |
2:49 |
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29.05.1926 |
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C-378/9 |
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| DOCD-5390 |
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Musik + Text: Jones, Richard M. |
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www.musiktiteldb.de |
|
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Vocalion 1035 |
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Struggling |
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Jimmy Bertrand's Washboard Wizards |
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1926 |
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Chicago |
29.05.1926 |
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E-3166/7 |
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Musik: Blythe, Jimmy |
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RHJ |
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Vocalion 1035 |
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Little Bits |
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Jimmy Bertrand's Washboard Wizards |
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1926 |
|
Chicago |
29.05.1926 |
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E-3165 |
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Musik: Blythe, Jimmy |
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RHJ |
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Vocalion 1036 |
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Not Today Sweet Cookie |
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Buddy Paige-popo Warfield |
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1926 |
|
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28.05.1926 |
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C-346/7 |
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|
Musik: (chicago) |
|
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|
The Online Discographical Project |
|
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Vocalion 1036 |
|
I Can't Do That |
|
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Buddy Paige-popo Warfield |
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1926 |
|
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28.05.1926 |
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C-343/5 |
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Musik: (chicago) |
|
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|
The Online Discographical Project |
|
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Vocalion 1037 |
|
Georgia Bo Bo |
➧ |
|
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Lil's Hot Shots |
|
|
1926 |
3:01 |
|
28.05.1926 |
|
C-0340 (E3156) |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 02065“. Siehe auch: Bemerkung. |
|
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| 074646352724 |
|
Musik: Trent, Jo/Text: Waller, Fats |
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45cat |
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Vocalion 1037 |
B |
Drop That Sack |
➧ |
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Lil's Hot Shots |
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|
1926 |
2:51 |
|
28.05.1926 |
|
C-0341 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 02502“. Siehe auch: Bemerkung. |
|
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| 074646352724 |
|
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|
The Online Discographical Project |
|
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Vocalion 1038 |
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Rough House Blues |
|
V |
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Henderson, Rosa |
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1926 |
|
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02.07.1926 |
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E-3361 |
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|
The Online Discographical Project |
|
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Vocalion 1038 |
|
She Belongs To Me |
|
V |
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Henderson, Rosa |
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1926 |
|
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02.07.1926 |
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E-3366 |
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|
The Online Discographical Project |
|
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Vocalion 1039 |
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Go 'won To Town |
|
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Dewey Jackson's Peacock Orchestra |
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1926 |
|
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21.06.1926 |
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E-3419 |
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Musik: Jackson, Dewey |
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|
The Online Discographical Project |
|
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Vocalion 1039 |
|
What Do You Want Poor Me To Do |
|
V |
|
Floyd Campbell+dewey Jackson |
|
fc |
1926 |
|
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21.06.1926 |
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E-3421/2 |
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Musik: Floyd Campbell |
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The Online Discographical Project |
|
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Vocalion 1040 |
|
Capitol Blues |
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Dewey Jackson's Peacock Orchestra |
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1926 |
|
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21.06.1926 |
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E-3417 |
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The Online Discographical Project |
|
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Vocalion 1040 |
|
She's Cryin' For Me |
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Dewey Jackson's Peacock Orchestra |
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1926 |
|
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21.06.1926 |
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E-3415 |
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|
The Online Discographical Project |
|
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Vocalion 1041 |
|
Somebody Else's Blues |
➧ |
|
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Missouri Anderson |
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|
1926 |
2:33 |
|
21.06.1926 |
|
SL987/8 |
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|
The Online Discographical Project |
|
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Vocalion 1041 |
|
Gamblin' George Blues |
➧ |
|
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Missouri Anderson |
|
|
1926 |
2:43 |
|
21.06.1926 |
|
SL985/6 |
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The Online Discographical Project |
|
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Vocalion 1042 |
|
Pebble Blues |
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Pebbles, The |
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1926 |
|
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21.06.1926 |
|
C-1012/3 |
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The Online Discographical Project |
|
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Vocalion 1042 |
|
Can't Sleep Blues |
|
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Pebbles |
|
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1926 |
|
|
21.06.1926 |
|
C-1014/5 |
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|
Musik: (chicago) |
|
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|
The Online Discographical Project |
|
|
Vocalion 1043 |
|
Dead Man Blues |
➧ |
V |
|
Henderson, Edmonia |
|
|
1926 |
3:10 |
Chicago |
21.07.1926 |
|
C-512 |
|
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|
Brunswick A 168 |
Musik: Morton, Jelly Roll/Text: Gonzales, Anita |
|
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Jazz and Ragtime Records 1897-1942 |
|
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Vocalion 1043 |
A |
Georgia Grind |
➧ |
V |
|
Henderson, Edmonia |
|
|
1926 |
3:05 |
Chicago |
21.07.1926 |
|
C-514 |
|
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Brunswick A 168 |
Musik: Williams, Spencer |
|
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|
Jazz and Ragtime Records 1897-1942 |
|
COVER. Original filtern. |
Vocalion 1044 |
|
Pretty Man Blues |
|
V |
|
Miller, Luella |
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1926 |
|
St. Louis |
27.07.1926 |
|
E-3629/0 |
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Brunswick A 167 |
Musik + Text: Miller/Miller |
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|
Brunswick Records, Vol. 3. Chicago And Regional Sessions. |
1420 |
|
Vocalion 1044 |
|
Dago Hill Blues |
|
V |
|
Miller, Luella |
|
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1926 |
|
St. Louis |
27.07.1926 |
|
E-3628 |
|
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Brunswick A 167 |
Musik + Text: Miller/Miller |
|
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|
Brunswick Records, Vol. 3. Chicago And Regional Sessions. |
1420 |
|
Vocalion 1045 |
|
Pistol Pete Sermon |
|
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Jazz Baby Moore |
|
|
1926 |
|
St. Louis |
28.07.1926 |
|
S574/6 |
|
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Musik: Jazz Baby Moore |
|
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|
Brunswick Records, Vol. 3. Chicago And Regional Sessions. |
1420 |
|
Vocalion 1045 |
B |
Morning Prayer |
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Jazz Baby Moore |
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1926 |
|
St. Louis |
28.07.1926 |
|
S577/8 |
|
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Musik: Jazz Baby Moore |
|
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|
Brunswick Records, Vol. 3. Chicago And Regional Sessions. |
1420 |
|
Vocalion 1046 |
|
Black Cat Blues |
➧ |
V |
|
Old Pal Smoke Shop Four |
|
|
1926 |
3:05 |
St. Louis |
28.07.1926 |
|
S563/4 |
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Musik: Old Pal Smoke Shop Four |
|
Gesang: „Chapman, John“. |
|
Brunswick Records, Vol. 3. Chicago And Regional Sessions. |
1420 |
|
Vocalion 1046 |
|
Surprised Blues |
➧ |
V |
|
Old Pal Smoke Shop Four |
|
|
1926 |
2:55 |
St. Louis |
28.07.1926 |
|
S561/2 |
|
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|
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Musik: Old Pal Smoke Shop Four |
|
Gesang: „Rainey, Ben“. |
|
Brunswick Records, Vol. 3. Chicago And Regional Sessions. |
1420 |
|
Vocalion 1047 |
|
Setting Sun Blues |
➧ |
V |
|
Hannah, George |
|
|
1926 |
2:55 |
St. Louis |
27.07.1926 |
|
SL44/5 |
|
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|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1047 |
|
Hurry Home Blues |
➧ |
V |
|
Hannah, George |
|
|
1926 |
3:00 |
St. Louis |
27.07.1926 |
|
SL42/3 |
|
|
|
|
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|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1048 |
|
String Band Blues |
➧ |
|
|
Kansas City Blues Strummers |
|
|
1926 |
2:32 |
St. Louis |
27.07.1926 |
|
SL40/1 |
|
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|
|
|
Musik + Text: Gibbs, D. A. |
|
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|
Brunswick Records, Vol. 3. Chicago And Regional Sessions. |
1419 |
|
Vocalion 1048 |
|
Broken Bed Blues |
➧ |
|
|
Kansas City Blues Strummers |
|
|
1926 |
2:26 |
St. Louis |
27.07.1926 |
|
SL37/9 |
|
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|
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|
Musik + Text: Gibbs, D. A. |
|
|
|
Brunswick Records, Vol. 3. Chicago And Regional Sessions. |
1419 |
|
Vocalion 1049 |
|
Tack Annie |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1926 |
2:52 |
|
23.07.1926 |
|
E-3555/6 |
|
|
|
|
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|
Musik + Text: Barbarin, Paul/Oliver, Joe |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1049 |
|
New Wang Wang Blues |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1926 |
2:57 |
Chicago |
17.09.1926 |
|
E-3871 |
|
684828 |
00070155110 |
|
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|
Musik: Busse, Henry/Mueller, Gus/Text: Johnson, Buster |
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|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1050 |
|
California Stomp |
|
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Clay, Sonny & His Plantation Orchestra |
|
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1926 |
|
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15.08.1926 |
|
E-3661 |
|
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Musik: Sturdevant, W. |
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|
The Online Discographical Project |
|
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Vocalion 1050 |
|
Slow Motion Blues |
|
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|
Clay, Sonny & His Plantation Orchestra |
|
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1926 |
|
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15.08.1926 |
|
E-3660 |
|
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|
Musik: Clay, Sonny |
|
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|
The Online Discographical Project |
|
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Vocalion 1051 |
|
Tell Me How Did You Feel |
➧ |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
2:36 |
|
26.09.1926 |
|
E-3756/7 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2250s!“. Siehe auch: Bemerkung. |
|
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|
Supertone S 2250 |
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1051 |
|
Waiting At The Beautiful Gate |
➧ |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
2:54 |
|
26.09.1926 |
|
E-3758/9 |
|
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|
Herwin 92005 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1052 |
|
Going To Heaven Anyhow |
|
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
|
|
26.09.1926 |
|
E-3760/1 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1052 |
B |
Praying For The Pastor |
➧ |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
2:50 |
|
26.09.1926 |
|
E-3750/1 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2249s“. Siehe auch: Bemerkung. |
|
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|
Supertone S 2249 |
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1053 |
|
You Can Tell The World About This |
➧ |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
2:56 |
|
26.09.1926 |
|
E-3752/3 |
|
|
|
|
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|
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|
|
|
The Online Discographical Project |
|
|
Vocalion 1053 |
|
Four And Twenty Elders |
➧ |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
2:54 |
|
26.09.1926 |
|
E-3754/5 |
|
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|
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|
The Online Discographical Project |
|
|
Vocalion 1054 |
|
Heebie Jeebies |
|
I |
|
Williams, Fess & His Royal Flush Orchestra |
|
|
1926 |
|
|
01.10.1926 |
|
E-3884 |
|
|
|
|
|
|
Musik + Text: Atkins, Boyd |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1054 |
|
Messing Around |
|
I |
|
Williams, Fess & His Royal Flush Orchestra |
|
|
1926 |
|
|
01.10.1926 |
|
E-3886 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1055 |
|
You Can't Keep No Brown |
➧ |
V |
|
Butler, Sam |
|
|
1926 |
2:47 |
New York City |
30.09.1926 |
|
E-3876/7 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Nicht veröffentlicht!“. Siehe auch: Bemerkung. |
|
|
|
|
|
|
|
Nicht veröffentlicht |
|
Blues & Gospel Records 1890-1943 |
0423 |
|
Vocalion 1055 |
|
Devil And My Brown Blues |
➧ |
V |
|
Butler, Sam |
|
|
1926 |
2:51 |
New York City |
30.09.1926 |
|
E-3870/1 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Nicht veröffentlicht!“. Siehe auch: Bemerkung. |
|
|
|
|
|
|
|
Nicht veröffentlicht |
|
Blues & Gospel Records 1890-1943 |
0423 |
|
Vocalion 1056 |
|
Heaven Is My View |
➧ |
V |
|
Butler, Sam |
|
|
1926 |
2:46 |
New York City |
30.09.1926 |
|
E-3880/1 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
0423 |
|
Vocalion 1056 |
|
Christians Fight On, Your Time Ain't Long |
➧ |
V |
|
Butler, Sam |
|
|
1926 |
2:43 |
New York City |
30.09.1926 |
|
E-3878/9 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
0423 |
|
Vocalion 1057 |
|
Jefferson County Blues |
➧ |
V |
|
Butler, Sam |
|
|
1926 |
2:44 |
New York City |
30.09.1926 |
|
E-3874/5 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
0423 |
|
Vocalion 1057 |
|
Poor Boy Blues |
➧ |
V |
|
Butler, Sam |
|
|
1926 |
2:48 |
New York City |
30.09.1926 |
|
E-3872/3 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
0423 |
|
Vocalion 1058 |
|
High Fever |
|
I |
|
Williams, Fess & His Royal Flush Orchestra |
|
|
1926 |
|
|
18.11.1926 |
|
E-4092 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 15492“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15492 |
Musik: Harrison, Charles F./Text: Sanders, Joe |
|
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|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1058 |
|
Atlanta Black Bottom |
|
I |
|
Williams, Fess & His Royal Flush Orchestra |
|
|
1926 |
|
|
18.11.1926 |
|
E-4094 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 15492“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15492 |
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1059 |
A |
Someday Sweetheart |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1926 |
2:56 |
Chicago |
17.09.1926 |
|
E-3843/2 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 15493“. Siehe auch: Bemerkung. |
820531 |
00125271204 |
| APM |
Vocalion 15493 |
Musik + Text: Spikes, Benjamin F./Spikes, John Curry |
09.04.1927 |
|
|
Joel Whitburn's Pop Memories 1890-1954 |
|
COVER. Original filtern. |
Vocalion 1059 |
B |
Dead Man Blues |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1926 |
2:45 |
Chicago |
17.09.1926 |
|
E-3845/4 |
|
|
|
|
|
Vocalion 15493 |
Musik: Morton, Ferdinand Joseph/Text: Gonzales |
|
|
|
RHJ |
|
|
Vocalion 1060 |
|
Forty Seventh Street Stomp |
|
|
|
Jimmy Bertrand's Washboard Wizards |
|
|
1926 |
|
Chicago |
16.09.1926 |
|
E-3832/3 |
|
|
|
|
|
|
Musik: Blythe, Jimmy |
|
|
|
RHJ |
|
|
Vocalion 1060 |
A |
Idle Hour Special |
➧ |
|
|
Jimmy Bertrand's Washboard Wizards |
|
|
1926 |
2:56 |
Chicago |
16.09.1926 |
|
E-3830/1 |
|
|
|
|
|
|
Musik: Blythe, Jimmy |
|
|
|
RHJ |
|
|
Vocalion 1061 |
A |
Just Beyond Jordan |
|
|
|
Taggart, Blind Joe |
|
|
1926 |
|
|
06.11.1926 |
|
E-4054w |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2244s“. Siehe auch: Bemerkung. |
|
|
|
|
|
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|
The Online Discographical Project |
|
|
Vocalion 1061 |
B |
Take Your Burden To The Lord |
|
|
|
Taggart, Blind Joe |
|
|
1926 |
|
|
06.11.1926 |
|
E-4050/1W |
|
|
|
|
|
|
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|
|
|
The Online Discographical Project |
|
|
Vocalion 1062 |
|
I Will Not Be Moved |
|
|
|
Taggart, Blind Joe |
|
|
1926 |
|
|
06.11.1926 |
|
E-4044/5 |
|
|
|
|
|
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1062 |
|
Everybody's Got To Be Tried |
|
|
|
Taggart, Blind Joe |
|
|
1926 |
|
|
06.11.1926 |
|
E-4046/7 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1063 |
|
I'll Be Satisfied |
|
|
|
Taggart, Blind Joe |
|
|
1926 |
|
|
06.11.1926 |
|
E-4048/9 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1063 |
|
I Wish That My Mother Was On That Train |
|
|
|
Taggart, Blind Joe |
|
|
1926 |
|
|
06.11.1926 |
|
E-4052/3 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2243s“. Siehe auch: Bemerkung. |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1064 |
|
East St. Louis Toodle-O |
➧ |
I |
|
Ellington, Duke & His Orchestra |
|
|
1926 |
2:55 |
|
29.11.1926 |
|
E-4110/1 |
|
|
|
|
|
|
Musik: Ellington, Duke/Text: Miley, Bubber |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1064 |
|
Birmingham Breakdown |
➧ |
I |
|
Ellington, Duke & His Orchestra |
|
|
1926 |
2:49 |
|
29.11.1926 |
|
E-4114/5 |
|
|
|
| |
|
Musik + Text: Ellington, Duke |
|
|
|
The Online Discographical Project |
|
ORIGINAL. Cover filtern. |
Vocalion 1065 |
|
Clarinet Marmalade |
➧ |
I |
|
Henderson, Fletcher & His Orchestra |
|
|
1926 |
3:14 |
|
08.12.1926 |
|
E-4182/3 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 15497“. Siehe auch: Bemerkung. |
811004 |
00009897247 |
| Album1442 |
Vocalion 15497 |
Musik: Ragas, Henry/Shields, Larry |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1066 |
|
I've Opened My Soul |
|
|
|
Swanee Jubilee Singers |
|
|
1926 |
|
|
15.12.1926 |
|
E-4168/9 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1066 |
|
My Good Lord's Done Been Here |
|
|
|
Swanee Jubilee Singers |
|
|
1926 |
|
|
15.12.1926 |
|
E-4166/7 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1067 |
A |
Noah Building The Ark |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
Sister Worell & Sister McBride |
1926 |
3:01 |
New York City |
08.12.1926 |
|
E-4192/3 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1067 |
B |
Christ Healing The Blind |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
Sister Worell & Sister McBride |
1926 |
3:04 |
New York City |
08.12.1926 |
|
E-4196/7 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1068 |
|
Prodigal Son, The |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
|
1926 |
3:03 |
|
08.12.1926 |
|
E-4190/1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1068 |
|
Zacharias The Tax Collector |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
Sister Worell & Sister McBride |
1926 |
2:25 |
New York City |
08.12.1926 |
|
E-4194 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1069 |
|
Washboard Blues (Ver.2) |
➧ |
|
|
Nichols, Red & His 5 Pennies |
|
|
1926 |
3:04 |
New York City |
08.12.1926 |
|
E-4179 |
|
|
|
| JazzCharts905 |
|
Musik: Carmichael, Hoagy/Mills, Irving/Text: Callahan, Fred B. |
|
Auf Vocalion 15498 und Brunswick 40608 ist eine andere Aufnahme. |
|
Jazz Records 1897-1942. 1.968 Seiten. |
|
|
Vocalion 1069 |
A |
That's No Bargain (Ver.2) |
➧ |
|
|
Nichols, Red & His 5 Pennies |
|
|
1926 |
2:45 |
New York City |
08.12.1926 |
|
E-4180/1 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 3407“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15498 |
Musik + Text: Nichols, Red |
|
|
|
Jazz Records 1897-1942. 1.968 Seiten. |
|
|
Vocalion 1070 |
|
Keep On The Firing Line |
|
|
|
Taggart, Blind Joe |
|
|
1926 |
|
|
05.12.1926 |
|
E-4170/1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1070 |
|
Half Ain't Never Been Told, The |
➧ |
|
|
Taggart, Blind Joe |
|
|
1926 |
2:50 |
|
05.12.1926 |
|
E-4172/3 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1071 |
|
Go Thou And Preach My Gospel |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
Sister Worell & Sister McBride |
1926 |
2:57 |
New York City |
17.12.1926 |
|
E-4242w |
|
|
|
|
|
Supertone S 2239 |
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1071 |
|
Must I Bear The Cross Alone |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
Sister Worell & Sister McBride |
1926 |
2:54 |
New York City |
17.12.1926 |
|
E-4246w |
|
|
|
|
|
Supertone S 2239 |
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1072 |
|
Daniel In The Lion's Den |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
Sister Worell & Sister McBride |
1926 |
3:03 |
New York City |
17.12.1926 |
|
E-4244/5 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1072 |
|
What A Man Soweth So Shall He Reap |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
Sister Worell & Sister McBride |
1926 |
3:01 |
New York City |
17.12.1926 |
|
E-4248/9 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1073 |
|
Go Down Moses |
|
V |
|
Hayes, Roland |
|
|
1923 |
|
|
|
|
C-7837 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2238“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik: Traditional |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1073 |
|
Bye And Bye |
|
V |
|
Hayes, Roland |
|
|
1923 |
|
|
|
|
E02874 |
England |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1074 |
|
Steal Away |
|
V |
|
Hayes, Roland |
|
|
1923 |
|
|
|
|
2875 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1074 |
|
Swing Low Sweet Chariot |
|
V |
|
Hayes, Roland |
|
|
1923 |
|
|
|
|
C-7799 |
|
|
|
|
|
Supertone S 2238 |
|
|
(chicago) |
|
The Online Discographical Project |
|
|
Vocalion 1075 |
|
Someday Sweetheart |
|
|
|
Thompson, Evelyn |
Pseudonym |
|
1928 |
|
New York City |
11.12.1928 |
|
E-4224/25 |
|
820531 |
00125271204 |
|
|
|
Musik + Text: Spikes, Benjamin F./Spikes, John Curry |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
COVER. Original filtern. |
Vocalion 1075 |
|
I Got A Papa Down In New Orleans |
|
|
|
Thompson, Evelyn |
Pseudonym |
|
1928 |
|
New York City |
11.12.1928 |
|
E-4226/27 |
|
|
|
|
|
|
Musik: Culley/Text: McHugh, Jimmy/Mills, Irving |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1076 |
|
Buddy's Habits |
➧ |
|
|
Nichols, Red & His 5 Pennies |
|
|
1927 |
2:53 |
New York City |
20.12.1926 |
|
E-4263/5 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1076“. Siehe auch: Bemerkung. |
933101 |
00495567203 |
|
|
Vocalion 15573 |
Musik: Nelson, Arnett/Text: Straight, Charley |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1076 |
|
Boneyard Shuffle |
➧ |
|
|
Nichols, Red & His 5 Pennies |
|
|
1926 |
3:08 |
|
20.12.1926 |
|
E-4260 |
|
|
|
|
|
|
Musik: Carmichael, Hoagy/Text: Mills, Irving |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1077 |
A |
Immigration Blues |
➧ |
I |
|
Ellington, Duke & His Orchestra |
|
|
1926 |
3:03 |
|
29.12.1926 |
|
E-4321 |
|
|
|
|
|
|
Musik: Ellington, Duke |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1077 |
B |
Creeper, The |
➧ |
I |
|
Ellington, Duke & His Orchestra |
|
|
1926 |
2:52 |
|
29.12.1926 |
|
E-4323/24 |
|
|
|
|
|
|
Musik: Ellington, Duke |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1079 |
|
Baby Won't You Please Come Home |
➧ |
V |
|
Henderson, Fletcher & His Orchestra feat. Thompson, Evelyn |
Pseudonym |
|
1927 |
2:57 |
New York City |
19.01.1927 |
|
E-4394 |
|
878293 |
|
|
|
|
Musik + Text: Warfield, Charles/Williams, Clarence |
|
„Thompson, Evelyn“ ist ein Pseudonym von „Preer, Evelyn“. |
|
Jazz Records 1897-1942. 1.968 Seiten. |
|
COVER. Original filtern. |
Vocalion 1707 |
|
Hell Bound Boy Blues |
|
|
|
Jordan, Charley |
|
|
1932 |
|
|
15.03.1932 |
|
11490-A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1708 |
|
Grand Daddy Blues |
|
|
|
Short, Jelly Jaw |
|
|
1932 |
|
|
14.03.1932 |
|
11479-A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1708 |
|
Let Me Mash That Thing |
|
|
|
Short, Jelly Jaw |
|
|
1932 |
|
|
14.03.1932 |
|
11478-A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1709 |
|
Lonesome Nights |
➧ |
V |
|
Carr, Leroy |
|
|
1932 |
3:02 |
|
15.03.1932 |
|
11496 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1709 |
|
I Keep The Blues |
|
|
|
Carr, Leroy & Blackwell, Scrapper |
|
|
1932 |
|
|
15.03.1932 |
|
11497 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1710 |
|
If You See My Saviour |
➧ |
V |
|
Dorsey, Thomas A. |
|
|
1932 |
2:48 |
New York City |
17.03.1932 |
|
11511-B |
|
4289681 |
00055032802 |
| Deezer |
|
Musik + Text: Dorsey, Thomas A. |
|
Thomas A. Dorsey (The Gospel Singer). Gesang mit Piano und Gitarre. Auf Vocalion 4646 als „Georgia Tom“ veröffentlicht. |
|
Blues & Gospel Records 1890-1943 |
|
ORIGINAL. Cover filtern. |
Vocalion 1710 |
|
How About You |
|
V |
|
Dorsey, Thomas A. |
|
|
1932 |
2:56 |
New York City |
17.03.1932 |
|
11510-A |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 4646“. Siehe auch: Bemerkung. |
|
|
|
|
|
|
|
Thomas A. Dorsey (The Gospel Singer). Gesang mit Piano und Gitarre. Auf Vocalion 4646 als „Georgia Tom“ veröffentlicht. |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1711 |
|
Kind Treatment Blues |
|
V |
|
Memphis Minnie |
|
|
1932 |
|
|
03.02.1932 |
|
11218 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1711 |
|
Fishin' Blues |
|
V |
|
Memphis Minnie |
|
|
1932 |
|
|
03.02.1932 |
|
11213 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1712 |
|
Too Long |
➧ |
V |
|
McCoy, „Papa“ Charlie |
|
|
1932 |
3:21 |
New York City |
04.02.1932 |
|
11228 |
|
|
|
|
|
|
Musik + Text: McCoy, Charlie |
|
|
|
Blues & Gospel Records 1890-1943 |
0560 |
|
Vocalion 1712 |
|
Times Ain't What They Used To Be |
➧ |
V |
|
McCoy, „Papa“ Charlie |
|
|
1932 |
3:24 |
New York City |
03.02.1932 |
|
11209 |
|
|
|
|
|
|
Musik + Text: McCoy, Charlie |
|
|
|
Blues & Gospel Records 1890-1943 |
0560 |
|
Vocalion 1713 |
|
Hog Love Blues |
|
|
|
Pretty Boy Walker |
|
|
1932 |
|
|
03.03.1932 |
|
11486-A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1713 |
|
Break I'm Getting, The |
|
|
|
Pretty Boy Walker |
|
|
1932 |
|
|
03.03.1932 |
|
11485-A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1714 |
A |
Sympathetic Blues |
|
|
|
Eddie & Sugar Lou's Hotel Tyler Orchestra |
|
|
1931 |
|
Dallas |
15.01.1931 |
|
DAL-6799 |
|
|
|
|
|
|
Musik: Fennell, Douglas/Text: Morgan, Charles |
|
|
|
RHJ |
|
|
Vocalion 1714 |
B |
Sorrowful Blues |
|
|
|
Eddie & Sugar Lou's Hotel Tyler Orchestra |
|
|
1931 |
3:20 |
Dallas |
15.01.1931 |
|
DAL-7001 |
|
|
|
| Deezer |
|
Musik: Fennell, Douglas/Text: Morgan, Charles |
|
|
|
RHJ |
|
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Vocalion 1715 |
|
Hospital Blues |
|
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|
Brown, Hi Henry |
|
|
1932 |
|
|
17.03.1932 |
|
11507 |
|
|
|
|
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|
The Online Discographical Project |
|
|
Vocalion 1715 |
|
Brown Skin Angel Blues |
|
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Brown, Hi Henry |
|
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1932 |
|
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17.03.1932 |
|
11508 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1716 |
|
Quittin' Papa |
➧ |
V |
|
Carr, Leroy |
|
|
1932 |
3:08 |
|
15.03.1932 |
|
11495 |
|
|
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|
The Online Discographical Project |
|
|
Vocalion 1716 |
|
How Long Has That Evening Train Been Gone |
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Carr, Leroy & Blackwell, Scrapper |
|
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1932 |
|
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15.03.1932 |
|
11494 |
|
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|
The Online Discographical Project |
|
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Vocalion 1717 |
|
Sugar Farm Blues |
|
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Jordan, Charley |
|
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1932 |
|
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14.03.1932 |
|
11473-A |
|
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Musik: Rachel, Yank |
|
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|
The Online Discographical Project |
|
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Vocalion 1717 |
|
Honey Sucker Blues |
|
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|
Jordan, Charley |
|
|
1932 |
|
|
14.03.1932 |
|
11472-A |
|
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|
The Online Discographical Project |
|
|
Vocalion 1718 |
|
You Know You Done Me Wrong |
|
V |
|
Kansas Joe |
|
|
1932 |
3:14 |
|
03.02.1932 |
|
11219 |
|
|
|
| 016351202925 |
|
Musik: |
|
Mccoy |
|
The Online Discographical Project |
|
|
Vocalion 1718 |
|
Jailhouse Trouble Blues |
|
V |
|
Memphis Minnie |
|
|
1932 |
|
|
03.02.1932 |
|
11214 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1719 |
A |
Greasy Greens |
➧ |
V |
|
Bumble Bee Slim |
|
|
1932 |
2:54 |
New York City |
16.03.1932 |
|
11502-A |
|
|
|
| DOCD-5261 |
|
Musik + Text: Williams |
|
Bürgerliche Name: „Easton, Amos“. |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1719 |
B |
I'm Waitin' On You |
➧ |
V |
|
Bumble Bee Slim |
|
|
1932 |
2:58 |
New York City |
16.03.1932 |
|
11503-A |
|
|
|
| DOCD-5261 |
|
Musik + Text: Williams |
|
Bürgerliche Name: „Easton, Amos“. |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1720 |
|
Queen Bee Blues |
➧ |
V |
|
Bumble Bee Slim |
|
|
1932 |
3:15 |
New York City |
16.03.1932 |
|
11505-A |
|
|
|
| DOCD-5261 |
|
Musik + Text: Williams |
|
Bürgerliche Name: „Easton, Amos“. |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1720 |
|
B And O Blues |
➧ |
V |
|
Bumble Bee Slim |
|
|
1932 |
3:01 |
New York City |
16.03.1932 |
|
11504-A |
|
|
|
| DOCD-5261 |
|
Musik + Text: Williams |
|
Bürgerliche Name: „Easton, Amos“. |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1721 |
|
Down In Black Bottom |
|
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|
Black Bottom Mcphail |
|
|
1932 |
|
|
17.03.1932 |
|
11512 |
|
|
|
|
|
|
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|
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|
The Online Discographical Project |
|
|
Vocalion 1721 |
|
Whiskey Man Blues |
|
|
|
Black Bottom Mcphail |
|
|
1932 |
|
|
17.03.1932 |
|
11514 |
|
|
|
|
|
|
|
|
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|
The Online Discographical Project |
|
|
Vocalion 1722 |
|
All Alone Blues |
|
|
|
Wheatstraw, Peetie |
|
|
1932 |
|
|
15.03.1932 |
|
11493 |
|
|
|
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|
Vocalion 4912 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1722 |
|
Police Station Blues |
➧ |
|
|
Wheatstraw, Peetie |
|
|
1932 |
3:05 |
New York City |
15.03.1932 |
|
11492-A |
|
|
|
| Archiv0022 |
Conqueror 9201 |
Musik + Text: Bunch, William |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1723 |
A |
Cruel Mama Blues |
|
|
|
Eddie & Sugar Lou's Hotel Tyler Orchestra |
|
|
1931 |
|
Dallas |
15.01.1931 |
|
DAL-6798 |
|
|
|
|
|
|
Musik: Fennell, Douglas/Text: Morgan, Charles |
|
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|
RHJ |
|
|
Vocalion 1723 |
B |
Love Song Blues |
|
|
|
Eddie & Sugar Lou's Hotel Tyler Orchestra |
|
|
1931 |
|
Dallas |
15.01.1931 |
|
DAL-7000 |
|
|
|
|
|
|
Musik: Fennell, Douglas/Text: Morgan, Charles |
|
|
|
RHJ |
|
|
Vocalion 1724 |
|
It Don't Mean A Thing (If It Ain't Got That Swing) |
|
V |
|
Washboard Rhythm Kings |
|
|
1932 |
2:57 |
|
05.10.1932 |
|
12427 |
|
|
|
|
|
|
Musik: Ellington, Duke/Text: Mills, Irving |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1724 |
|
Sentimental Gentleman From Georgia |
➧ |
|
|
Washboard Rhythm Kings |
|
|
1932 |
2:50 |
|
05.10.1932 |
|
12426-1 |
|
|
|
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|
|
Musik: Parish, Mitchell/Text: Perkins, Frank |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1725 |
|
Scat Song, The |
➧ |
|
|
Washboard Rhythm Kings |
|
|
1932 |
2:38 |
|
05.10.1932 |
|
12431-1 |
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1725 |
|
Somebody Stole Gabriel's Horn |
➧ |
|
|
Washboard Rhythm Kings |
|
|
1932 |
3:11 |
|
05.10.1932 |
|
12429-1 |
|
|
|
|
|
|
Musik: Mills, Irving/Hayes, Edgar/Text: Washington, Ned |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1726 |
|
Bottle It Up |
|
V |
|
McCoy, Charlie |
|
|
1932 |
|
|
03.02.1932 |
|
11208 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1726 |
|
That Will Be Your End Blues |
|
V |
|
McCoy, Charlie |
|
|
1932 |
|
|
04.02.1932 |
|
11229 |
|
|
|
|
|
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1727 |
|
Can't See Blues |
|
|
|
Wheatstraw, Peetie |
|
|
1932 |
|
|
15.03.1932 |
|
11518 |
|
|
|
|
|
Vocalion 4912 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1727 |
|
Sleepless Nights Blues |
|
|
|
Wheatstraw, Peetie |
|
|
1932 |
|
|
15.03.1932 |
|
11519 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1728 |
|
Titanic Blues |
|
|
|
Brown, Hi Henry |
|
|
1932 |
|
|
14.03.1932 |
|
11476-A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1728 |
|
Preacher Blues |
|
|
|
Brown, Hi Henry |
|
|
1932 |
|
|
14.03.1932 |
|
11477-A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1729 |
|
Syncopate Your Sins Away |
|
|
|
Washboard Rhythm Kings |
|
|
1932 |
|
|
14.12.1932 |
|
12724 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1729 |
|
Gotta Be Gonna Be Mine |
|
|
|
Washboard Rhythm Kings |
|
|
1932 |
|
|
14.12.1932 |
|
12721 |
|
|
|
|
|
|
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|
|
|
The Online Discographical Project |
|
|
Vocalion 1730 |
|
Oh! You Sweet Thing |
➧ |
|
|
Washboard Rhythm Kings |
|
|
1932 |
2:53 |
|
14.12.1932 |
|
12716-A |
|
|
|
|
|
|
Musik: Waller, Fats/Text: Razaf, Andy |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1730 |
|
Something's Gotta Be Done |
➧ |
|
|
Washboard Rhythm Kings |
|
|
1932 |
3:12 |
|
14.12.1932 |
|
12717-A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1731 |
|
Yes Suh |
|
|
|
Washboard Rhythm Kings |
|
|
1932 |
|
|
14.12.1932 |
|
12718 |
|
|
|
|
|
|
Musik: Razaf, Andy/Text: Dowell, Edgar |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1731 |
|
Angeline |
➧ |
|
|
Washboard Rhythm Kings |
|
|
1932 |
3:09 |
|
14.12.1932 |
|
12719 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1732 |
|
Blue Drag |
➧ |
|
|
Washboard Rhythm Kings |
|
|
1932 |
3:12 |
|
14.12.1932 |
|
12723 |
|
|
|
|
|
|
Musik + Text: Myrow, Josef |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1732 |
|
Wah Dee Dah |
|
|
|
Washboard Rhythm Kings |
|
|
1932 |
|
|
14.12.1932 |
|
12722-A |
|
|
|
|
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|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1733 |
|
Old Yazoo |
➧ |
|
|
Washboard Rhythm Kings |
|
|
1932 |
2:58 |
|
14.12.1932 |
|
12720-A |
|
|
|
|
|
|
Musik + Text: Waller, Fats |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1733 |
|
I'm Getting Sentimental Over You |
|
|
|
Washboard Rhythm Kings |
|
|
1932 |
|
|
14.12.1932 |
|
12725 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1734 |
|
I Would Do Anything For You |
➧ |
|
|
Washboard Rhythm Kings |
|
|
1932 |
2:39 |
|
05.10.1932 |
|
12428-1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1734 |
|
Spider Crawl |
➧ |
|
|
Washboard Rhythm Kings |
|
|
1932 |
3:10 |
|
05.10.1932 |
|
12430 |
|
|
|
|
|
|
Musik: Bland, Jack/Text: Condon, Eddy |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1735 |
|
Bye Bye Mama |
|
V |
|
Miller, Jim |
Pseudonym |
|
1933 |
3:12 |
New York City |
16.01.1933 |
|
12907-1 |
|
|
|
|
|
Romeo 5252 |
Musik: Nicht angegeben/DP |
|
Pseudonym von „Moss, Buddy“. |
|
Blues & Gospel Records 1890-1943 |
0666 |
|
Vocalion 1735 |
|
T B's Killing Me |
|
V |
|
Miller, Jim |
Pseudonym |
|
1933 |
2:54 |
New York City |
18.01.1933 |
|
12937-1 |
Original vermutl. auf „Banner 32736“. Siehe: Bemerkung. |
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
Pseudonym von „Moss, Buddy“. |
|
Blues & Gospel Records 1890-1943 |
0666 |
|
Vocalion 1736 |
|
Sweet Feet |
➧ |
|
|
Memphis Nighthawks |
|
|
1932 |
2:36 |
|
01.04.1932 |
|
11633-1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1736 |
|
Jockey Stomp |
|
|
|
Memphis Nighthawks |
|
|
1932 |
|
|
30.03.1932 |
|
11622-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1737 |
|
Joker Man Blues |
➧ |
V |
|
Miller, Jim |
Pseudonym |
|
1933 |
2:52 |
|
19.01.1933 |
|
12956-1 |
|
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
Pseudonym von „Moss, Buddy“. |
|
The Online Discographical Project |
|
|
Vocalion 1737 |
|
Next Door Man |
➧ |
V |
|
Miller, Jim |
Pseudonym |
|
1933 |
3:07 |
New York City |
19.01.1933 |
|
12953-1 |
|
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
Pseudonym von „Moss, Buddy“. |
|
Blues & Gospel Records 1890-1943 |
0999 |
|
Vocalion 1738 |
|
Tiger Rag |
|
V |
|
Windy City Four |
|
|
1931 |
2:21 |
Chicago |
13.04.1931 |
|
C-548-3 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Conqueror 8167“. Siehe auch: Bemerkung. |
796525 |
00009897247 |
|
|
|
Musik: LaRocca, D. James/Ragas, Henry/Shields, Larry/Text: DeCosta, Harry/Edwards, Edwin B. |
|
Pseudonym von „Maple City Four“. |
|
Country Music Records: A Discography, 1921-1942. |
0587 |
COVER. Original filtern. |
Vocalion 1738 |
|
Oh Monah |
|
V |
|
Windy City Four |
|
|
1931 |
2:44 |
Chicago |
13.04.1931 |
|
C-549-2 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Conqueror 8167“. Siehe auch: Bemerkung. |
988073 |
00023764981 |
|
|
|
Musik + Text: Washburn, Country/Weems, Ted |
|
Pseudonym von „Maple City Four“. |
|
Country Music Records: A Discography, 1921-1942. |
0587 |
COVER. Original filtern. |
Vocalion 1739 |
|
Mama's Doughnut |
|
V |
|
Stable Boy Sam |
Pseudonym |
|
1933 |
2:56 |
New York City |
05.01.1933 |
|
12830-1 |
|
|
|
|
|
|
Musik: SSmith, Spark Plug/Text: Plug, Smith, Spark |
|
Smith Pseudonym von „Smith, Spark Plug“. |
|
Blues & Gospel Records 1890-1943 |
0836 |
|
Vocalion 1739 |
|
Vampire Women |
|
V |
|
Stable Boy Sam |
Pseudonym |
|
1933 |
|
New York City |
06.01.1933 |
|
12848-1 |
|
|
|
|
|
|
|
|
Smith Pseudonym von „Smith, Spark Plug“. |
|
Blues & Gospel Records 1890-1943 |
0836 |
|
Vocalion 1740 |
|
Decatur Street Blues |
|
I |
|
Miller, Jim |
Pseudonym |
|
1933 |
2:49 |
New York City |
19.01.1933 |
|
12952-1 |
Original vermutl. auf „Banner 32785,Melotone 12720,Melotone 12720“. |
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
|
|
Blues & Gospel Records 1890-1943 |
0999 |
|
Vocalion 1740 |
|
Tampa Strut |
➧ |
I |
|
Georgia Browns, The |
|
|
1933 |
2:57 |
New York City |
19.01.1933 |
|
12951-1 |
|
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
|
|
Blues & Gospel Records 1890-1943 |
0999 |
|
Vocalion 1740 |
|
Tampa Strut |
➧ |
I |
|
Georgia Browns, The |
|
|
1933 |
2:57 |
New York City |
19.01.1933 |
|
12951-1 |
|
|
|
|
|
Perfect 242 |
Musik: Nicht angegeben/DP |
|
|
|
Blues & Gospel Records 1890-1943 |
0999 |
|
Vocalion 1741 |
|
Hard Times Blues |
➧ |
V |
|
Miller, Jim |
Pseudonym |
|
1933 |
3:18 |
New York City |
19.01.1933 |
|
12944-1 |
Original vermutl. auf „Banner 32736“. Siehe: Bemerkung. |
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
Pseudonym von „Moss, Buddy“. |
|
Blues & Gospel Records 1890-1943 |
0667 |
|
Vocalion 1741 |
|
Hard Road Blues |
➧ |
V |
|
Miller, Jim |
Pseudonym |
|
1933 |
3:16 |
New York City |
19.01.1933 |
|
12946-1 |
Original vermutl. auf „Banner 33106“. Siehe: Bemerkung. |
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
Pseudonym von „Moss, Buddy“. |
|
Blues & Gospel Records 1890-1943 |
0667 |
|
Vocalion 1742 |
|
Double Crossin Woman Blues |
|
|
|
Tippy Barton |
|
|
1932 |
|
|
12.04.1932 |
|
11695-1 |
|
|
|
|
|
|
|
|
J.white |
|
The Online Discographical Project |
|
|
Vocalion 1742 |
|
High Brown Cheater |
|
|
|
Tippy Barton |
|
|
1932 |
|
|
12.04.1932 |
|
11694-1 |
|
|
|
|
|
|
|
|
J.white |
|
The Online Discographical Project |
|
|
Vocalion 1743 |
|
Leg Iron Blues |
|
V |
|
Gordon, Slim |
Pseudonym |
|
1933 |
3:17 |
New York City |
18.01.1933 |
|
12932-1 |
Original vermutl. auf „Perfect 241, Banner 32784, Melotone 12719“. Siehe: Bemerkung. |
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
Pseudonym von „Weaver, Curley“. |
|
Blues & Gospel Records 1890-1943 |
0999 |
|
Vocalion 1743 |
|
Poor Stranger Blues |
|
|
|
Fred Mcmullen+slim Gordon |
|
|
1933 |
|
|
18.01.1933 |
|
12930-1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1744 |
|
Come On In, Baby |
|
|
|
Memphis Nighthawks |
|
|
1932 |
|
|
01.04.1932 |
|
11627-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1744 |
|
Biscuit Roller |
|
|
|
Memphis Nighthawks |
|
|
1932 |
|
|
30.03.1932 |
|
11618-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1745 |
A |
Bull Cow Blues |
➧ |
V |
|
Broonzy, Big Bill |
|
|
1932 |
2:56 |
|
29.03.1932 |
|
11610 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Melotone 12570“. Siehe auch: Bemerkung. |
|
|
| 9e124119 |
Melotone M 12570 |
Musik + Text: Broonzy, William Lee Conley |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1745 |
B |
How You Want It Done |
➧ |
V |
|
Broonzy, Big Bill |
|
|
1932 |
2:51 |
|
29.03.1932 |
|
11611-2 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Banner 32436“. Siehe auch: Bemerkung. |
|
|
| 9e124119 |
|
Musik + Text: Broonzy, William Lee Conley |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1079 |
|
Some Of These Days |
➧ |
V |
|
Henderson, Fletcher & His Orchestra feat. Thompson, Evelyn |
Pseudonym |
|
1927 |
3:00 |
New York City |
19.01.1927 |
|
E-4397 |
|
|
|
|
|
|
Musik + Text: Brooks, Shelton |
|
„Thompson, Evelyn“ ist ein Pseudonym von „Preer, Evelyn“. |
|
Jazz Records 1897-1942. 1.968 Seiten. |
|
COVER. Original filtern. |
Vocalion 1080 |
|
Down In The Alley |
|
V |
|
Miller, Luella |
|
|
1927 |
|
|
28.01.1927 |
|
E-4440/1 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1080 |
|
Twelve O'clock Blues |
|
V |
|
Miller, Luella |
|
|
1927 |
|
|
28.01.1927 |
|
E-4438/9 |
|
|
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|
|
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|
The Online Discographical Project |
|
|
Vocalion 1081 |
|
Rattlesnake Groan |
|
V |
|
Miller, Luella |
|
|
1927 |
|
|
28.01.1927 |
|
E-4444/5 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1081 |
|
Dreaming Of You Blues |
|
V |
|
Miller, Luella |
|
|
1927 |
|
|
28.01.1927 |
|
E-4442/3 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1082 |
|
Your Enemy Cannot Harm You |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1926 |
2:59 |
|
08.12.1926 |
|
E-4186 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1082“. Siehe auch: Bemerkung. |
|
|
|
|
Melotone M 12546 |
|
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|
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|
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|
Vocalion 1082 |
|
Your Enemy Cannot Harm You |
|
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|
Clayborn, Edward W. Rev. |
|
|
1926 |
2:59 |
|
08.12.1926 |
|
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|
|
www.musiktiteldb.de |
|
|
Vocalion 1082 |
|
Gospel Train's Coming, The |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1926 |
2:51 |
|
08.12.1926 |
|
E-4188 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1082“. Siehe auch: Bemerkung. |
|
|
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|
Melotone M 12546 |
|
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|
Vocalion 1083 |
|
After You've Gone |
|
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|
Thompson, Evelyn |
Pseudonym |
|
1927 |
|
New York City |
02.02.1927 |
|
E-4497/8 |
|
1154450 |
00021565801 |
|
|
|
Musik + Text: Creamer, Henry/Layton, Turner |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
COVER. Original filtern. |
Vocalion 1083 |
|
Stack O'lee Blues |
|
|
|
Thompson, Evelyn |
Pseudonym |
|
1927 |
|
New York City |
02.02.1927 |
|
E-4500/02 |
|
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|
|
|
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|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1084 |
|
When Tomorrow Comes |
|
|
|
Thompson, Evelyn |
Pseudonym |
|
1927 |
|
|
15.02.1927 |
|
E-4542/4 |
|
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|
|
|
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|
|
|
The Online Discographical Project |
|
|
Vocalion 1084 |
|
When Tomorrow Comes |
|
|
|
Thompson, Eveyln |
|
|
1927 |
|
|
17.02.1927 |
|
E-4542/4 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1084“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15529 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1084 |
|
One More Kiss |
|
|
|
Thompson, Eveyln |
|
|
1927 |
|
New York City |
10.02.1927 |
|
E-4585/6 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 3465“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15529 |
Musik + Text: Grainger, Porter/Preer, Evelyn |
|
Auf Brunswick 3465 unter dem Pseudonym von Knox, Eva veröffentlicht. |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1085 |
|
My Pretty Girl |
|
I |
|
Williams, Fess & His Royal Flush Orchestra |
|
|
1927 |
|
|
03.02.1927 |
|
E-4506 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1085 |
|
White Ghost Shivers |
|
I |
|
Williams, Fess & His Royal Flush Orchestra |
|
|
1927 |
|
|
03.02.1927 |
|
E-4503 |
|
|
|
|
|
|
Musik + Text: Tarto/Swan |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1086 |
A |
Song Of The Cottonfield |
|
|
|
Ellington, Duke & His Kentucky Club Orchestra |
|
|
1927 |
|
|
03.02.1927 |
|
E-4511 |
|
|
|
|
|
|
Musik: Grainger, Porter |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1086 |
B |
New Orleans Low-Down |
➧ |
|
|
Ellington, Duke & His Kentucky Club Orchestra |
|
|
1927 |
3:00 |
|
03.02.1927 |
|
E-4510 |
|
|
|
|
|
|
Musik: Ellington, Duke |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1087 |
|
I Wasn't Scared But I Thought I Had Better Go |
|
I |
|
Williams, Fess & His Royal Flush Orchestra |
|
|
1927 |
|
|
25.02.1927 |
|
E-4601 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1087 |
|
Gambler's Blues |
|
I |
|
Williams, Fess & His Royal Flush Orchestra |
|
|
1927 |
|
|
25.02.1927 |
|
E-4598 |
|
|
|
|
|
|
Musik: Traditional/Text: Primrose, Joe |
|
|
|
The Online Discographical Project |
|
ORIGINAL. Cover filtern. |
Vocalion 1088 |
|
Cushion Foot Stomp |
➧ |
|
|
Williams, Clarence & His Washboard Band |
|
|
1927 |
3:00 |
|
18.03.1927 |
|
B 21786-7 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1088“. Siehe auch: Bemerkung. |
|
|
|
|
Brunswick 7000 |
Musik: Williams, Clarence |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1088 |
|
P.D.Q. Blues (Black Cat Blues) |
|
|
|
Williams, Clarence & His Washboard Band |
|
|
1927 |
|
|
08.03.1927 |
|
E-4726 |
E4726/27 |
|
|
|
|
|
Musik: Simson, Henry |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1088 |
|
P.D.Q. Blues |
➧ |
|
|
Williams, Clarence & His Washboard Band |
|
|
1927 |
2:53 |
|
18.03.1927 |
|
E-21789-9 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1088“. Siehe auch: Bemerkung. |
|
|
|
|
Brunswick 7000 |
Musik: Simpson, Casino |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1089 |
|
He 'Rose From The Dead |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
Sister Worell & Sister McBride |
1927 |
2:48 |
New York City |
18.03.1927 |
|
E-4694/5 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1089 |
|
Christ's Baptism |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
Sister Worell & Sister McBride |
1927 |
2:55 |
New York City |
18.03.1927 |
|
E-4692/3 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1090 |
A |
John Henry Blues |
|
|
|
Wm.francis+richard Sowell |
|
|
1927 |
|
|
28.02.1927 |
|
E-4603 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1090 |
B |
Roubin Blues |
|
|
|
Wm.francis+richard Sowell |
|
|
1927 |
|
|
18.03.1927 |
|
E-4606 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1091 |
|
Black Horse Pawin' In The Valley |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
Sister Worell & Sister McBride |
1927 |
3:00 |
New York City |
18.03.1927 |
|
E-4698/9 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1091 |
|
God Heard Prayer |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
Sister Worell & Sister McBride |
1927 |
2:52 |
New York City |
18.03.1927 |
|
E-4696/7 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1092 |
|
Sensation |
➧ |
I |
|
Henderson, Fletcher & His Orchestra |
|
|
1927 |
2:47 |
|
19.03.1927 |
|
E-4790 |
|
|
|
|
|
|
Musik + Text: Edwards, Eddie |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1092 |
|
Fidgety Feet |
➧ |
I |
|
Henderson, Fletcher & His Orchestra |
|
|
1927 |
2:59 |
|
19.03.1927 |
|
E-4787 |
|
|
|
| APM |
|
Musik: LaRocca, Nick/Text: Shields, Larry |
20.08.1927 |
|
|
Joel Whitburn's Pop Memories 1890-1954 |
|
COVER. Original filtern. |
Vocalion 1093 |
|
Jesus Will Make It Alright |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
3:06 |
|
19.04.1927 |
|
C-744/5 |
|
|
|
|
|
|
|
|
Clayborn |
|
www.musiktiteldb.de |
|
|
Vocalion 1093 |
A |
Let That Lie Alone |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
2:39 |
|
19.04.1927 |
|
C-734/5 |
|
|
|
| Album1465 |
|
Musik: (chicago) |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1094 |
A |
Cottonfield Blues |
|
|
|
Thomas, Henry |
|
|
1927 |
2:48 |
|
05.07.1927 |
|
C-1026/7 |
|
|
|
| Album2712 |
|
Musik + Text: Traditional |
|
(chicago) |
|
www.musiktiteldb.de |
|
|
Vocalion 1094 |
A |
John Henry |
|
|
|
Thomas, Henry |
|
|
1927 |
2:46 |
|
05.07.1927 |
|
C-1024/5 |
|
|
|
| Album2712 |
|
Musik: Volkslied/Text: Traditional |
|
(none) |
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1095 |
|
Lord, I Can't Stay Away |
|
|
|
Violet Harmony Singers |
|
|
1927 |
|
|
15.05.1927 |
|
E-5158 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1095 |
|
When All The Saints Go Marching In |
|
I |
|
Violet Harmony Singers |
|
|
1927 |
|
|
20.04.1927 |
|
E-4776 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1096 |
|
Death Is Only A Dream |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
2:59 |
|
19.04.1927 |
|
C-739/40 |
|
|
|
| Album1465 |
|
Musik: Volkslied/Text: Traditional |
|
Clayborn |
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1096 |
|
There'll Be Glory When We Meet |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
|
|
19.04.1927 |
|
C-736/8 |
|
|
|
|
|
|
Musik: (chicago) |
|
Clayborn |
|
The Online Discographical Project |
|
|
Vocalion 1097 |
|
Let Jesus Lead You |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
2:50 |
|
19.04.1927 |
|
C-741/43 |
|
|
|
|
|
|
|
|
Clayborn |
|
www.musiktiteldb.de |
|
|
Vocalion 1097 |
|
Bye And Bye When The Morning Comes |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
2:44 |
|
19.04.1927 |
|
C-746/47 |
|
|
|
| Album1465 |
|
Musik: Volkslied/Text: Traditional |
|
Clayborn |
|
www.musiktiteldb.de |
|
|
Vocalion 1098 |
A |
Black Diamond Express To Hell (Part 1) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
His Congregation |
1927 |
2:50 |
Chicago |
23.04.1927 |
|
E-22741 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Decca F 9720“. Siehe auch: Bemerkung. |
|
|
|
|
Melotone M 12545 |
Musik + Text: Nix, A. W. |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1098 |
B |
Black Diamond Express To Hell (Part 2) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
His Congregation |
1927 |
3:00 |
Chicago |
23.04.1927 |
|
E-22742 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Decca F 9720“. Siehe auch: Bemerkung. |
|
|
|
|
Melotone M 12545 |
Musik + Text: Nix, A. W. |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1099 |
|
If You Want To Be My Sugar Papa |
➧ |
|
|
Jimmy Bertrand's Washboard Wizards |
|
|
1927 |
2:36 |
Chicago |
12.04.1927 |
|
C-789 |
|
|
|
|
|
|
Musik: Blythe, Jimmy/Text: Bertrand, Jimmy |
|
|
|
RHJ |
|
|
Vocalion 1099 |
|
I'm Goin' Huntin' |
➧ |
|
|
Jimmy Bertrand's Washboard Wizards |
|
|
1927 |
2:59 |
Chicago |
12.04.1927 |
|
C-787 |
|
|
|
| YouTube |
|
Musik: Waller, Thomas/Text: Johnson, Jimmy C. |
|
|
|
RHJ |
|
|
Vocalion 1100 |
|
Easy Come Easy Go Blues |
➧ |
|
|
Jimmy Bertrand's Washboard Wizards |
|
|
1927 |
2:34 |
Chicago |
21.04.1927 |
|
E-5102/03 |
|
|
|
|
|
|
Musik: Bergere, Roy |
|
|
|
RHJ |
|
|
Vocalion 1100 |
|
Blues Stampede, The |
➧ |
|
|
Jimmy Bertrand's Washboard Wizards |
|
|
1927 |
2:39 |
Chicago |
21.04.1927 |
|
C-785 |
|
|
|
|
|
|
Musik: Mills, Irving |
|
|
|
RHJ |
|
|
Vocalion 1101 |
A |
Freakish Rider Blues |
|
|
|
Hatton, Bert |
|
|
1927 |
3:28 |
|
10.04.1927 |
|
E-5100 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1101 |
A |
Down In Black Bottom |
|
|
|
Hatton, Bert |
|
|
1927 |
3:11 |
|
10.04.1927 |
|
E-5098 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1102 |
|
Peeping At The Rising Sun Blues |
|
V |
|
Miller, Luella |
|
|
1927 |
|
|
10.04.1927 |
|
C-844/5 |
|
|
|
|
|
|
|
|
(chicago) |
|
The Online Discographical Project |
|
|
Vocalion 1102 |
|
Carrier Pigeon Blues (c1662) |
|
V |
|
Miller, Luella |
|
|
1928 |
|
|
24.01.1928 |
|
C-862/3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1103 |
|
Jackson Blues |
|
V |
|
Miller, Luella |
|
|
1927 |
|
|
10.04.1927 |
|
C-841/3 |
|
|
|
|
|
|
|
|
(c//28) |
|
The Online Discographical Project |
|
|
Vocalion 1103 |
|
Trifling Man Blues |
|
V |
|
Miller, Luella |
|
|
1927 |
|
|
10.04.1927 |
|
C-839/40 |
C--25 |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1104 |
|
Through And Through Blues |
|
V |
|
Miller, Luella |
|
|
1928 |
|
|
24.01.1928 |
|
C-864/5 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1104 |
|
Smiling Rose Blues |
|
V |
|
Miller, Luella |
|
|
1927 |
|
|
10.04.1927 |
|
C-846/7 |
|
|
|
|
|
|
|
|
(chicago) |
|
The Online Discographical Project |
|
|
Vocalion 1105 |
|
North Wind Blues |
|
|
|
Miller, Luella & Her Dago Hill |
|
|
1928 |
|
|
24.01.1928 |
|
C-866/7 |
E5095 |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1105 |
|
East St. Louis Blues |
|
|
|
L.miller & Dago Hill Strutters |
|
|
1928 |
|
|
24.01.1928 |
|
C-868/9 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1106 |
|
Bow Down Blues |
➧ |
V |
|
Lowery, Florence |
|
|
1927 |
3:23 |
Chicago |
26.04.1927 |
|
E-5072 |
|
|
|
|
|
|
Musik + Text: Lowery, Florence |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0341 |
|
Vocalion 1106 |
|
Poor Girl Blues |
➧ |
V |
|
Lowery, Florence |
|
|
1927 |
3:06 |
Chicago |
26.04.1927 |
|
E-5076 |
|
|
|
|
|
|
Musik + Text: Lowery, Florence |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0341 |
|
Vocalion 1107 |
|
Moving Day Blues |
➧ |
V |
|
Lowery, Florence |
|
|
1927 |
2:57 |
Chicago |
26.04.1927 |
|
E-5077 |
|
|
|
|
|
|
Musik + Text: Lowery, Florence |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0341 |
|
Vocalion 1107 |
|
Thirty Day Blues |
➧ |
V |
|
Lowery, Florence |
|
|
1927 |
3:15 |
Chicago |
26.04.1927 |
|
E-5080 |
|
|
|
|
|
|
Musik + Text: Lowery, Florence |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0341 |
|
Vocalion 1108 |
A |
Goin' To Hell And Who Cares |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
|
1927 |
3:12 |
Chicago |
23.04.1927 |
|
E-5069 |
|
|
|
|
|
Supertone S 2240 |
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1108 |
B |
Hiding Behind The Stuff |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
His Congregation |
1927 |
3:24 |
Chicago |
23.04.1927 |
|
E-22746/7 |
|
|
|
|
|
Supertone S 2240 |
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1109 |
|
Royal Telephone, The |
➧ |
V |
|
Nelson, Mary (Rev. Sister) |
|
|
1927 |
2:42 |
Chicago |
19.04.1927 |
|
E-5114/5 |
|
|
|
|
|
Supertone S 2251 |
Musik + Text: Nelson, Mary |
|
|
|
Blues & Gospel Records 1890-1943 |
0675 |
|
Vocalion 1109 |
B |
Judgement |
➧ |
V |
|
Nelson, Mary (Rev. Sister) |
|
|
1927 |
2:24 |
Chicago |
21.04.1927 |
|
E-5116/8 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone S 2251“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik + Text: Nelson, Mary |
|
|
|
Blues & Gospel Records 1890-1943 |
0675 |
|
Vocalion 1110 |
|
Seal Of God, The |
➧ |
V |
|
Nelson, Mary (Rev. Sister) |
|
|
1927 |
2:42 |
Chicago |
21.04.1927 |
|
E-5119/20 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
0675 |
|
Vocalion 1110 |
|
Isaiah |
➧ |
V |
|
Nelson, Mary (Rev. Sister) |
|
|
1927 |
2:45 |
Chicago |
21.04.1927 |
|
E-5121 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
0675 |
|
Vocalion 1111 |
A |
Rock Island Blues |
➧ |
V |
|
Lewis, Furry |
|
|
1927 |
2:46 |
Chicago |
20.04.1927 |
|
C-754/5 |
|
|
|
| 016351015020 |
|
Musik + Text: Unbekannt |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1111 |
B |
Everybody's Blues |
➧ |
V |
|
Lewis, Furry |
|
|
1927 |
2:53 |
Chicago |
20.04.1927 |
|
C-748/9 |
|
|
|
| 016351015020 |
|
Musik + Text: Traditional |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1112 |
|
Willie The Weeper |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1927 |
2:53 |
Chicago |
22.04.1927 |
|
E-5168 |
|
|
|
| APM |
Brunswick 80079 |
Musik: Melrose, Walter/Text: Bloom, Marty/Rymal, Grant |
05.12.1927 |
|
|
Jazz and Ragtime Records 1897-1942 |
1268 |
COVER. Original filtern. |
Vocalion 1112 |
B |
Black Snake Blues |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1927 |
3:06 |
Chicago |
27.04.1927 |
|
E-5170 |
|
821037 |
00029015406 |
|
|
Brunswick 80079 |
Musik + Text: Johnson, Jesse/Spivey, Victoria |
|
|
|
Jazz and Ragtime Records 1897-1942 |
1269 |
COVER. Original filtern. |
Vocalion 1113 |
|
Aunt Jemima |
|
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1927 |
|
|
08.07.1927 |
|
E-6209 |
|
|
|
|
|
|
Musik: Oliver, Joe |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1113 |
|
Doctor Jazz |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1927 |
2:58 |
Chicago |
22.04.1927 |
|
E-5172 |
|
|
|
|
|
|
Musik: Melrose, Walter/Text: Oliver, Joseph 'King' |
|
|
|
RHJ |
|
COVER. Original filtern. |
Vocalion 1114 |
|
Showboat Shuffle |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1927 |
2:58 |
|
22.04.1927 |
|
E-5176 |
|
|
|
| 82404601392 |
|
Musik: Oliver, King/Text: Bigard, Barney |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1114 |
|
Every Tub |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1927 |
3:06 |
Chicago |
22.04.1927 |
|
E-5179 |
|
|
|
| 6913278 |
|
Musik: Oliver, Joseph 'King'/Text: Barbarin, Paul |
|
|
|
RHJ |
|
|
Vocalion 1115 |
|
Furry's Blues |
➧ |
V |
|
Lewis, Furry |
|
|
1927 |
3:14 |
Chicago |
20.04.1927 |
|
C-750/1 |
|
|
|
| 016351015020 |
|
Musik + Text: Lewis, Walter |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1115 |
|
Jelly Roll |
➧ |
V |
|
Lewis, Furry |
|
|
1927 |
2:37 |
Chicago |
20.04.1927 |
|
C-761/3 |
|
|
|
| 714298500424 |
|
Musik + Text: Lewis, Furry |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1116 |
|
C And O Blues |
|
|
|
Blind Joe Amos |
|
|
1927 |
|
|
05.07.1927 |
|
C-1009-1 |
|
|
|
|
|
|
Musik: (chicago) |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1116 |
|
Sweet Papa Moan |
➧ |
V |
|
Lewis, Furry |
|
|
1927 |
2:09 |
Chicago |
20.04.1927 |
|
C-752/3 |
|
|
|
| 714298500424 |
|
Musik + Text: Lewis, Furry |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1117 |
|
Ozark Blues |
|
I |
|
Williams, Fess & His Royal Flush Orchestra |
|
|
1927 |
|
|
18.06.1927 |
|
E-6126 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1117 |
|
Alligator Crawl |
➧ |
I |
|
Williams, Fess & His Royal Flush Orchestra |
|
|
1927 |
2:58 |
|
18.06.1927 |
|
33634-5 |
|
|
|
|
|
Brunswick 3589 |
Musik: Razaf, Andy/Waller, Thomas „Fats“/Text: Davis, Joseph M. |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1118 |
|
My Lord's Gonna Move This Wicked Race |
|
V |
|
Pilgrim Jubilee Singers |
|
|
1927 |
|
|
05.06.1927 |
|
E-6079 |
|
|
|
|
|
Melotone M 12542 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1118 |
|
I'm In His Care |
➧ |
V |
|
Pilgrim Jubilee Singers |
|
|
1927 |
3:24 |
|
05.06.1927 |
|
E-6089 |
|
|
|
|
|
Melotone M 12542 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1119 |
|
Lord's Prayer, The |
➧ |
V |
|
Pilgrim Jubilee Singers |
|
|
1927 |
2:05 |
|
16.06.1927 |
|
E-6080/1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1119 |
|
King Of Kings |
➧ |
V |
|
Pilgrim Jubilee Singers |
|
|
1927 |
2:45 |
|
05.06.1927 |
|
E-6082/3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1120 |
|
O Lord, I'm In Your Care |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
2:42 |
|
16.06.1927 |
|
E-6101/2 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1120 |
|
Everybody Ought To Treat Their Mother Right |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
2:42 |
|
17.06.1927 |
|
E-6104 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1121 |
|
Then We'll Need That True Religion |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
2:57 |
|
17.06.1927 |
|
E-6105/6 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1121 |
|
With My Saviour I Shall Be |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
3:06 |
|
17.06.1927 |
|
E-6100 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1122 |
|
You Never Will Know Who Is Your Friend |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
2:47 |
|
17.06.1927 |
|
E-6108 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1122 |
|
Jesus Is Sweeter Than Honey In The Comb |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1927 |
3:08 |
|
17.06.1927 |
|
E-6097/8 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1123 |
|
God's Gonna Separate The Wheat From The Tares |
|
|
|
Taggart Joe |
|
|
1927 |
|
|
05.07.1927 |
|
E-6183 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Melotone 12544“. Siehe auch: Bemerkung. |
|
|
|
|
Melotone M 12544 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1123 |
|
Storm Is Passing Over, The |
|
|
|
Taggart, Blind Joe |
|
|
1927 |
|
|
05.07.1927 |
|
E-6181 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1123 |
|
God's Gonna Separate The Wheat From The Tares |
➧ |
|
|
Taggart, Blind Joe |
|
|
1927 |
2:52 |
|
05.07.1927 |
|
E-6183 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1123“. Siehe auch: Bemerkung. |
|
|
|
|
Melotone M 12544 |
|
|
|
|
|
|
|
Vocalion 1123 |
|
Storm Is Passing Over, The |
|
|
|
Taggart, Blind Joe |
|
|
1927 |
|
|
05.07.1927 |
|
E-6181 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1123“. Siehe auch: Bemerkung. |
|
|
|
|
Melotone M 12544 |
|
|
|
|
|
|
|
Vocalion 1124 |
|
After The Ball Is Over |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Five Women |
1927 |
2:51 |
Chicago |
29.06.1927 |
|
C-1019/0 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1124 |
|
Prayer Meeting In Hell, The |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Five Women |
1927 |
2:56 |
Chicago |
29.06.1927 |
|
C-1017/8 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1125 |
|
It Is A Strange Thing To Me |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Five Women |
1927 |
3:19 |
Chicago |
29.06.1927 |
|
C-1008 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1125 |
|
Seven R's, The |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Five Women |
1927 |
2:55 |
Chicago |
29.06.1927 |
|
C-1006/7 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1126 |
|
My Soul Looked Back |
➧ |
V |
|
Pilgrim Jubilee Singers |
|
|
1927 |
2:56 |
|
16.06.1927 |
|
E-6084 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1126 |
|
Goodnight, The Lord's Coming |
➧ |
V |
|
Pilgrim Jubilee Singers |
|
|
1927 |
2:41 |
|
16.06.1927 |
|
E-6087 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1127 |
|
Maxwell And Peoria Blues |
|
|
|
Martin & Robert |
|
|
1927 |
|
|
05.09.1927 |
|
E-6418 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1127 |
|
South Street Blues |
|
|
|
Martin & Robert |
|
|
1927 |
|
|
22.03.1927 |
|
E-6415 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1128 |
|
Bill Brown Blues |
|
|
|
Brown, Bill & His Brownies |
|
|
1927 |
|
|
10.03.1927 |
|
E-6444 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1128 |
|
Hot Lips |
➧ |
|
|
Brown, Bill & His Brownies |
|
|
1927 |
2:50 |
|
15.03.1927 |
|
B 21989 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1128“. Siehe auch: Bemerkung. |
392541 |
00128632770 |
|
|
Brunswick 7003 |
Musik + Text: Busse, Henry/Davis, Lou/Lange, Henry |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1128 |
|
Bill Brown Blues |
|
|
|
Brown, Bill & His Brownies |
|
|
1927 |
|
|
15.03.1927 |
|
E-21986-7 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1128“. Siehe auch: Bemerkung. |
|
|
|
|
Brunswick 7003 |
Musik: Brown, Bil |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1128 |
A |
Melancholy |
➧ |
|
|
Dodds, Johnny & His Black Bottom Stompers |
|
|
1927 |
3:05 |
New York City |
22.04.1927 |
|
E-22726-8 |
|
367903 |
00020432931 |
| 074646352724 |
Brunswick 3567 |
Musik + Text: Bloom, Marty/Melrose, Walter |
|
|
Louis Armstrong, c ; Roy Palmer, tb ; Johnny Dodds, cl; Barney Bigard, ts / Earl Hines, p / Bud Scott, bj / Baby Dodds, d. |
45cat |
0454 |
ORIGINAL. Cover filtern. |
Vocalion 1129 |
A |
Joe Boy Blues |
➧ |
V |
|
Armstrong, May |
|
|
1927 |
3:14 |
|
27.04.1927 |
|
E-6458 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 7010“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik: nicht angegeben |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1129 |
B |
Nobody Can Take His Place |
➧ |
V |
|
Armstrong, May |
|
|
1927 |
2:57 |
|
27.04.1927 |
|
E-6460 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 7010“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik: nicht angegeben |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1130 |
|
Baltimore |
➧ |
|
|
Henderson, Katherine |
|
|
1927 |
2:51 |
New York City |
27.04.1927 |
|
E-4861/62 |
|
|
|
|
|
|
Musik: Healey, Danni/Kahal, Irving/Text: McHugh, Jimmy |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0253 |
|
Vocalion 1130 |
A |
Carolina Bound |
|
V |
|
Five Harmaniacs |
|
|
1926 |
|
New Orleans |
06.12.1926 |
|
E-20882-3 |
|
|
|
|
|
Brunswick 7002 |
Musik: nicht angegeben |
|
|
|
Jazz and Ragtime Records 1897-1942 |
|
|
Vocalion 1131 |
|
Don't Let Your Love Come Down |
|
|
|
Saunders, Gertrude |
|
|
1927 |
|
|
15.08.1927 |
|
E-6364 |
|
|
|
|
|
|
Musik + Text: Razaf, Andy |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1131 |
|
You Can't Have It Unless I Give It To You |
|
|
|
Saunders, Gertrude |
|
|
1927 |
|
|
15.08.1927 |
|
E-6366 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1132 |
A |
Good Looking Girl Blues |
➧ |
V |
|
Lewis, Furry |
|
|
1927 |
2:50 |
Chicago |
09.10.1927 |
|
C-1246/7 |
|
|
|
| 714298500424 |
|
Musik + Text: Lewis, Walter |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1132 |
B |
Billy Lyons And Stack O'Lee |
➧ |
V |
|
Lewis, Furry |
|
|
1927 |
2:40 |
Chicago |
09.10.1927 |
|
C-1254/5 |
|
|
|
| 714298500424 |
|
Musik: Traditional/Text: Lewis, Furry |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1133 |
|
Big Chief Blues |
➧ |
V |
|
Lewis, Furry |
|
|
1927 |
2:49 |
Chicago |
09.10.1927 |
|
C-1252/3 |
|
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| LewisFurry01 |
|
Musik + Text: Traditional |
|
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Blues & Gospel Records 1890-1943 |
|
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Vocalion 1133 |
|
Falling Down Blues |
➧ |
V |
|
Lewis, Furry |
|
|
1927 |
2:50 |
Chicago |
09.10.1927 |
|
C-1250/1 |
|
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| 016351015020 |
|
Musik + Text: Lewis, Furry |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1134 |
|
Why Don't You Come Home Blues |
➧ |
V |
|
Lewis, Furry |
|
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1927 |
2:44 |
Chicago |
09.10.1927 |
|
C-1248/9 |
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| 016351015020 |
|
Musik + Text: Lewis, Furry |
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Blues & Gospel Records 1890-1943 |
|
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Vocalion 1134 |
|
Mean Old Bedbug Blues |
➧ |
V |
|
Lewis, Furry |
|
|
1927 |
2:43 |
Chicago |
09.10.1927 |
|
C-1258/9 |
|
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| 016351015020 |
|
Musik: Lewis, Walter/Text: Lewis, Furry |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1135 |
|
Poutin' Papa |
➧ |
|
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Blythe, Jimmy & His Owls |
|
|
1927 |
2:48 |
|
05.10.1927 |
|
C-1188 |
|
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| Album0699 |
|
Musik + Text: Longshaw, Fred |
|
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www.musiktiteldb.de |
|
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Vocalion 1135 |
|
Weary Way Blues |
➧ |
|
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Blythe, Jimmy & His Owls |
|
|
1927 |
3:05 |
|
05.10.1927 |
|
C-1187 |
|
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Musik: Blythe, Jimmy |
|
(chicago) |
|
The Online Discographical Project |
|
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Vocalion 1136 |
|
Hot Stuff |
➧ |
|
|
Blythe, Jimmy & His Owls |
|
|
1927 |
2:55 |
|
05.10.1927 |
|
C-1190 |
|
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Musik: Blythe, Jimmy |
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The Online Discographical Project |
|
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Vocalion 1136 |
|
Have Mercy |
|
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Blythe, Jimmy & His Owls |
|
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1927 |
|
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05.10.1927 |
|
C-1193 |
|
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Musik: Blythe, Jimmy/Text: Slaughter |
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The Online Discographical Project |
|
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Vocalion 1137 |
A |
Fox And The Hounds, The |
|
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Thomas, Henry |
|
|
1927 |
2:38 |
|
05.10.1927 |
|
C-1198/9 |
|
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(chicago) |
|
www.musiktiteldb.de |
|
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Vocalion 1137 |
B |
Red River Blues |
|
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Thomas, Henry |
|
|
1927 |
3:07 |
|
05.10.1927 |
|
C-1205/7 |
|
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| Album2712 |
|
Musik + Text: Nelson, Charlie |
|
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|
www.musiktiteldb.de |
|
|
Vocalion 1138 |
|
Bob Mckinney |
|
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|
Thomas, Henry |
|
|
1927 |
2:56 |
|
05.10.1927 |
|
C-1202/4 |
|
|
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| 016351202925 |
|
Musik: |
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www.musiktiteldb.de |
|
|
Vocalion 1138 |
|
Little Red Caboose |
|
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Thomas, Henry |
|
|
1927 |
2:50 |
|
05.10.1927 |
|
C-1200/1 |
|
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| Album2712 |
|
Musik + Text: Volkslied |
|
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www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1139 |
A |
Shanty Blues |
|
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Thomas, Henry |
|
|
1927 |
2:56 |
|
07.10.1927 |
|
C-1224/5 |
|
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www.musiktiteldb.de |
|
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Vocalion 1139 |
B |
Woodhouse Blues |
|
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Thomas, Henry |
|
|
1927 |
2:49 |
|
07.10.1927 |
|
C-1226/7 |
|
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(chicago) |
|
www.musiktiteldb.de |
|
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Vocalion 1140 |
|
Jonah In The Wilderness |
|
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|
Thomas, Henry |
|
|
1927 |
2:56 |
|
07.10.1927 |
|
C-1228/9 |
|
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| Album2712 |
|
Musik + Text: Traditional |
|
|
|
www.musiktiteldb.de |
|
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Vocalion 1140 |
|
When The Train Comes Along |
|
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|
Thomas, Henry |
|
|
1927 |
2:59 |
|
07.10.1927 |
|
C-1230/1 |
|
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|
www.musiktiteldb.de |
|
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Vocalion 1141 |
|
Run, Mollie, Run |
|
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|
Thomas, Henry |
|
|
1927 |
2:54 |
|
07.10.1927 |
|
C-1222 |
|
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|
www.musiktiteldb.de |
|
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Vocalion 1141 |
|
Honey, Won't You Allow Me One More Chance |
|
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|
Thomas, Henry |
|
|
1927 |
2:52 |
|
07.10.1927 |
|
C-1220 |
|
|
|
| Album2712 |
|
Musik + Text: Traditional |
|
|
|
www.musiktiteldb.de |
|
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Vocalion 1142 |
|
Arkansas |
|
|
|
Thomas, Henry |
|
|
1927 |
2:48 |
|
01.07.1927 |
|
C-1028/9 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1286“. Siehe auch: Bemerkung. |
|
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|
www.musiktiteldb.de |
|
|
Vocalion 1142 |
|
Fox And The Hounds |
➧ |
|
|
Thomas, Henry |
|
|
1927 |
2:38 |
|
01.07.1927 |
|
C-1021? |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Nicht veröffentlicht!“. Siehe auch: Bemerkung. |
|
|
|
|
|
|
|
Nicht veröffentlicht |
|
The Online Discographical Project |
|
|
Vocalion 1143 |
|
Death Might Be Your Christmas Gift |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Five Women |
1927 |
2:57 |
Chicago |
12.10.1927 |
|
C-1297/8 |
|
|
|
| Sampler1032 |
Supertone S 2247 |
Musik + Text: Nix, A. W. |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1143 |
|
Mind Your Own Business (A New Year's Sermon) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Five Women |
1927 |
3:07 |
Chicago |
12.10.1927 |
|
C-1295/6 |
|
|
|
|
|
Supertone S 2247 |
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1144 |
A |
Jim Jackson's Kansas City Blues Part 1 |
|
|
|
Jackson, Jim |
|
|
1927 |
|
|
10.10.1927 |
|
C-1260/1 |
|
|
|
|
|
|
Musik: Jackson, Jim |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1144 |
B |
Jim Jackson's Kansas City Blues (Part 2) |
|
|
|
Jackson, Jim |
|
|
1927 |
|
|
10.10.1927 |
|
C-1262/3 |
|
|
|
|
|
|
|
|
(chicago) |
|
The Online Discographical Project |
|
|
Vocalion 1145 |
|
My Monday Blues |
|
|
|
Jackson, Jim |
|
|
1928 |
3:05 |
|
22.01.1928 |
|
C-1647 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1145 |
|
Mobile Central Blues |
|
|
|
Jackson, Jim |
|
|
1928 |
|
|
22.01.1928 |
|
C-1641 |
|
|
|
|
|
|
|
|
(chicago) |
|
The Online Discographical Project |
|
|
Vocalion 1146 |
|
Old Dog Blues |
|
|
|
Jackson, Jim |
|
|
1928 |
|
|
22.01.1928 |
|
C-1637 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1146 |
|
He's In The Jailhouse Now |
|
|
|
Jackson, Jim |
|
|
1928 |
|
|
22.01.1928 |
|
C-1635 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1147 |
|
Tornado Groan |
|
V |
|
Miller, Luella |
|
|
1928 |
|
|
24.01.1928 |
|
C-1658/9 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1147 |
|
Muddy Stream Blues |
|
V |
|
Miller, Luella |
|
|
1928 |
|
|
24.01.1928 |
|
C-1656/7 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1148 |
A |
After You've Gone |
➧ |
|
|
Dodds, Johnny & His Black Bottom Stompers |
|
|
1927 |
3:09 |
|
08.10.1927 |
|
C-1241 |
|
1154450 |
00021565801 |
|
|
Brunswick 3568 |
Musik + Text: Creamer, Henry/Layton, Turner |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1148 |
A |
Come On And Stomp, Stomp, Stomp |
➧ |
|
|
Dodds, Johnny & His Black Bottom Stompers |
|
|
1927 |
2:55 |
|
08.10.1927 |
|
C-1237-8 |
|
|
|
|
|
Brunswick 3568 |
Musik + Text: Mills, Irving/Smith, Chris/Waller, Fats |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1149 |
A |
Watch Your Close Friend |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Five Women |
1927 |
2:41 |
Chicago |
28.10.1927 |
02.02.1928 |
C-1299/00 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1149 |
B |
Deep Down In My Heart |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Five Women |
1927 |
2:46 |
Chicago |
28.10.1927 |
02.02.1928 |
C-1301/2 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1150 |
|
You Will Always Live In My Heart |
|
|
|
Margaret Lee |
|
|
1927 |
|
Los Angeles |
15.11.1927 |
|
E-6784 |
|
|
|
|
|
|
|
|
|
|
Jazz and Ragtime Records 1897-1942 |
1022 |
|
Vocalion 1150 |
|
She's Gone To Join The Songbirds In Heaven |
|
|
|
Margaret Lee |
|
|
1927 |
|
Los Angeles |
15.11.1927 |
|
E-6788 |
|
|
|
|
|
|
|
|
|
|
Jazz and Ragtime Records 1897-1942 |
1022 |
|
Vocalion 1151 |
|
Walnut Street Blues |
|
V |
|
Miller, Luella |
|
|
1928 |
|
|
24.01.1928 |
|
C-1661 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1151 |
|
Tombstone Blues |
|
V |
|
Miller, Luella |
|
|
1928 |
|
|
24.01.1928 |
|
C-1663 |
|
|
|
|
|
|
|
|
(chicago) |
|
The Online Discographical Project |
|
|
Vocalion 1152 |
A |
Farewell Blues |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1927 |
2:55 |
Chicago |
18.11.1927 |
|
12249-1 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1152“. Siehe auch: Bemerkung. |
782513 |
00071890953 |
| 82404601392 |
Banner 32587 |
Musik: Mares, Paul/Schoebel, Elmer/Text: Roppollo, Leon |
|
|
|
RHJ |
|
COVER. Original filtern. |
Vocalion 1152 |
B |
Sobbin' Blues |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1927 |
2:37 |
Chicago |
13.10.1927 |
|
E-6655 |
|
|
|
| 82404601392 |
|
Musik: Kassell, Art/Text: Berton, Vic |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1153 |
A |
Doin' The Frog |
➧ |
I |
|
Ellington, Duke & His Orchestra |
|
|
1927 |
3:16 |
|
29.12.1927 |
|
E-6826 |
|
|
|
|
|
|
Musik: D.fields/J.mchugh/D.healy |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1153 |
B |
Red Hot Band |
➧ |
I |
|
Ellington, Duke & His Orchestra |
|
|
1927 |
2:51 |
|
29.12.1927 |
|
E-6824 |
|
|
|
|
|
|
Musik: D.fields/J.mchugh/D.healy |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1154 |
|
Midnight Mama |
➧ |
|
|
Levee Serenaders & Hereford, Frances |
|
|
1928 |
2:44 |
Chicago |
21.01.1928 |
|
C-1630 |
($75) |
|
|
| 5022810169628 |
Brunswick 80040 |
Musik + Text: Morton, Jelly Roll |
|
|
|
Jazz and Ragtime Records 1897-1942 |
1026 |
ORIGINAL. Cover filtern. |
Vocalion 1154 |
|
Mr. Jelly Lord |
➧ |
|
|
Levee Serenaders & Hereford, Frances |
|
|
1928 |
2:57 |
Chicago |
21.01.1928 |
|
C-1632 |
|
|
|
| 5022810169628 |
Brunswick 80040 |
Musik + Text: Morton, Jelly Roll |
|
|
|
Jazz and Ragtime Records 1897-1942 |
1026 |
|
Vocalion 1155 |
|
Jim Jackson's Kansas City Blues (Part 4) |
|
|
|
Jackson, Jim |
|
|
1928 |
|
|
22.01.1928 |
|
C-1646 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1155 |
|
Jim Jackson's Kansas City Blues (Part 3) |
|
|
|
Jackson, Jim |
|
|
1928 |
|
|
22.01.1928 |
|
C-1644 |
|
|
|
|
|
|
|
|
(chicago) |
|
The Online Discographical Project |
|
|
Vocalion 1156 |
|
Generosity |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Five Women |
1928 |
2:35 |
Chicago |
06.01.1928 |
|
C-1577 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1156 |
|
Throwing Stones |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Five Women |
1928 |
2:49 |
Chicago |
06.01.1928 |
|
C-1578 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1157 |
|
Robbing God |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Five Women |
1928 |
2:41 |
Chicago |
06.01.1928 |
|
C-1573 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1157 |
|
Your Time Is Out |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Five Women |
1928 |
2:48 |
Chicago |
18.01.1928 |
|
C-1571 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1158 |
|
Matchless King, The |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Five Women |
1928 |
2:49 |
Chicago |
06.01.1928 |
|
C-1567 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1158 |
|
Done Found My Lost Sheep |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Five Women |
1928 |
2:34 |
Chicago |
06.01.1928 |
|
C-1576 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1159 |
|
Three Boys In A Strange Land |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Five Women |
1928 |
2:45 |
Chicago |
06.01.1928 |
|
C-1569 |
|
|
|
|
|
Supertone S 2253 |
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1159 |
|
Your Bed Is Too Short And Your Cover Too Narrow |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Five Women |
1928 |
2:46 |
Chicago |
06.01.1928 |
|
C-1565 |
|
|
|
|
|
Supertone S 2253 |
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1162 |
|
In Time Of Trouble Jesus Will Never Say Goodbye |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1928 |
3:12 |
|
18.01.1928 |
|
C-1613 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1162 |
|
God's Riding Through The Land |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1928 |
2:57 |
|
21.01.1928 |
|
C-1617 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1163 |
|
A Letter From Father |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1928 |
3:01 |
Chicago |
21.01.1928 |
|
C-1616 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1163 |
|
Men Don't Forget Your Wives For Your Sweetheart |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1928 |
2:54 |
Chicago |
21.01.1928 |
|
C-1620 |
|
|
|
| Album1465 |
|
Musik: Volkslied/Text: Traditional |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1164 |
|
I'm Gonna Start Me A Graveyard Of My Own |
|
|
|
Jackson, Jim |
|
|
1928 |
|
Chicago |
22.01.1928 |
|
C-1651 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1164 |
|
I'm A Bad Bad Man |
|
|
|
Jackson, Jim |
|
|
1928 |
|
Chicago |
22.01.1928 |
|
C-1649 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1165 |
|
Sing And Shout |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
|
1927 |
3:10 |
New York City |
18.03.1927 |
|
E-22010 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 7004“. Siehe auch: Bemerkung. |
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1165 |
|
Happy As The Day Is Long |
➧ |
V |
|
Worell, S. J. „Steamboat Bill“ (Rev.) |
|
|
1927 |
3:03 |
New York City |
18.03.1927 |
|
E-22008 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 7004“. Siehe auch: Bemerkung. |
|
|
|
|
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|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1166 |
|
Hooting Owl Blues |
|
|
|
Ross, Dolly |
|
|
1927 |
|
|
22.03.1927 |
|
E-22064 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1166 |
|
He Don't Know |
|
|
|
Ross, Dolly |
|
|
1927 |
|
|
21.03.1927 |
|
E-22038 |
|
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|
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|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1166 |
|
He Don't Know (and I Can't Make Him Understand) |
|
|
|
Dolly Ross |
|
|
1927 |
|
|
21.03.1927 |
|
E-22038-9 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1166“. Siehe auch: Bemerkung. |
|
|
|
|
Brunswick 7005 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1167 |
|
Walk In The Light Of God |
|
V |
|
Pace Jubilee Singers & Parker, Hattie |
|
|
1927 |
3:09 |
Chicago |
18.04.1927 |
|
E-7127-8 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 7008“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik + Text: Atkins, A. |
|
|
|
Blues & Gospel Records 1890-1943 |
0699 |
|
Vocalion 1167 |
|
His Eye Is On The Sparrow |
➧ |
V |
|
Pace Jubilee Singers & Parker, Hattie |
|
|
1927 |
3:02 |
Chicago |
18.04.1927 |
|
E-22583-4 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 7008“. Siehe auch: Bemerkung. |
480016 |
00387853600 |
|
|
|
Musik: Gabriel, Charles H./Text: Martin, Civilla D. |
|
|
|
Blues & Gospel Records 1890-1943 |
0699 |
COVER. Original filtern. |
Vocalion 1168 |
|
Lawdy, Won't You Come By Here |
➧ |
V |
|
Pace Jubilee Singers |
|
|
1927 |
2:47 |
|
|
|
|
BRN7009 |
|
|
|
|
Brunswick N7009 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1168 |
|
My Lord Will Deliver |
➧ |
V |
|
Pace Jubilee Singers |
|
|
1927 |
3:04 |
|
|
|
|
BRN7009 |
|
|
|
|
Brunswick N7009 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1169 |
|
Loaded Dice |
|
|
|
Philip Jazz Moore |
|
|
1927 |
|
|
26.04.1927 |
|
E-22845 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 7018“. Siehe auch: Bemerkung. |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1169 |
|
One Thin Dime |
|
|
|
Philip Jazz Moore |
|
|
1927 |
|
|
26.04.1927 |
|
E-22843 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Brunswick 7018“. Siehe auch: Bemerkung. |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1170 |
|
White Flyer To Heaven, The (Part 2) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
|
1927 |
2:44 |
Chicago |
25.07.1927 |
|
E-24093 |
|
|
|
|
|
Supertone S 2252 |
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1170 |
A |
White Flyer To Heaven, The (Part 1) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
|
1927 |
3:03 |
Chicago |
25.07.1927 |
|
E-24089 |
|
|
|
|
|
Supertone S 2252 |
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1171 |
|
Dixie Drug Store Down On Missouri Street, The |
➧ |
|
|
Wiley & Wiley |
|
|
1927 |
3:06 |
Chicago |
07.10.1927 |
|
C-1212 |
|
|
|
|
|
Brunswick 7022 |
Musik + Text: Wiley, Arnold/Wiley, Irene |
|
Wiley, Arnold & Irene |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0582 |
|
Vocalion 1171 |
|
You'd Better Not Go To 35th And State No More |
|
|
|
Wiley, Arnold |
|
|
1927 |
|
Chicago |
06.10.1927 |
|
C-1213 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1171 |
|
You'd Better Not Go To 35th And State No More! |
➧ |
|
|
Wiley & Wiley |
|
|
1927 |
2:55 |
Chicago |
07.10.1927 |
|
C-1214 |
|
|
|
|
|
Brunswick 7022 |
Musik + Text: Wiley, Arnold/Wiley, Irene |
|
Wiley, Arnold & Irene |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0582 |
|
Vocalion 1173 |
|
That Thing's Done Been Put On Me |
➧ |
V |
|
Whitmire, Margaret |
|
|
1927 |
2:52 |
Chicago |
05.10.1927 |
|
C-1197 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1173“. Siehe auch: Bemerkung. |
|
|
|
|
Brunswick 7024 |
Musik + Text: Alexander, John |
|
|
|
Jazz and Ragtime Records 1897-1942 |
|
|
Vocalion 1173 |
|
'tain't A Cow In Texas |
➧ |
V |
|
Whitmire, Margaret |
|
|
1927 |
2:57 |
Chicago |
05.10.1927 |
|
C-1194 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1173“. Siehe auch: Bemerkung. |
|
|
|
|
Brunswick 7024 |
Musik + Text: Alexander, John |
|
|
|
Jazz and Ragtime Records 1897-1942 |
|
|
Vocalion 1176 |
|
What's The Use Of Being Alone |
➧ |
|
|
Dunn, Johnny & His Original Jazz Hounds |
|
|
1928 |
2:37 |
|
26.03.1928 |
|
E-7232 |
|
|
|
| Album1110 |
|
Musik: Bradford, Perry |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1176 |
|
Original Bugle Blues |
➧ |
|
|
Dunn, Johnny & His Original Jazz Hounds |
|
|
1928 |
2:34 |
|
26.03.1928 |
|
E-7234 |
|
|
|
| Album1110 |
|
Musik: Kelly, Robert |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1177 |
|
Get It Fixed |
➧ |
V |
|
Henderson, Rosa |
|
|
1925 |
3:06 |
|
20.03.1925 |
|
NN577/9 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1177“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15044 |
Musik + Text: Williams, Clarence |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1177 |
A |
Poplar Bluff Blues |
➧ |
V |
|
Henderson, Rosa |
|
|
1925 |
2:32 |
|
20.03.1925 |
|
NN583/5 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1177“. Siehe auch: Bemerkung. |
|
|
|
|
Vocalion 15044 |
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1178 |
|
Angels Rolled The Stone Away, The |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1928 |
2:43 |
Chicago |
06.03.1928 |
|
C-1785 |
|
|
|
|
|
|
|
|
Predigt und Gesang mit Piano, Gitarre & Violine |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1178 |
|
A Sure Foundation |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1928 |
2:41 |
Chicago |
15.03.1928 |
|
C-1786 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1179 |
|
Dark And Cloudy Blues |
➧ |
V |
|
Holley, Rosa |
|
|
1928 |
2:56 |
Chicago |
29.03.1928 |
|
C-1820-A |
|
|
|
| DOCD-5390 |
|
Musik + Text: Brooks, Mildred |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0266 |
|
Vocalion 1179 |
|
Lookin' For The Blues |
➧ |
V |
|
Holley, Rosa |
|
|
1928 |
2:54 |
Chicago |
29.03.1928 |
|
C-1821-B |
|
|
|
| DOCD-5390 |
|
Musik + Text: Dawson, Thomas |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0266 |
|
Vocalion 1180 |
|
My Baby |
➧ |
V |
|
Blythe, Jimmy & His Washboard Wizards |
|
|
1928 |
2:48 |
Chicago |
30.03.1928 |
|
C-1828 |
|
|
|
|
|
|
Musik: Blythe, Jimmy/Text: Slaughter/Robins, R. |
|
|
Johnny Dodds-el/Jimmy Blythe-p/W. E. Burton-wb/v Bandmitglieder |
Jazz Records 1897-1942. 1.968 Seiten. |
|
|
Vocalion 1180 |
|
Oriental Man |
➧ |
V |
|
Blythe, Jimmy & His Washboard Wizards |
|
|
1928 |
2:50 |
Chicago |
30.03.1928 |
|
C-1829 |
|
|
|
|
|
Tempo R-15 |
Musik: Blythe, Jimmy/Text: Robins, R. |
|
|
Johnny Dodds-el/Jimmy Blythe-p/W. E. Burton-wb/v Bandmitglieder |
Jazz and Ragtime Records 1897-1942 |
1621 |
|
Vocalion 1181 |
A |
Alley Rat |
➧ |
I |
|
Blythe, Jimmy |
|
|
1928 |
2:59 |
Chicago |
30.03.1928 |
|
C-1830 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1181 |
B |
Sweet Papa |
|
I |
|
Blythe, Jimmy |
|
|
1928 |
|
Chicago |
30.03.1928 |
|
C-1831 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1182 |
A |
Arkansas Blues |
|
V |
|
Brown, Bessie |
|
|
1928 |
|
Chicago |
02.04.1928 |
|
C-1859 |
|
960355 |
00532838739 |
|
|
|
Musik + Text: Lada, Anton/Williams, Spencer |
|
|
|
RHJ |
|
COVER. Original filtern. |
Vocalion 1182 |
B |
Sugar |
|
V |
|
Brown, Bessie |
|
|
1928 |
|
Chicago |
02.04.1928 |
|
C-1860 |
|
|
|
|
|
|
|
|
|
|
RHJ |
|
|
Vocalion 1183 |
|
Close Fit Blues |
|
V |
|
Mims, Irene |
|
|
1928 |
|
New York City |
30.03.1928 |
|
E-7265 |
|
|
|
|
|
|
Musik + Text: Williams, Clarence |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0380 |
|
Vocalion 1183 |
|
Dirty Blues |
|
V |
|
Mims, Irene |
|
|
1928 |
|
New York City |
30.03.1928 |
|
E-7263 |
|
|
|
|
|
|
Musik + Text: Williams, Clarence |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0380 |
|
Vocalion 1184 |
|
I Know That You Know |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:00 |
Chicago |
16.05.1928 |
|
C-1937-A |
|
16698226 |
00392888203 |
| Album0657 |
Brunswick 80024 |
Musik: Youmans, Vincent/Text: Caldwell, Anne |
|
|
|
Jazz and Ragtime Records 1897-1942 |
1249 |
COVER. Original filtern. |
Vocalion 1184 |
|
Sweet Sue-Just You |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:13 |
Chicago |
16.05.1928 |
|
C-1938-B |
|
884045 |
00495559103 |
| Album0660 |
Brunswick 80024 |
Musik: Young, Victor/Text: Harris, Will J. |
|
|
|
Jazz and Ragtime Records 1897-1942 |
1249 |
COVER. Original filtern. |
Vocalion 1185 |
A |
Four Or Five Times |
➧ |
V |
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:17 |
|
16.05.1928 |
|
C-1939-C |
|
1150642 |
00028535970 |
| Album0656 |
Vocalion V 1026 |
Musik: Gay, Byron/Text: Hellman, Marco H. |
|
Gesang: „Noone, Jimmie & Poston, Joe“. |
|
The Online Discographical Project |
|
ORIGINAL. Cover filtern. |
Vocalion 1185 |
A |
Every Evening (I Miss You) |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:08 |
|
16.05.1928 |
|
C-1940-C |
|
|
|
| Album0656 |
|
Musik: M.henning/B.rose/J.mchugh |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1186 |
|
Hey Hey Mama Blues |
➧ |
V |
|
Cole, Kid |
|
|
1928 |
3:03 |
Chicago |
28.05.1928 |
|
C-1996 |
|
|
|
|
|
|
Musik + Text: Cole, Kid |
|
|
|
Blues & Gospel Records 1890-1943 |
0168 |
|
Vocalion 1186 |
|
Sixth Street Moan |
➧ |
V |
|
Cole, Kid |
|
|
1928 |
2:59 |
Chicago |
28.05.1928 |
|
C-1995 |
|
|
|
|
|
|
Musik: Cole, Kid |
|
|
|
Blues & Gospel Records 1890-1943 |
0168 |
|
Vocalion 1187 |
A |
Hard Hearted Mama Blues |
➧ |
V |
|
Cole, Kid |
|
|
1928 |
2:47 |
Chicago |
28.05.1928 |
|
C-1997 |
|
|
|
|
|
|
Musik + Text: Cole, Kid |
|
|
|
Blues & Gospel Records 1890-1943 |
0168 |
|
Vocalion 1187 |
B |
Miagra Fall Blues |
➧ |
V |
|
Cole, Kid |
|
|
1928 |
2:55 |
Chicago |
28.05.1928 |
|
C-1998 |
|
|
|
|
|
|
Musik + Text: Cole, Kid |
|
Richtige Schreibweise wäre: „Niagra Fall Blues“. |
|
Blues & Gospel Records 1890-1943 |
0168 |
|
Vocalion 1188 |
|
Ready For The River |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:05 |
|
14.06.1928 |
|
C-2015 |
|
|
|
| Album0659 |
|
Musik: Moret, Neil/Text: Kahn, Gus |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1188 |
|
Forevermore |
|
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
|
|
14.06.1928 |
|
C-2016 |
|
|
|
|
|
|
Musik: M.gothelf/H.burnett/Al Lewis |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1189 |
|
Tin Roof Blues |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1928 |
3:01 |
|
11.06.1928 |
|
E-7388 |
|
|
|
| 82404601392 |
|
Musik: Melrose/Rappolo/Mares/Text: Pollack, Ben/Brunis, Georg |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1189 |
|
West End Blues |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1928 |
3:05 |
|
11.06.1928 |
|
E-7389 |
|
710469 |
00343667743 |
| 82404601392 |
|
Musik + Text: Oliver, Joe/Williams, Clarence |
|
|
|
www.musiktiteldb.de |
|
ORIGINAL. Cover filtern. |
Vocalion 1190 |
|
Sweet Emalina |
|
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1928 |
|
|
11.06.1928 |
|
E-7390 |
|
|
|
|
|
|
Musik: Palmer, Jack/Razaf, Andy/Text: Williams, S. |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1190 |
|
Lazy Mama |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1928 |
2:47 |
Chicago |
11.06.1928 |
|
E-7391 |
|
|
|
|
|
|
Musik + Text: Gray, Len/Gifford, Al |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1191 |
|
How Long-How Long Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:03 |
Indianapolis |
19.06.1928 |
|
IND623-A |
|
1079884 |
00343892540 |
| Sampler0845 |
Perfect 215 |
Musik + Text: Carr, Leroy |
|
|
|
Blues & Gospel Records 1890-1943 |
0139 |
ORIGINAL. Cover filtern. |
Vocalion 1191 |
B |
My Own Lonesome Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:04 |
Indianapolis |
19.06.1928 |
|
IND622-A-E |
|
|
|
|
|
|
Musik + Text: Carr, Leroy |
|
|
|
Blues & Gospel Records 1890-1943 |
0139 |
|
Vocalion 1192 |
|
Penal Farm Blues |
|
|
|
Blackwell, Scrapper |
|
|
1928 |
|
|
16.06.1928 |
|
IND625 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1192 |
|
Kokomo Blues |
➧ |
|
|
Blackwell, Scrapper |
|
|
1928 |
3:04 |
|
16.06.1928 |
|
IN624 |
|
|
|
|
|
|
Musik: Traditional/Text: Blackwell, Scrapper |
|
|
|
The Online Discographical Project |
|
ORIGINAL. Cover filtern. |
Vocalion 1193 |
A |
You're Going To Leave The Old Home, Jim! |
➧ |
V |
|
Jackson, Lulu |
|
|
1928 |
2:55 |
Indianapolis |
21.06.1928 |
|
IND645 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Banner 32387“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik: nicht angegeben |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1193 |
B |
Careless Love Blues |
➧ |
V |
|
Jackson, Lulu |
|
|
1928 |
3:13 |
Indianapolis |
21.06.1928 |
|
IND646 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Banner 32387“. Siehe auch: Bemerkung. |
|
|
|
|
Supertone S 2227 |
Musik: Handy, William Christopher |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1194 |
|
Willie's Weary Blues |
➧ |
V |
|
Jones, Willie |
|
|
1928 |
2:54 |
Indianapolis |
22.06.1928 |
|
IND652 |
|
|
|
|
|
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Musik + Text: Jones, Willie |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1194 |
|
Blue Buddies Blues |
➧ |
V |
|
Jones, Willie |
|
|
1928 |
2:47 |
Indianapolis |
22.06.1928 |
|
IND653 |
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1195 |
|
Lord Keep Me With A Mind |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1928 |
2:49 |
Chicago |
12.06.1928 |
|
C-2010 |
|
|
|
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|
|
|
Predigt und Gesang |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1195 |
|
Leaving All To Follow Jesus |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1928 |
2:56 |
Chicago |
12.06.1928 |
|
C-2011 |
|
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|
|
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|
|
Blues & Gospel Records 1890-1943 |
|
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Vocalion 1196 |
|
Geechie River Blues |
➧ |
V |
|
Original Washboard Band feat. Davis, Julia |
|
|
1928 |
2:57 |
Chicago |
29.06.1928 |
|
C-2023 |
|
|
|
|
|
|
Musik + Text: Gilbert/Heywood |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0122 |
|
Vocalion 1196 |
|
Jasper Taylor Blues |
➧ |
V |
|
Original Washboard Band feat. Davis, Julia |
|
|
1928 |
3:13 |
Chicago |
29.06.1928 |
|
C-2022 |
|
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|
Musik + Text: Heywood/Taylor/Williams |
|
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|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0122 |
|
Vocalion 1197 |
|
Texas Easy Street |
|
|
|
Thomas, Henry |
|
|
1928 |
3:09 |
Chicago |
13.06.1928 |
|
C-2001 |
|
|
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|
|
(chicago) |
|
www.musiktiteldb.de |
|
|
Vocalion 1197 |
|
Don't Ease Me In |
|
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Thomas, Henry |
|
|
1928 |
3:01 |
Chicago |
13.06.1928 |
|
C-2000 |
|
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|
www.musiktiteldb.de |
|
|
Vocalion 1198 |
A |
Cow Cow Blues |
➧ |
|
|
Davenport, Cow Cow |
|
|
1928 |
3:08 |
|
16.07.1928 |
|
C-2063 |
|
|
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| Sampler0844 |
|
Musik + Text: Davenport, Charles |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1198 |
B |
State Street Jive |
➧ |
|
|
Davenport, Cow Cow |
|
|
1928 |
3:02 |
Chicago |
16.07.1928 |
|
C-2064 |
|
|
|
| Album2772 |
|
Musik: Davenport, Charles 'Cow Cow'/Text: Davenport, Charles |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1199 |
|
I Can't Give You Anything But Love |
➧ |
V |
|
Dixon, Mary |
|
|
1928 |
2:46 |
New York City |
30.07.1928 |
|
E-27913 |
|
652436 |
00495567203 |
|
|
|
Musik: McHugh, Jimmy/Text: Fields, Dorothy |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
COVER. Original filtern. |
Vocalion 1199 |
|
Dusky Stevedore |
➧ |
V |
|
Dixon, Mary |
|
|
1928 |
2:36 |
New York City |
30.07.1928 |
|
E-27912 |
|
|
|
|
|
|
Musik: Johnson, Jimmy C./Text: Razaf, Andy |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
COVER. Original filtern. |
Vocalion 1200 |
|
Broken Spoke Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:00 |
Chicago |
13.08.1928 |
|
C-2219 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1200 |
|
Tennessee Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:04 |
Chicago |
14.08.1928 |
|
C-2220 |
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1201 |
|
Wise And The Foolish Virgins, The |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1928 |
2:46 |
Chicago |
12.08.1928 |
|
C-2208 |
|
|
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|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1201 |
|
Shall Not A Dog Move His Tongue |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1928 |
2:52 |
Chicago |
12.08.1928 |
|
C-2206 |
|
|
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|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1202 |
|
Frisco Blues |
➧ |
V |
|
Miller, Luella |
|
|
1928 |
2:49 |
Chicago |
30.07.1928 |
|
C-2165 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1202 |
|
Brick House Blues |
|
V |
|
Miller, Luella |
|
|
1928 |
|
Chicago |
30.07.1928 |
|
C-2166 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1203 |
|
Devlish Blues |
|
V |
|
Stovepipe Johnson |
|
|
1928 |
|
Chicago |
26.07.1928 |
|
C-2148 |
|
|
|
|
|
|
Musik: Williams/Text: Johnson |
|
Am Piano: „Georgia Tom“. |
|
The Online Discographical Project |
|
|
Vocalion 1203 |
|
Green Grass |
➧ |
V |
|
Stovepipe Johnson |
|
|
1928 |
3:16 |
Chicago |
26.07.1928 |
|
C-2149 |
|
|
|
|
|
|
Musik: Williams/Text: Johnson |
|
Am Piano: „Georgia Tom“. |
|
The Online Discographical Project |
|
|
Vocalion 1204 |
A |
Endurance Stomp |
➧ |
|
|
Cobb, Junie C. & His Grains Of Corn |
|
|
1928 |
2:31 |
Chicago |
21.08.1928 |
|
C-2252 |
|
|
|
|
|
|
Musik: Fernandez, Angelo |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1204 |
B |
Yearning And Blue |
|
|
|
Cobb, Junie C. & His Grains Of Corn |
|
|
1928 |
|
Chicago |
21.08.1928 |
|
C-2253 |
|
|
|
|
|
|
Musik: Smith, Chris |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1205 |
|
Policy Blues |
➧ |
|
|
Yodeling Kid Brown |
|
|
1928 |
2:47 |
Chicago |
11.08.1928 |
|
C-2205 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1205 |
|
Skeet Skat Blues |
➧ |
|
|
Brown, Skeet |
|
|
1928 |
2:57 |
Chicago |
11.08.1928 |
|
C-2202 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1206 |
|
After You've Had Your Way |
➧ |
V |
|
Jackson, Lulu |
|
|
1928 |
3:16 |
Chicago |
15.08.1928 |
|
C-2233 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1206 |
|
Little By Little You're Breaking My Heart |
➧ |
V |
|
Jackson, Lulu |
|
|
1928 |
3:04 |
Chicago |
15.08.1928 |
|
C-2234 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1207 |
|
Sweet Lorraine |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:13 |
Chicago |
25.08.1928 |
|
C-2268 |
|
|
|
| 6862330 |
Brunswick 80023 |
Musik: Burwell, Carter/Text: Parish, Mitchell |
|
|
|
Jazz Records 1897-1942. 1.968 Seiten. |
|
ORIGINAL. Cover filtern. |
Vocalion 1207 |
|
Apex Blues |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:06 |
Chicago |
23.08.1928 |
|
C-2258 |
|
|
|
| Album0655 |
Brunswick 80023 |
Musik: Noone, Jimmie/Text: Williams, Clarence |
|
|
|
Jazz Records 1897-1942. 1.968 Seiten. |
|
ORIGINAL. Cover filtern. |
Vocalion 1208 |
|
Steamboat Blues |
|
|
|
Hound Head Henry |
|
|
1928 |
3:12 |
Chicago |
09.08.1928 |
|
C-2189 |
|
|
|
|
|
|
|
|
Davenport, Cow Cow am Piano. |
|
www.musiktiteldb.de |
|
|
Vocalion 1208 |
|
Freight Train Blues |
|
|
|
Hound Head Henry |
|
|
1928 |
3:20 |
Chicago |
01.08.1928 |
|
C-2170 |
|
|
|
| Sampler0776 |
|
Musik + Text: Henry |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1209 |
|
Rooster Crowing Blues |
|
|
|
Hound Head Henry |
|
|
1928 |
2:49 |
Chicago |
18.10.1928 |
|
C-2455 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1209 |
|
Hound Head Blues |
|
|
|
Hound Head Henry |
|
|
1928 |
3:05 |
Chicago |
01.08.1928 |
|
C-2169 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1210 |
|
Laughin' Blues |
|
|
|
Hound Head Henry |
|
|
1928 |
2:57 |
Chicago |
29.08.1928 |
|
C-2275 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1210 |
|
Cryin' Blues |
|
|
|
Hound Head Henry |
|
|
1928 |
3:03 |
Chicago |
29.08.1928 |
|
C-2274 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1211 |
A |
I Ain't Got Nobody |
|
V |
|
Stovepipe Johnson |
|
|
1928 |
|
Chicago |
23.07.1928 |
|
C-2114 |
|
1111452 |
00021565801 |
|
|
|
Musik: Williams, Spencer/Text: Graham, Roger |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1211 |
B |
Don't Let Your Mouth Start Nothing Your Head Won't Stand |
➧ |
V |
|
Stovepipe Johnson |
|
|
1928 |
3:03 |
Chicago |
26.07.1928 |
|
C-2151 |
|
|
|
|
|
|
Musik: Williams/Text: Johnson |
|
Am Piano: „Georgia Tom“. |
|
The Online Discographical Project |
|
|
Vocalion 1212 |
|
Blood Done Sign My Name, The |
|
|
|
Novelty Four Quartet |
|
|
1928 |
|
Chicago |
29.07.1928 |
|
C-2158 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1212 |
|
Little Wheel Rolling In My Heart |
|
|
|
Novelty Four Quartet |
|
|
1928 |
|
Chicago |
29.07.1928 |
|
C-2163 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1213 |
|
Trouble Blues |
|
|
|
Blackwell, Scrapper |
|
|
1928 |
|
Chicago |
28.07.1928 |
|
C-2229 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1213 |
|
Trouble Blues |
|
|
|
Blackwell, Scrapper |
|
|
1928 |
|
Chicago |
28.07.1928 |
|
C-2230 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1214 |
A |
Mean Old Train Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:06 |
Chicago |
14.08.1928 |
|
C-2222 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1214 |
B |
Low Down Dirty Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:07 |
Chicago |
14.08.1928 |
|
C-2224 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1215 |
|
Blues My Naughty Sweetie Gives To Me |
|
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:03 |
Chicago |
23.08.1928 |
|
C-2260 |
|
|
|
| Album0655 |
Brunswick 80026 |
Musik: Morgan, Russ/Swanstrom, Arthur/Text: McCarron, Charles R. |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1215 |
|
Oh, Sister! Ain't That Hot! |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
2:46 |
Chicago |
23.08.1928 |
|
C-2266 |
GEMA-Werk-Nr.: 873895 |
873895 |
|
| Album0659 |
|
Musik + Text: Donaldson, Will/White, Harry |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1216 |
A |
Grievin' Me Blues |
➧ |
V |
|
Georgia Tom |
|
|
1928 |
2:53 |
Chicago |
16.10.1928 |
|
C-2450 |
|
|
|
|
|
|
Musik: Dorsey, Thomas A |
|
„Georgia Tom“ ist „Dorsey, Thomas A.“ |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1216 |
B |
It's Tight Like That |
➧ |
|
|
Tampa Red & Georgia Tom |
|
|
1928 |
3:04 |
Chicago |
06.11.1928 |
|
C-2476 |
|
|
|
| |
|
Musik: Dorsey, Thomas A./Text: Whittaker, Hudson |
|
|
|
www.musiktiteldb.de |
|
ORIGINAL. Cover filtern. |
Vocalion 1217 |
|
Begin A New Life On Christmas Day (Part 1) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Five Women |
1928 |
3:05 |
Chicago |
26.10.1928 |
|
C-2479 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1217 |
B |
Begin A New Life On Christmas Day (Part 2) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Five Women |
1928 |
3:05 |
Chicago |
26.10.1928 |
|
C-2480 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1218 |
|
Crying The Blues Away |
|
|
|
Wynn, Albert & His Gut Bucket Five |
|
|
1928 |
3:16 |
Chicago |
09.10.1928 |
|
C-2423 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2234“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik + Text: Hill, Alex |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1218 |
|
Shake Your Shimmy |
➧ |
|
|
Midnight Rounders, The |
|
|
1928 |
3:03 |
Chicago |
09.10.1928 |
|
C-2421 |
|
|
|
|
|
Supertone S 2234 |
Musik: Blythe, Jimmy |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1219 |
A |
De's Bones Gwine Rise Again |
➧ |
V |
|
Southern Plantation Singers, The |
|
|
1928 |
2:48 |
Chicago |
26.09.1928 |
|
C-2357 |
|
|
|
|
|
|
Musik: Traditional |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1219 |
B |
My Lord Delivered Daniel |
➧ |
V |
|
Southern Plantation Singers, The |
|
|
1928 |
2:49 |
Chicago |
26.09.1928 |
|
C-2358 |
|
|
|
|
|
|
Musik: Traditional |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1220 |
|
Parkway Stomp |
|
|
|
Wynn, Albert & His Gut Bucket Five |
|
|
1928 |
2:37 |
Chicago |
09.10.1928 |
|
C-2424-B |
|
|
|
|
|
Brunswick 80041 |
Musik + Text: Dorsey, Thomas A./Wynn, Albert |
|
|
|
Discography of American Historical Recordings |
|
|
Vocalion 1220 |
|
Down By The Levee |
|
|
|
Wynn, Albert & His Gut Bucket Five |
|
|
1928 |
|
Chicago |
02.10.1928 |
|
C-2381 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1221 |
|
This Time Another Year You May Be Gone |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1928 |
2:53 |
Chicago |
17.10.1928 |
|
C-2454 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1221 |
|
Wrong Way To Celebrate Christmas |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1928 |
2:29 |
Chicago |
17.10.1928 |
|
C-2453 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1222 |
|
There Was No Room At The Hotel |
|
|
|
Smith, Lucy |
|
|
1928 |
3:04 |
Chicago |
26.10.1928 |
|
C-2495 |
|
|
|
|
|
|
|
|
Jubilee Singers |
|
The Online Discographical Project |
|
|
Vocalion 1222 |
A |
Seeking For Me |
|
|
|
Smith, Lucy |
|
|
1928 |
2:34 |
Chicago |
26.10.1928 |
|
C-2496 |
|
|
|
|
|
|
|
|
Jubilee Singers |
|
The Online Discographical Project |
|
|
Vocalion 1223 |
|
You Can't Come In |
➧ |
V |
|
Mays, Bert M. |
|
|
1928 |
3:19 |
Chicago |
05.10.1928 |
|
C-2403 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
0610 |
|
Vocalion 1223 |
|
Michigan River Blues |
➧ |
V |
|
Mays, Bert M. |
|
|
1928 |
3:15 |
Chicago |
05.10.1928 |
|
C-2399-A |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
0610 |
|
Vocalion 1224 |
|
Christmas Man Blues |
|
V |
|
Hill, Bertha „Chippie“ & Tampa Redo |
|
|
1928 |
2:52 |
Chicago |
16.10.1928 |
|
C-2449 |
|
|
|
|
|
|
Musik + Text: Dorsey/Carter/Williams |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1224 |
|
Weary Money Blues |
➧ |
V |
|
Hill, Bertha „Chippie“ & Johnson, Lonnie |
|
|
1928 |
3:05 |
Chicago |
13.10.1928 |
|
C-2434 |
|
|
|
|
|
|
Musik: Hill, Bertha „Chippie“/Text: Offert |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1225 |
|
Speakeasy Blues |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1928 |
2:52 |
New York City |
10.09.1928 |
|
E-28185 |
|
|
|
| 82404601392 |
Supertone S 2236 |
Musik: Oliver, King/Text: Williams, Clarence |
|
|
King Oliver-Ed Anderson-c/J. C. Higginbotham-tb/Omer Simeon-cl-asl Barney Bigard-c1-ts/ Luis
Russell-p/Will Johnson-bj/Bass Moore-bb/paul Barbarin-dI/Benny Waters-a. |
Jazz Records 1897-1942. 1.968 Seiten. |
|
|
Vocalion 1225 |
B |
Aunt Hagar's Blues |
➧ |
I |
|
Oliver, King & His Dixie Syncopators |
|
|
1928 |
2:59 |
New York City |
10.09.1928 |
|
E-28186 |
|
734423 |
00128632966 |
| 82404601392 |
|
Musik + Text: Brymn, Tim/Handy, William C. |
|
|
King Oliver-Ed Anderson-c/J. C. Higginbotham-tb/Omer Simeon-cl-asl Barney Bigard-c1-ts/ Luis
Russell-p/Will Johnson-bj/Bass Moore-bb/paul Barbarin-dI/Benny Waters-a. |
Jazz Records 1897-1942. 1.968 Seiten. |
|
COVER. Original filtern. |
Vocalion 1226 |
|
Down At Jasper's Bar-B-Que |
➧ |
|
|
Jaxon, Frankie „Half-Pint“ |
|
|
1928 |
2:49 |
Chicago |
31.10.1928 |
|
C-2502 |
|
|
|
| Album1931 |
|
Musik + Text: Jaxon, Frankie |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1226 |
|
Hit Ta Ditty Low Down |
➧ |
|
|
Jaxon, Frankie „Half-Pint“ |
|
|
1928 |
2:46 |
Chicago |
31.10.1928 |
|
C-2500 |
|
|
|
| Album1931 |
|
Musik + Text: Jaxon, Frankie |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1227 |
|
Dirty Ground Hog Blues |
➧ |
|
|
Davenport, Cow Cow |
|
|
1928 |
2:51 |
Chicago |
25.10.1928 |
|
C-2478 |
|
|
|
| Album2772 |
|
Musik + Text: Davenport, Charles |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1227 |
|
Alabama Mistreater |
➧ |
V |
|
Davenport, Cow Cow |
|
|
1928 |
2:54 |
Chicago |
25.10.1928 |
|
C-2477 |
|
|
|
| Album2772 |
|
Musik + Text: Davenport, Charles |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1228 |
|
How Long, How Long Blues |
➧ |
|
|
Tampa Red's Hokum Jug Band |
|
Jaxon, Frankie „Half-Pint“ |
1928 |
3:03 |
Chicago |
09.11.1928 |
|
C-2537-A |
|
1079884 |
00343892540 |
|
|
Perfect 218 |
Musik + Text: Carr, Leroy |
|
Vokalist (Tonträgerangabe) im Datenfeld „Begleitung“. |
|
Blues & Gospel Records 1890-1943 |
0881 |
COVER. Original filtern. |
Vocalion 1228 |
A |
It's Tight Like That |
|
|
|
Tampa Red's Hokum Jug Band |
|
Jaxon, Frankie „Half-Pint“ |
1928 |
|
Chicago |
09.11.1928 |
|
C-2536 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2230“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik: Dorsey, Thomas A./Text: Whittaker, Hudson |
|
Vokalist (Tonträgerangabe) im Datenfeld „Begleitung“. |
|
Blues & Gospel Records 1890-1943 |
0881 |
COVER. Original filtern. |
Vocalion 1229 |
|
King Joe |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:06 |
Chicago |
25.08.1928 |
|
C-2267 |
|
|
|
| Album0658 |
|
Musik: Scott, Arthur |
|
|
|
Jazz Records 1897-1942. 1.968 Seiten. |
|
|
Vocalion 1229 |
|
A Monday Date |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:04 |
Chicago |
23.08.1928 |
|
C-2259 |
|
|
|
| Album0655 |
Brunswick 80026 |
Musik: Hines, Earl/Text: Robin, Sydney |
|
Auf Brunswick 80026 heißt der Titel nur 'Monday Date'. |
|
Jazz Records 1897-1942. 1.968 Seiten. |
|
COVER. Original filtern. |
Vocalion 1230 |
A |
Bull Doze Blues |
➧ |
|
|
Thomas, Henry |
|
|
1928 |
3:31 |
Chicago |
13.06.1928 |
|
C-1999 |
|
|
|
| Album2712 |
|
Musik + Text: Thomas, Henry |
|
|
|
www.musiktiteldb.de |
|
ORIGINAL. Cover filtern. |
Vocalion 1230 |
B |
Old Country Stomp |
➧ |
|
|
Thomas, Henry |
|
|
1928 |
2:52 |
Chicago |
13.06.1928 |
|
C-2008 |
|
|
|
| Sampler0751 |
|
Musik + Text: Thomas, Henry |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1231 |
|
I Will Arise And Go To My Father |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1928 |
3:12 |
Chicago |
12.08.1928 |
|
C-2210 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1231 |
|
Sure Foundation, The |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1928 |
2:48 |
Chicago |
12.08.1928 |
|
C-2209 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1232 |
|
You Got To Reap What You Sow |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
2:53 |
Chicago |
14.08.1928 |
|
C-2223 |
|
|
|
|
|
|
Musik + Text: Carr, Leroy |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1232 |
|
Truthful Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
2:56 |
Chicago |
14.08.1928 |
|
C-2221 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2223s“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik + Text: Carr, Leroy |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1233 |
|
Heaven Is My View |
|
|
|
Bessemer Sunset Four |
|
|
1928 |
|
|
12.11.1928 |
|
BM 781 |
|
|
|
|
|
|
|
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1233 |
|
Rollin' Down To Jordan |
|
|
|
Bessemer Sunset Four |
|
|
1928 |
|
|
12.11.1928 |
|
B780 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1234 |
|
Wee Wee Daddy Blues |
|
V |
|
Miller, Luella |
|
|
1928 |
|
Chicago |
01.08.1928 |
|
C-2175 |
|
|
|
|
|
|
Musik: Miller, Luella |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1234 |
|
Chicago Blues |
|
V |
|
Miller, Luella |
|
|
1928 |
|
Chicago |
01.08.1928 |
|
C-2174 |
|
|
|
|
|
|
Musik: Miller, Luella |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1235 |
|
I Wouldn't Mind Dying |
|
|
|
Rev.i.b.ware |
|
|
1928 |
|
|
10.12.1928 |
|
BIR786 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1235 |
|
You Better Quit Drinking Shine |
|
|
|
Rev.i.b.ware |
|
|
1928 |
|
|
10.12.1928 |
|
BIR787 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1236 |
|
Mississippi Wobble |
|
|
|
Wade, Jimmy & His Dixielanders |
|
|
1928 |
3:11 |
Chicago |
10.10.1928 |
|
C-2428 |
|
|
|
| Sampler0576 |
|
Musik: Wade, Jimmy |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1236 |
|
Gates Blues |
|
V |
|
Jimmy Wade Dixielanders |
|
pm |
1928 |
|
Chicago |
10.10.1928 |
|
C-2429-A |
|
|
|
|
|
Brunswick 80041 |
Musik: Jimmy Wade |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1237 |
|
Bull Fiddle Rag |
➧ |
|
|
Midnight Rounders, The |
|
|
1928 |
3:07 |
Chicago |
09.10.1928 |
|
C-2422-A |
|
|
|
|
|
|
Musik: Blythe, Jimmy |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1237 |
|
You Can't Come In |
|
|
|
Tampa Red's Hokum Jug Band |
|
|
1928 |
|
Chicago |
09.11.1928 |
|
C-2544-B |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
0881 |
|
Vocalion 1238 |
|
It's Tight Like That |
➧ |
I |
|
Noone, Jimmie & His Apex Jazz Band |
|
|
1929 |
2:43 |
Chicago |
27.12.1928 |
|
C-2710-A |
|
|
|
|
|
Vocalion V 1007 |
Musik: Dorsey, Thomas A./Text: Whittaker, Hudson |
|
|
|
www.ebay.de |
|
COVER. Original filtern. |
Vocalion 1238 |
|
Let's Sow A Wild Oat |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
2:59 |
Chicago |
27.12.1928 |
|
C-2711-A |
|
|
|
| Album0658 |
|
Musik: T.dorsey/H.whitacker |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1239 |
|
Canned Heat Blues |
➧ |
V |
|
Keghouse & Jaybird |
|
|
1928 |
3:09 |
Memphis |
23.11.1928 |
|
M-850 |
|
|
|
|
|
|
|
|
Gesang: „Keghouse, Gordon“. Am Piano: „Jaybird“ (Jones, Thomas). |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1239 |
|
Sock It Blues |
➧ |
V |
|
Keghouse & Jaybird |
|
|
1928 |
3:00 |
Memphis |
23.11.1928 |
|
M-851 |
|
|
|
|
|
|
|
|
Gesang: „Keghouse, Gordon“. Am Piano: „Jaybird“ (Jones, Thomas). |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1240 |
|
Some Rainy Day |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:08 |
Chicago |
06.12.1928 |
|
C-2640 |
|
|
|
| Album0660 |
|
Musik: Spikes, Ben/Text: Spikes, John |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1240 |
|
She's Funny That Way |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1928 |
3:33 |
Chicago |
27.12.1928 |
|
C-2712 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1241 |
|
Prison Bound Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:05 |
|
20.12.1928 |
|
C-2694 |
|
|
|
|
|
|
Musik: Carr, Leroy |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1241 |
|
How Long-How Long Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:03 |
Indianapolis |
19.06.1928 |
|
IND623-A |
|
1079884 |
00343892540 |
| Sampler0845 |
Banner 32557 |
Musik + Text: Carr, Leroy |
|
|
|
Blues & Gospel Records 1890-1943 |
0139 |
ORIGINAL. Cover filtern. |
Vocalion 1242 |
|
Blue Ridge Blues |
➧ |
V |
|
Jackson, Lulu |
|
|
1928 |
2:45 |
Chicago |
21.12.1928 |
|
C-2696 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1242 |
|
Lost Lover Blues |
➧ |
V |
|
Jackson, Lulu |
|
|
1928 |
2:45 |
Chicago |
20.12.1928 |
|
C-2686-A |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1243 |
|
I Heard The Angels Singing |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1928 |
3:02 |
Chicago |
18.01.1928 |
|
C-1625/6 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1243 |
|
I Shall Not Be Moved |
|
|
|
Clayborn, Edward W. Rev. |
|
|
1928 |
2:50 |
Chicago |
21.01.1928 |
|
C-1627/8 |
|
|
|
| Album1465 |
|
Musik + Text: Volkslied |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1244 |
|
It's Tight Like That No. 2 |
|
|
|
Tampa Red & Georgia Tom |
|
|
1929 |
2:42 |
Chicago |
14.01.1929 |
|
C-2790 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1244 |
A |
Chicago Moan Blues |
|
|
|
Tampa Red & Georgia Tom |
|
|
1929 |
|
Chicago |
11.01.1929 |
|
C-2778 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1245 |
|
Pinetop's Blues |
|
|
|
Smith, Clarence 'Pine Top' |
|
|
1928 |
|
Chicago |
29.12.1928 |
|
C-2725 |
|
|
|
|
|
|
Musik: Smith, Clarence „Pinetop“ |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1245 |
B |
Pine Top's Boogie Woogie |
|
|
|
Smith, Clarence 'Pine Top' |
|
|
1928 |
3:12 |
Chicago |
29.12.1928 |
|
C-2726 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2217“. Siehe auch: Bemerkung. |
|
|
| Sampler0844 |
|
Musik + Text: Smith, Clarence „Pinetop“ |
09.02.1929 |
|
|
Joel Whitburn's Pop Memories 1890-1954 |
|
ORIGINAL. Cover filtern. |
Vocalion 1246 |
|
Long Ago Blues |
➧ |
V |
|
Georgia Tom |
|
|
1928 |
2:50 |
Chicago |
01.11.1928 |
|
C-2508 |
|
|
|
|
|
|
|
|
„Georgia Tom“ ist „Dorsey, Thomas A.“ |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1246 |
|
Lonesome Man Blues |
➧ |
V |
|
Georgia Tom |
|
|
1928 |
3:00 |
Chicago |
20.09.1928 |
|
C-2324 |
|
|
|
|
|
|
|
|
„Georgia Tom“ ist „Dorsey, Thomas A.“ |
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1247 |
|
Hang Out Your Sign |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Five Women |
1928 |
3:02 |
Chicago |
26.10.1928 |
|
C-2481 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1247 |
|
Sleeping In A Dangerous Time |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Five Women |
1928 |
2:54 |
Chicago |
26.10.1928 |
|
C-2482 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1248 |
|
Hangman Blues |
➧ |
V |
|
Hill, Bertha „Chippie“ |
|
|
1928 |
3:04 |
Chicago |
01.11.1928 |
|
C-2510-A |
|
|
|
|
|
|
Musik: Hyman/Rosen/Text: Williams |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1248 |
|
Trouble In Mind Blues |
|
V |
|
Hill, Bertha „Chippie“ |
|
|
1928 |
|
Chicago |
01.11.1928 |
|
C-2509-B |
|
|
|
|
|
|
Musik + Text: Jones, Richard M. |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
COVER. Original filtern. |
Vocalion 1249 |
|
Texas Worried Blues |
|
|
|
Thomas, Henry |
|
|
1928 |
3:18 |
Chicago |
13.06.1928 |
|
C-2002 |
|
|
|
| Album2712 |
|
Musik + Text: Thomas, Henry |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1249 |
|
Fishing Blues |
➧ |
|
|
Thomas, Henry |
|
|
1928 |
2:48 |
Chicago |
13.06.1928 |
|
C-2003 |
|
|
|
| Album2712 |
|
Musik + Text: Thomas, Henry |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1250 |
|
Don't You Want That Stone |
|
V |
|
Southern Plantation Singers, The |
|
|
1928 |
|
Chicago |
26.09.1928 |
|
C-2354 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1250 |
|
This Train Is Bound For Glory |
|
V |
|
Southern Plantation Singers, The |
|
|
1928 |
|
Chicago |
26.09.1928 |
|
C-2353 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1251 |
|
Jelly Whippin' Blues |
|
|
|
Tampa Red & Georgia Tom |
|
|
1929 |
|
Chicago |
11.01.1929 |
|
C-2780-A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1251 |
|
Train Time Blues |
|
|
|
Tampa Red & Georgia Tom |
|
|
1929 |
|
Chicago |
14.01.1929 |
|
C-2782-A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1252 |
|
She's Cryin' For Me |
|
|
|
Wynn, Albert & His Gut Bucket Five |
|
|
1928 |
|
Chicago |
02.10.1928 |
|
C-2382 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1252 |
|
Milenberg Joys |
|
|
|
Lil Hardaway's Orchestra |
|
|
1928 |
|
Chicago |
05.09.1928 |
|
C-2336 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1253 |
A |
Chimin' The Blues |
➧ |
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Davenport, Cow Cow |
|
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1928 |
3:11 |
Chicago |
16.07.1928 |
|
C-2378 |
|
|
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| Album2772 |
|
Musik + Text: Davenport, Charles |
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www.musiktiteldb.de |
|
|
Vocalion 1253 |
B |
Alabama Strut |
➧ |
|
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Davenport, Cow Cow |
|
|
1928 |
2:54 |
Chicago |
16.07.1928 |
|
C-2379 |
|
|
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| Album2772 |
|
Musik + Text: Davenport, Charles |
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|
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www.musiktiteldb.de |
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Vocalion 1254 |
|
Down The Alley |
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Tampa Red's Hokum Jug Band |
|
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1928 |
|
Chicago |
31.10.1928 |
|
C-2505 |
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Musik: Carter |
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Blues & Gospel Records 1890-1943 |
0881 |
|
Vocalion 1254 |
|
Good Gordon Gin |
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Tampa Red's Hokum Jug Band |
|
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1928 |
|
Chicago |
31.10.1928 |
|
C-2504 |
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Musik: Carter |
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Blues & Gospel Records 1890-1943 |
0881 |
|
Vocalion 1255 |
|
Take My Yoke Upon You |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1928 |
2:44 |
Chicago |
12.08.1928 |
|
C-2207 |
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Blues & Gospel Records 1890-1943 |
|
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Vocalion 1255 |
|
Come And See |
➧ |
V |
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Rice, D. C. Rev. & Congregation |
|
|
1928 |
2:50 |
Chicago |
12.06.1928 |
|
C-2009 |
|
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Blues & Gospel Records 1890-1943 |
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Vocalion 1256 |
|
Nobody Knows You (When You Are Down And Out) |
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Smith, Clarence 'Pine Top' |
|
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1929 |
|
Chicago |
15.01.1929 |
|
C-2801 |
|
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The Online Discographical Project |
|
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Vocalion 1256 |
|
Big Boy They Can't Do That |
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Smith, Clarence 'Pine Top' |
|
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1929 |
|
Chicago |
15.01.1929 |
|
C-2798 |
|
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The Online Discographical Project |
|
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Vocalion 1257 |
|
Fan It |
➧ |
|
|
Jaxon, Frankie „Half-Pint“ |
|
|
1928 |
2:57 |
|
28.11.1928 |
|
C-2611-A |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone S 2211“. Siehe auch: Bemerkung. |
|
|
| Album1931 |
Perfect 210 |
Musik + Text: Jaxon, Frankie |
|
|
|
British Dance Bands On Record 1911 To 1945 |
|
ORIGINAL. Cover filtern. |
Vocalion 1257 |
B |
How Can I Get It |
➧ |
|
|
Jaxon, Frankie „Half-Pint“ |
|
|
1928 |
2:56 |
Chicago |
31.10.1928 |
|
C-2503-A |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone S 2211“. Siehe auch: Bemerkung. |
|
|
| Album1931 |
|
Musik: Jaxon, Frankie |
|
|
|
British Dance Bands On Record 1911 To 1945 |
|
|
Vocalion 1258 |
|
It's Tight Like That |
➧ |
V |
|
Tampa Red |
|
|
1929 |
2:48 |
Chicago |
10.01.1929 |
|
C-2808 |
|
|
|
|
|
|
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1259 |
|
How About Me |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
3:28 |
Chicago |
15.02.1929 |
|
C-2964 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1259 |
|
Think Of Me Thinkin Of You |
|
V |
|
Carr, Leroy |
|
|
1929 |
|
Chicago |
15.02.1929 |
|
C-2969 |
|
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The Online Discographical Project |
|
|
Vocalion 1260 |
|
Ham And Eggs |
|
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Bessemer Sunset Four |
|
|
1928 |
|
|
12.11.1928 |
|
BIRM778 |
|
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|
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1260 |
|
Mighty Day |
➧ |
|
|
Bessemer Sunset Four |
|
|
1928 |
2:51 |
|
12.11.1928 |
|
BIRM779 |
|
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|
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|
The Online Discographical Project |
|
|
Vocalion 1261 |
|
Baby Don't You Love Me No More |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:16 |
|
20.12.1928 |
|
C-2690, |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1261“. Siehe auch: Bemerkung. |
|
|
|
|
Supertone S 2255 |
Musik: Guernsey/Thompson |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1261 |
|
Tired Of Your Low Down Ways |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:14 |
Chicago |
19.12.1928 |
|
C-2691 |
|
|
|
| Sampler0388 |
Supertone S 2255 |
Musik + Text: Carr, Leroy |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1262 |
|
He's Got His Eyes On You |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1929 |
2:54 |
Chicago |
22.02.1929 |
|
C-3001 |
|
|
|
|
|
|
|
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|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1262 |
|
I'm In The Battlefield For My Lord |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1929 |
3:14 |
Chicago |
22.02.1929 |
|
C-3002 |
|
|
|
|
|
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|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1263 |
|
Don't Cry, Honey |
➧ |
|
|
Cobb, Junie C. & His Grains Of Corn |
|
|
1929 |
3:16 |
Chicago |
07.02.1929 |
|
C-2921-A |
|
|
|
|
|
|
Musik: Cobb, Junie/Hill, Alex |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1263 |
|
Shake That Jelly Roll |
➧ |
|
|
Cobb, Junie C. & His Grains Of Corn |
|
|
1929 |
2:58 |
Chicago |
07.02.1929 |
|
C-2920-A |
|
|
|
|
|
|
Musik: Cobb/Melrose |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1264 |
|
Some Cold Rainy Day |
➧ |
V |
|
Hill, Bertha „Chippie“ |
|
|
1928 |
3:20 |
Chicago |
13.10.1928 |
|
C-2433 |
|
|
|
|
|
|
Musik: Dorsey |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1264 |
|
Hard Time Blues |
➧ |
V |
|
Hill, Bertha „Chippie“ & Tampa Red |
|
|
1928 |
2:56 |
Chicago |
16.10.1928 |
|
C-2448 |
|
|
|
|
|
|
Musik + Text: Smith, Bessie |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1265 |
|
Silver Slippers |
|
|
|
Shand Jubilee Singers |
|
|
1928 |
|
Chicago |
19.10.1928 |
|
C-2461 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1265 |
|
True Religion |
|
|
|
Shand Jubilee Singers |
|
|
1928 |
|
Chicago |
19.10.1928 |
|
C-2460 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1266 |
|
I Got More Sense Than That |
|
|
|
Smith, Clarence 'Pine Top' |
|
|
1929 |
|
Chicago |
14.01.1929 |
|
C-2796 |
|
|
|
|
|
|
Musik + Text: Smith, Clarence „Pinetop“ |
|
|
|
RateYourMusic |
|
|
Vocalion 1266 |
|
I'm Sober Now |
|
|
|
Smith, Clarence 'Pine Top' |
|
|
1929 |
|
Chicago |
14.01.1929 |
|
C-2797 |
|
|
|
|
|
|
Musik + Text: Smith, Clarence „Pinetop“ |
|
|
|
RateYourMusic |
|
|
Vocalion 1267 |
|
I Got Misery |
|
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1929 |
|
Chicago |
01.03.1929 |
|
C-3031 |
|
|
|
|
|
|
Musik: Yoell/Scharlin/Jacobs |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1267 |
|
Chicago Rhythm |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1929 |
2:54 |
Chicago |
26.02.1929 |
|
C-3006 |
|
|
|
| Album0656 |
|
Musik: Kanter, Ben/Text: Grossman, B. |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1268 |
|
Juicy Lemon Blues |
|
|
|
Tampa Red & Georgia Tom |
|
|
1929 |
3:07 |
Chicago |
11.01.1929 |
|
C-2777 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1268 |
|
Uncle Bud |
|
|
|
Tampa Red & Georgia Tom |
|
|
1929 |
2:42 |
Chicago |
11.01.1929 |
|
C-2784 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1269 |
|
Boot That Thing |
|
|
|
Cobb, Junie C. & His Grains Of Corn |
|
|
1929 |
|
Chicago |
09.02.1929 |
|
C-2941-A |
|
|
|
|
|
|
Musik: Cobb, Junie/Hill, Alex |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1269 |
|
Smoke Shop Drag |
➧ |
|
|
Cobb, Junie C. & His Grains Of Corn |
|
|
1929 |
2:56 |
Chicago |
09.02.1929 |
|
C-2940-A |
|
|
|
|
|
|
Musik: Cobb, Junie/Hill, Alex |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1270 |
A |
Stompin' 'em Down |
➧ |
|
|
Hill, Alex |
|
|
1929 |
2:34 |
Chicago |
30.03.1929 |
|
C-3210 |
|
|
|
|
|
Brunswick 80034 |
|
|
|
|
Jazz and Ragtime Records 1897-1942 |
|
|
Vocalion 1270 |
B |
Tack Head Blues |
➧ |
|
|
Hill, Alex |
|
|
1929 |
3:09 |
Chicago |
30.03.1929 |
|
C-3211 |
|
|
|
| DOCD-5597 |
Brunswick 80034 |
Musik: Hill, Alex |
|
|
|
Jazz and Ragtime Records 1897-1942 |
|
|
Vocalion 1271 |
|
Sunny Southern Blues |
|
|
|
Webster Taylor |
|
|
1929 |
|
Chicago |
17.04.1929 |
|
C-3303 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1271 |
|
World In A Jug |
|
|
|
Webster Taylor |
|
|
1929 |
|
Chicago |
17.04.1929 |
|
C-3302 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1272 |
|
Love Me Or Leave Me |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1929 |
3:31 |
Chicago |
27.04.1929 |
|
C-3379 |
|
29019273 |
00392888203 |
| Album0658 |
Supertone S 2254 |
Musik: Donaldson, Walter/Text: Kahn, Gus |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1272 |
|
Wake Up! Chillun, Wake Up! |
|
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1929 |
3:23 |
Chicago |
27.04.1929 |
|
C-3378 |
|
|
|
|
|
Supertone S 2254 |
Musik: Robison, Willard/Text: Trent, Jo |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1273 |
|
Does Jesus Care |
|
|
|
Blind Willie Harris |
|
|
1929 |
|
|
15.02.1929 |
|
NO106 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1273 |
|
Where He Leads Me I Will Follow |
|
|
|
Blind Willie Harris |
|
|
1929 |
|
|
15.02.1929 |
|
NO107 |
|
|
|
|
|
|
Musik: DP |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1274 |
|
My Daddy Rocks Me |
|
|
|
Tampa Red's Hokum Jug Band |
|
|
1929 |
3:33 |
Chicago |
19.04.1929 |
|
C-3315 |
|
|
|
| Sampler0388 |
|
Musik + Text: Barbour, J. Berni |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1274 |
|
Boot It Boy |
➧ |
|
|
Tampa Red's Hokum Jug Band |
|
|
1929 |
2:56 |
Chicago |
19.04.1929 |
|
C-3314 |
|
|
|
|
|
|
Musik: Thomas |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1275 |
|
Whoop And Holler Stomp |
|
|
|
Montana Taylor & The Jazoo Boys |
|
|
1929 |
|
Chicago |
22.04.1929 |
|
C-3350 |
|
|
|
|
|
|
Musik: Taylor, Arthur 'Montana'/Text: Humphrey |
|
|
|
Popsike |
|
|
Vocalion 1275 |
|
Hayride Stomp |
|
|
|
Montana Taylor & The Jazoo Boys |
|
|
1929 |
|
Chicago |
22.04.1929 |
|
C-3351 |
|
|
|
|
|
|
Musik + Text: Taylor, Arthur 'Montana' |
|
|
|
Popsike |
|
|
Vocalion 1276 |
|
Non-Skid Tread |
➧ |
V |
|
Blackwell, Scrapper & Two Roys, The feat. Hill, Chippie |
|
|
1929 |
3:15 |
Chicago |
15.02.1929 |
|
C-2973 |
|
|
|
|
|
|
Musik: Roy/Carr/Blackwell |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
Vocalion 1276 |
|
Be-Da-Da-Bum |
|
V |
|
Blackwell, Scrapper |
|
|
1929 |
|
Chicago |
19.03.1929 |
|
TC3153 |
|
|
|
|
|
|
Musik + Text: Blackwell, Scrapper |
|
|
|
www.ebay.de |
|
|
Vocalion 1277 |
|
That Duck's Yas Yas Yas |
|
|
|
Tampa Red & Georgia Tom |
|
|
1929 |
|
Chicago |
16.05.1929 |
|
C-3485 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1277 |
|
Plenty Gals Blues |
|
|
|
Memphis Joe |
|
|
1928 |
3:10 |
Chicago |
09.11.1928 |
|
C-2546 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1278 |
|
Little Rosewood Casket |
➧ |
V |
|
Jackson, Lulu |
|
|
1928 |
3:01 |
Chicago |
20.12.1928 |
|
C-2687-A |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1278 |
B |
You're Going To Leave The Old Home, Jim! |
➧ |
V |
|
Jackson, Lulu |
|
|
1928 |
2:55 |
Chicago |
21.12.1928 |
|
C-2699 |
|
|
|
|
|
Supertone S 2227 |
Musik: nicht angegeben |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1279 |
|
How Long-How Long Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:03 |
Indianapolis |
19.06.1928 |
|
IND623-A |
|
1079884 |
00343892540 |
| Sampler0845 |
Romeo 5166 |
Musik + Text: Carr, Leroy |
|
|
|
Blues & Gospel Records 1890-1943 |
0139 |
ORIGINAL. Cover filtern. |
Vocalion 1279 |
|
You Don't Mean Me No Good |
➧ |
V |
|
Carr, Leroy |
|
|
1928 |
3:16 |
Chicago |
20.12.1928 |
|
C-2695 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1280 |
|
I Won't Give You None |
|
|
|
Jimmy Bertrand's Washboard Wizards |
|
|
1929 |
|
Chicago |
25.04.1929 |
|
C-3365 |
|
|
|
|
|
|
Musik: Blythe, Jimmy/Text: Huff |
|
|
|
RHJ |
|
|
Vocalion 1280 |
|
Isabella |
|
|
|
Jimmy Bertrand's Washboard Wizards |
|
|
1929 |
|
Chicago |
25.04.1929 |
|
C-3364 |
|
|
|
|
|
|
Musik: Miller, Punch |
|
|
|
RHJ |
|
|
Vocalion 1281 |
|
Mess, Katie, Mess |
➧ |
|
|
Tampa Red's Hokum Jug Band |
|
|
1929 |
2:56 |
Chicago |
15.04.1929 |
|
C-3289 |
|
|
|
|
|
|
Musik: Kapp/Eller |
|
|
|
Blues & Gospel Records 1890-1943 |
0882 |
|
Vocalion 1281 |
|
Sho' Is Hot |
➧ |
|
|
Tampa Red's Hokum Jug Band |
|
|
1929 |
3:10 |
Chicago |
15.04.1929 |
|
C-3290 |
|
|
|
|
|
|
Musik: Thomas |
|
|
|
Blues & Gospel Records 1890-1943 |
0882 |
|
Vocalion 1282 |
|
Mootch Piddle |
➧ |
|
|
Davenport, Cow Cow |
|
|
1929 |
2:53 |
Chicago |
01.05.1929 |
|
C-3419 |
|
|
|
| Album2772 |
|
Musik + Text: Davenport, Charles |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1282 |
|
Back In The Alley |
➧ |
|
|
Davenport, Cow Cow |
|
|
1929 |
2:57 |
Chicago |
01.05.1929 |
|
C-3418 |
|
|
|
| Album2772 |
|
Musik + Text: Davenport, Charles |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1283 |
|
Come And Go To That Land |
|
|
|
Gospel Camp Meeting Singers |
|
|
1929 |
|
Chicago |
14.05.1929 |
|
C-3477 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1283 |
|
Hold Onto His Hand |
|
|
|
Gospel Camp Meeting Singers |
|
|
1929 |
|
Chicago |
14.05.1929 |
|
C-3478 |
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The Online Discographical Project |
|
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Vocalion 1284 |
A |
Hey Mama, It's Nice Like That (Part 1) |
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Jackson, Jim |
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1929 |
|
Chicago |
15.05.1929 |
|
C-3494 |
|
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The Online Discographical Project |
|
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Vocalion 1284 |
B |
Hey Mama, It's Nice Like That (Part 2) |
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Jackson, Jim |
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1929 |
|
Chicago |
15.05.1929 |
|
C-3496 |
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The Online Discographical Project |
|
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Vocalion 1285 |
|
Can't You Wait Till You Get Home |
➧ |
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Jaxon, Frankie „Half-Pint“ |
|
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1929 |
2:13 |
Chicago |
13.02.1929 |
|
C-2952 |
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www.musiktiteldb.de |
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Vocalion 1285 |
A |
Let's Knock A Jug |
➧ |
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Jaxon, Frankie „Half-Pint“ |
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1929 |
3:07 |
Chicago |
13.02.1929 |
|
C-2951 |
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www.musiktiteldb.de |
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Vocalion 1286 |
A |
Pat That Bread |
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Tampa Red & Georgia Tom |
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1929 |
|
Chicago |
24.05.1929 |
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C-3540 |
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The Online Discographical Project |
|
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Vocalion 1286 |
B |
Arkansas |
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Thomas, Henry |
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1927 |
2:48 |
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05.07.1927 |
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E-6193 |
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The Online Discographical Project |
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Vocalion 1287 |
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Jesus Went On Man's Bond |
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Clayborn, Edward W. Rev. |
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1928 |
2:58 |
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21.01.1928 |
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C-1623/4 |
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www.musiktiteldb.de |
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Vocalion 1287 |
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If My Saviour Holds My Hand I Will Go |
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Clayborn, Edward W. Rev. |
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1928 |
3:07 |
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21.01.1928 |
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C-1621/2 |
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www.musiktiteldb.de |
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Vocalion 1288 |
A |
Low Down Hound Blues |
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Hound Head Henry |
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1928 |
2:52 |
Chicago |
17.10.1928 |
|
C-2451 |
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| Sampler0776 |
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Musik + Text: Dunn |
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www.musiktiteldb.de |
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Vocalion 1288 |
B |
My Silver Dollar Mama |
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Hound Head Henry |
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1928 |
2:31 |
Chicago |
17.10.1928 |
|
C-2452 |
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www.musiktiteldb.de |
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Vocalion 1289 |
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I'm Pressing On |
➧ |
V |
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Rice, D. C. Rev. & Congregation |
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1929 |
2:48 |
Chicago |
08.03.1929 |
|
C-3085 |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1289 |
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No Night There |
➧ |
V |
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Rice, D. C. Rev. & Congregation |
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1929 |
3:01 |
Chicago |
08.03.1929 |
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C-3086 |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1290 |
|
Straight Alky Blues (Part 1) |
➧ |
V |
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Carr, Leroy |
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1929 |
3:23 |
Chicago |
19.03.1929 |
|
C-3144 |
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Musik: Blackwell, Scrapper |
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The Online Discographical Project |
|
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Vocalion 1290 |
B |
Straight Alky Blues (Part 2) |
➧ |
V |
|
Carr, Leroy |
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1929 |
3:23 |
Chicago |
19.03.1929 |
|
C-3145 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2220s“. Siehe auch: Bemerkung. |
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Musik: Blackwell, Scrapper |
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The Online Discographical Project |
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Vocalion 1291 |
|
Texas Shout |
➧ |
I |
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Davenport, Cow Cow |
|
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1929 |
3:10 |
Chicago |
22.05.1929 |
|
C-3531-A |
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| Album2773 |
|
Musik + Text: Davenport, Charles |
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www.musiktiteldb.de |
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Vocalion 1291 |
|
We Gonna Rub It |
➧ |
I |
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Davenport, Cow Cow |
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1929 |
3:12 |
Chicago |
22.05.1929 |
|
C-3530 |
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www.musiktiteldb.de |
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Vocalion 1292 |
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River Blues |
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Reeves, Ruben & His Tributaries |
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1929 |
|
Chicago |
22.05.1929 |
|
C-3532 |
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Musik: Reeves, Ruben |
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The Online Discographical Project |
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Vocalion 1292 |
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Parson Blues |
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Reeves, Ruben & His Tributaries |
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1929 |
|
Chicago |
10.06.1929 |
|
C-3584 |
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Musik: Reeves, Ruben |
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The Online Discographical Project |
|
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Vocalion 1293 |
|
What Wonderful Love |
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Bessemer Sunset Four |
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1929 |
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15.02.1929 |
|
NO118 |
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The Online Discographical Project |
|
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Vocalion 1293 |
|
Take This Ring With You |
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Bessemer Sunset Four |
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1929 |
|
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15.02.1929 |
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NO119 |
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The Online Discographical Project |
|
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Vocalion 1294 |
|
Voice Of The Blues |
|
V |
|
Tampa Red |
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1929 |
|
Chicago |
09.05.1929 |
|
C-3460 |
|
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The Online Discographical Project |
|
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Vocalion 1294 |
|
Its So Nice |
|
V |
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Tampa Red |
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1929 |
|
Chicago |
09.05.1929 |
|
C-3459 |
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|
The Online Discographical Project |
|
|
Vocalion 1295 |
A |
Foot Achin' Blues |
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|
Jackson, Jim |
|
|
1929 |
|
Chicago |
15.05.1929 |
|
C-3499 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2214s“. Siehe auch: Bemerkung. |
|
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The Online Discographical Project |
|
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Vocalion 1295 |
B |
Love Sick Blues |
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|
Jackson, Jim |
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1929 |
|
Chicago |
15.05.1929 |
|
C-3500 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2214s“. Siehe auch: Bemerkung. |
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The Online Discographical Project |
|
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Vocalion 1296 |
|
Am I Blue |
➧ |
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Noone, Jimmie & His Apex Club Orchestra feat. Alix, May |
Pseudonym |
|
1929 |
3:29 |
Chicago |
08.07.1929 |
|
C-3845 |
|
1017819 |
00058855632 |
| Album0655 |
|
Musik: Akst, Harry/Text: Clarke, Grant |
|
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|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1296 |
|
Birmingham Bertha |
➧ |
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Noone, Jimmie & His Apex Club Orchestra feat. Alix, May |
Pseudonym |
|
1929 |
3:13 |
Chicago |
08.07.1929 |
|
C-3844 |
|
1017863 |
00058855632 |
| Album0655 |
|
Musik: Akst, Harry/Text: Clarke, Grant |
|
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|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1297 |
|
Bugle Call Blues |
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|
Reeves, Ruben & His River Boys |
|
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1929 |
|
Chicago |
25.06.1929 |
|
C-3697 |
|
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|
Musik: Reeves, Ruben |
|
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|
The Online Discographical Project |
|
|
Vocalion 1297 |
|
Papa Skag Stomp |
|
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|
Reeves, Ruben & His River Boys |
|
|
1929 |
|
Chicago |
17.06.1929 |
|
C-3605 |
|
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Musik: Reeves, Ruben |
|
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|
The Online Discographical Project |
|
|
Vocalion 1298 |
|
Jump Steady Blues |
|
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|
Smith, Clarence 'Pine Top' |
|
|
1929 |
3:21 |
Chicago |
15.01.1929 |
|
C-2799 |
|
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| Sampler0844 |
|
Musik + Text: Smith, Clarence „Pinetop“ |
|
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|
www.musiktiteldb.de |
|
|
Vocalion 1298 |
|
Now I Ain't Got Nothing At All |
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Pinetop Smith |
|
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1929 |
|
Chicago |
15.01.1929 |
|
C-2800 |
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The Online Discographical Project |
|
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Vocalion 1299 |
|
You'll Never Miss Your Jelly |
|
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|
Johnson, Lil |
|
|
1929 |
|
Chicago |
23.04.1929 |
|
C-3556 |
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The Online Discographical Project |
|
|
Vocalion 1299 |
|
Never Let Your Left Hand Know What Your Right Hand |
|
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|
Johnson, Lil |
|
|
1929 |
|
Chicago |
23.04.1929 |
|
C-3555 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2256s“. Siehe auch: Bemerkung. |
|
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|
The Online Discographical Project |
|
|
Vocalion 1400 |
|
Truth About That Thing |
|
V |
|
Carr, Leroy |
|
|
1929 |
|
Chicago |
15.02.1929 |
|
C-2971 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1400 |
|
Naptown Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
2:47 |
Chicago |
17.06.1929 |
|
C-3627 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1401 |
|
Railroad Blues |
|
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|
Green, Lee |
|
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1929 |
|
Chicago |
16.08.1929 |
|
C-4098 |
|
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The Online Discographical Project |
|
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Vocalion 1401 |
|
Number 44 Blues |
|
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|
Green, Lee |
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1929 |
|
Chicago |
16.08.1929 |
|
C-4097 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1402 |
|
Just Beyond The Jordan River |
|
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|
Clayborn, Edward W. Rev. |
|
|
1928 |
2:43 |
Chicago |
19.10.1928 |
|
C-2457 |
|
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|
|
www.musiktiteldb.de |
|
|
Vocalion 1402 |
|
I Have A Home In The Sky |
|
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|
Clayborn, Edward W. Rev. |
|
|
1928 |
2:58 |
Chicago |
19.10.1928 |
|
C-2456 |
|
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|
|
www.musiktiteldb.de |
|
|
Vocalion 1403 |
A |
Forty And Tight |
➧ |
I |
|
Beale Street Washboard Band |
|
|
1929 |
2:50 |
Chicago |
24.07.1929 |
|
C-3936-A |
|
|
|
| 3307517063526 |
Vocalion V 1016 |
Musik + Text: Melrose, Frank |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1403 |
B |
Piggly Wiggly |
➧ |
I |
|
Beale Street Washboard Band |
|
|
1929 |
2:51 |
Chicago |
24.07.1929 |
|
C-3937-A |
|
|
|
| 3307517063526 |
Brunswick 80076 |
Musik: Cobb, Junie |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1404 |
|
You Got To Reap What You Sow |
➧ |
V |
|
Tampa Red |
|
|
1929 |
3:19 |
Chicago |
22.06.1929 |
|
C-3686 |
|
|
|
| Sampler0887 |
|
Musik + Text: Whittaker, Hudson |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1404 |
|
Prison Bound Blues |
➧ |
V |
|
Tampa Red |
|
|
1929 |
3:26 |
Chicago |
22.06.1929 |
|
C-3685 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1405 |
|
That's All Right For You |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
3:17 |
Chicago |
17.06.1929 |
|
C-3619 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1405 |
|
Wrong Man Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
3:16 |
Chicago |
17.06.1929 |
|
C-3620 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1406 |
|
Pratt City Blues |
➧ |
V |
|
Hill, Bertha „Chippie“ |
|
|
1929 |
2:47 |
Chicago |
16.03.1929 |
|
C-3133 |
|
|
|
|
|
|
Musik: Hill, Bertha „Chippie“/Text: Offert |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1406 |
|
I Ain't Gonna Do It No More |
➧ |
V |
|
Hill, Bertha „Chippie“ |
|
|
1929 |
2:50 |
Chicago |
16.03.1929 |
|
C-3132 |
|
|
|
|
|
|
Musik + Text: Dorsey/Carter |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1407 |
|
Black And Blue |
|
V |
|
Reeves, Ruben 'River' & His River Boys feat. Calloway, Blanche |
|
|
1929 |
|
Chicago |
13.08.1929 |
|
C-4029 |
|
|
|
|
|
|
Musik: Brooks, Harry/Waller, Fats/Text: Razaf, Andy |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
COVER. Original filtern. |
Vocalion 1407 |
|
Moanin' Low |
|
V |
|
Reeves, Ruben 'River' & His River Boys feat. Calloway, Blanche |
|
|
1929 |
|
Chicago |
15.08.1929 |
|
C-4079 |
|
738025 |
00058855632 |
|
|
|
Musik: Rainger, Ralph/Text: Dietz, Howard |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
COVER. Original filtern. |
Vocalion 1408 |
|
That'll Get It |
➧ |
|
|
Davenport, Cow Cow & Theard, Sam |
|
|
1929 |
3:22 |
Chicago |
10.04.1929 |
|
C-3276 |
|
|
|
| Album2772 |
|
Musik + Text: Davenport, Charles |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1408 |
|
I'm Gonna Tell You In Front So You Won't Feel Hurt Behind |
➧ |
|
|
Davenport, Cow Cow & Theard, Sam |
|
|
1929 |
3:25 |
Chicago |
10.04.1929 |
|
C-3277 |
|
|
|
| Album2772 |
|
Musik + Text: Davenport, Charles |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1409 |
|
Giving It Away |
|
V |
|
Tampa Red |
|
|
1929 |
|
Chicago |
26.06.1929 |
|
C-3421 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1409 |
|
What You Gonna Do |
➧ |
V |
|
Tampa Red |
|
|
1929 |
2:52 |
Chicago |
26.06.1929 |
|
C-3422 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1410 |
|
Rock That Thing |
|
|
|
Johnson, Lil |
|
|
1929 |
|
Chicago |
16.07.1929 |
|
C-3895 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1410 |
|
House Rent Scuffle |
|
|
|
Johnson, Lil |
|
|
1929 |
|
Chicago |
27.06.1929 |
|
C-3749 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1411 |
|
Blue Sweets |
|
|
|
Reeves, Ruben & His River Boys |
|
|
1929 |
|
Chicago |
25.07.1929 |
|
C-3943 |
|
|
|
|
|
|
Musik: Ruben Reeves/Cecil White |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1411 |
|
Texas Special Blues |
|
|
|
Reeves, Ruben & His River Boys |
|
|
1929 |
|
Chicago |
29.07.1929 |
|
C-3963 |
|
|
|
|
|
|
Musik: Reeves, Ruben |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1412 |
|
There Ain't Nobody Got It Like She's Got It |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
3:21 |
Chicago |
19.03.1929 |
|
C-3151 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1412 |
|
Gambler's Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
3:10 |
Chicago |
19.03.1929 |
|
C-3147 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1413 |
|
Ain't You Sorry Mama |
|
|
|
Jackson, Jim |
|
|
1929 |
|
Chicago |
15.05.1929 |
|
C-3497 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1413 |
B |
Ain't You Sorry Mama (Part 2) |
|
|
|
Jackson, Jim |
|
|
1929 |
|
Chicago |
15.05.1929 |
|
C-3498 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1414 |
|
Get On Board Little Children |
➧ |
V |
|
Southern Plantation Singers, The |
|
|
1928 |
2:55 |
Chicago |
26.09.1928 |
|
C-2361 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1414 |
|
Throw Out The Lifeline |
|
V |
|
Southern Plantation Singers, The |
|
|
1928 |
2:59 |
Chicago |
26.09.1928 |
|
C-2362 |
|
|
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The Online Discographical Project |
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Vocalion 1415 |
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True Blue Lou |
➧ |
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Noone, Jimmie & His Apex Club Orchestra |
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1929 |
3:17 |
Chicago |
24.09.1929 |
|
C-4398 |
|
7110986 |
00009740391 |
| Album0661 |
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Musik: Coslow, Sam/Whiting, Richard/Text: Robin, Leo |
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www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1415 |
|
S'posin' |
➧ |
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Noone, Jimmie & His Apex Club Orchestra |
|
|
1929 |
3:11 |
Chicago |
24.09.1929 |
|
C-4397 |
|
11889935 |
00065414192 |
| Album0659 |
|
Musik: Denniker, Paul/Text: Razaf, Andy |
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www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1416 |
A |
Through! (How Can You Say Were Through ) |
➧ |
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Noone, Jimmie & His Apex Club Orchestra |
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1929 |
2:59 |
Chicago |
26.09.1929 |
190/1929 |
C-4617 |
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| Album0661 |
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Musik: McCarthy/Text: Monaco, James V. |
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RateYourMusic |
|
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Vocalion 1416 |
A |
Satisfied |
➧ |
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Noone, Jimmie & His Apex Club Orchestra |
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1929 |
2:50 |
Chicago |
26.09.1929 |
190/1929 |
C-4618 |
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| Album0659 |
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Musik: Friend, Cliff/Text: Caesar, Irving |
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RateYourMusic |
|
COVER. Original filtern. |
Vocalion 1417 |
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Down And Out Blues |
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Blackwell, Scrapper |
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1928 |
|
Chicago |
15.08.1928 |
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C-2228 |
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The Online Discographical Project |
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Vocalion 1417 |
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Mr. Scrapper Blues |
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Blackwell, Scrapper |
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1928 |
|
Chicago |
15.08.1928 |
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C-2227 |
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The Online Discographical Project |
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Vocalion 1418 |
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It's Tight Like That No. 3 |
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Tampa Red & Georgia Tom |
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1929 |
2:48 |
Chicago |
11.01.1929 |
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C-2783 |
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The Online Discographical Project |
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Vocalion 1418 |
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Strange Woman Blues |
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Tampa Red & Georgia Tom |
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1929 |
|
Chicago |
11.01.1929 |
|
C-2779 |
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The Online Discographical Project |
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Vocalion 1419 |
|
Detroit Rocks |
➧ |
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Montana Taylor |
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1929 |
3:24 |
Chicago |
23.04.1929 |
|
C-3358 |
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| 250e1b14Blues |
|
Musik + Text: Taylor, Arthur 'Montana' |
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www.musiktiteldb.de |
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Vocalion 1419 |
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Indiana Avenue Stomp |
➧ |
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Montana Taylor |
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1929 |
3:33 |
Chicago |
23.04.1929 |
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C-3357 |
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| Sampler0844 |
|
Musik + Text: Taylor, Arthur 'Montana' |
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www.musiktiteldb.de |
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Vocalion 1420 |
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I Wonder Where My Easy Rider's Gone |
➧ |
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Tampa Red's Hokum Jug Band |
|
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1929 |
2:45 |
Chicago |
09.07.1929 |
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C-3805-A |
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Musik: Jaxon |
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The Online Discographical Project |
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Vocalion 1420 |
|
Come On Mama, Do That Dance |
➧ |
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Tampa Red's Hokum Jug Band |
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1929 |
2:48 |
Chicago |
27.06.1929 |
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C-3806? |
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The Online Discographical Project |
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Vocalion 1421 |
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Black Diamond Express, The (Part 3) |
➧ |
V |
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Nix, A. W. (Rev.) |
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Congregation Of Seven Persons |
1929 |
2:32 |
Chicago |
24.08.1929 |
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C-4158 |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1421 |
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Black Diamond Express, The (Part 4) |
➧ |
V |
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Nix, A. W. (Rev.) |
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Congregation Of Seven Persons |
1929 |
2:44 |
Chicago |
24.08.1929 |
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C-4159 |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1422 |
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Way I Feel Blues, The |
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Green, Lee |
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1929 |
|
Chicago |
18.10.1929 |
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C-4669 |
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The Online Discographical Project |
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Vocalion 1422 |
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All My Money's Gone Blues |
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Green, Lee |
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1929 |
|
Chicago |
18.10.1929 |
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C-4670 |
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The Online Discographical Project |
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Vocalion 1423 |
|
Gettin' All Wet |
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Carr, Leroy & Blackwell, Scrapper |
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1929 |
|
Chicago |
13.08.1929 |
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C-4034 |
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The Online Discographical Project |
|
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Vocalion 1423 |
|
Just Worryin' Blues |
➧ |
V |
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Carr, Leroy |
|
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1929 |
2:53 |
Chicago |
13.08.1929 |
|
C-4048 |
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The Online Discographical Project |
|
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Vocalion 1424 |
|
Take It Easy |
➧ |
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Jaxon, Frankie „Half-Pint“ |
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1929 |
3:11 |
Chicago |
27.08.1929 |
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C-4212 |
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www.musiktiteldb.de |
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Vocalion 1424 |
|
Corinne Blues |
➧ |
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Jaxon, Frankie „Half-Pint“ |
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1929 |
2:57 |
Chicago |
22.07.1929 |
|
C-3927 |
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www.musiktiteldb.de |
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Vocalion 1425 |
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Come And Go With Me To My Father's House |
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Clayborn, Edward W. Rev. |
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1929 |
|
Chicago |
11.10.1929 |
|
C-4638 |
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The Online Discographical Project |
|
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Vocalion 1426 |
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You Better Tighten Up On It |
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Tampa Red & Georgia Tom |
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1929 |
|
Chicago |
14.06.1929 |
|
C-3595 |
|
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The Online Discographical Project |
|
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Vocalion 1426 |
|
What Is It That Tastes Like Gravy |
|
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Tampa Red & Georgia Tom |
|
|
1929 |
2:47 |
Chicago |
14.06.1929 |
|
C-3594 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2225s“. Siehe auch: Bemerkung. |
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The Online Discographical Project |
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Vocalion 1427 |
|
In The Valley Of Peace |
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Bessemer Sunset Four |
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1929 |
|
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15.02.1929 |
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NO117 |
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The Online Discographical Project |
|
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Vocalion 1427 |
|
Lord I'm Troubled |
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Bessemer Sunset Four |
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1929 |
|
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15.02.1929 |
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NO116 |
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The Online Discographical Project |
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Vocalion 1428 |
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Jim Jackson's Jamboree |
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Jackson, Jim |
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1929 |
|
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14.10.1929 |
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M-203 |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1428 |
B |
Jim Jackson's Jamboree (Part 2) |
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Jackson, Jim |
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1929 |
|
Memphis |
14.10.1929 |
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M-205;6 |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1429 |
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Strewing Your Mess |
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Tampa Red & Georgia Tom |
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1929 |
|
Chicago |
26.06.1929 |
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C-4185 |
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The Online Discographical Project |
|
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Vocalion 1429 |
|
Mama Don't Allow No Easy Riders Here |
|
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Tampa Red & Georgia Tom |
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1929 |
|
Chicago |
26.06.1929 |
|
C-4184 |
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The Online Discographical Project |
|
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Vocalion 1430 |
|
Mama Don't Allow No Easy Riders Here |
|
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Tampa Red & His Hokum Jug Band feat. Jaxon, Frankie „Half-Pint“ |
|
|
1929 |
3:11 |
Chicago |
23.07.1929 |
|
C-3939-A |
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Musik + Text: Davenport, Charles |
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Discogs |
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Vocalion 1430 |
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Saturday Night Scronch |
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Tampa Red's Hokum Jug Band |
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1929 |
|
Chicago |
24.07.1929 |
|
C-3940 |
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Musik: Davenport, Charles |
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The Online Discographical Project |
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Vocalion 1431 |
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That Little Thing May Kill You Yet (Christmas Sermon) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
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1929 |
2:49 |
Chicago |
24.08.1929 |
|
C-4161 |
|
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Blues & Gospel Records 1890-1943 |
|
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Vocalion 1431 |
|
Love Is A Thing Of The Past |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
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1929 |
3:04 |
Chicago |
24.08.1929 |
|
C-4160 |
|
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Blues & Gospel Records 1890-1943 |
|
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Vocalion 1432 |
|
Christmas In Jail |
➧ |
V |
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Carr, Leroy |
|
|
1929 |
3:24 |
Chicago |
13.08.1929 |
|
C-4054 |
|
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| Sampler1032 |
|
Musik + Text: Carr, Leroy |
|
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|
www.musiktiteldb.de |
|
|
Vocalion 1432 |
B |
Prison Cell Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
2:51 |
Chicago |
13.08.1929 |
|
C-4055 |
|
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The Online Discographical Project |
|
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Vocalion 1433 |
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Loving That Man Blues |
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North, Hattie |
|
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1929 |
2:33 |
|
17.11.1929 |
|
KC 589 |
|
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| Sampler0518 |
|
Musik + Text: Unbekannt |
|
E Johnson |
|
www.musiktiteldb.de |
|
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Vocalion 1433 |
|
Honey Dripper Blues |
|
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North, Hattie |
|
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1929 |
|
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15.11.1929 |
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KC 588 |
|
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|
E.johnson |
|
The Online Discographical Project |
|
|
Vocalion 1434 |
|
Slum Gullion Stomp |
➧ |
I |
|
Davenport, Cow Cow |
|
|
1929 |
2:59 |
Chicago |
22.06.1929 |
|
C-3696 |
|
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|
www.musiktiteldb.de |
|
|
Vocalion 1434 |
|
Mama Don't Allow No Easy Riders Here |
➧ |
I |
|
Davenport, Cow Cow |
|
|
1929 |
3:03 |
Chicago |
22.06.1929 |
|
C-3695 |
|
|
|
| Album2773 |
|
Musik: Cow, Davenport, Cow |
|
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|
www.musiktiteldb.de |
|
|
Vocalion 1435 |
|
New How Long, How Long Blues |
|
V |
|
Carr, Leroy |
|
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1929 |
|
Chicago |
12.08.1929 |
02/1930 |
C-4031 |
|
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|
Musik: Carr, Leroy |
|
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|
The Online Discographical Project |
|
|
Vocalion 1435 |
B |
Love Hides All Faults |
➧ |
V |
|
Carr, Leroy |
|
|
1930 |
3:03 |
Chicago |
12.08.1929 |
02/1930 |
C-4032 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1436 |
|
I'm Doing What I'm Doing For Love |
➧ |
V |
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1929 |
3:16 |
Chicago |
15.10.1929 |
02/1930 |
C-4647-A |
|
|
|
| Album0657 |
|
Musik + Text: Ager, Milton/Yellen, Jack |
|
Gesang: „Savage, Helen“. |
|
Jazz and Ragtime Records 1897-1942 |
|
|
Vocalion 1436 |
|
He's A Good Man To Have Around |
➧ |
V |
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1929 |
3:23 |
Chicago |
15.10.1929 |
02/1930 |
C-4648-A |
|
|
|
| Album0656 |
|
Musik: Yellen, Jack/Text: Ager, Milton |
|
Gesang: „Savage, Helen“. |
|
Jazz and Ragtime Records 1897-1942 |
|
COVER. Original filtern. |
Vocalion 1437 |
|
Lonesome Road |
|
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Senior Chapel Quartet |
|
|
1930 |
|
|
31.08.1929 |
02/1930 |
K160 |
|
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The Online Discographical Project |
|
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Vocalion 1437 |
|
Way Down Home |
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Senior Chapel Quartet |
|
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1929 |
|
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31.08.1929 |
02/1930 |
K161 |
|
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The Online Discographical Project |
|
|
Vocalion 1438 |
|
Doggin' Me Around Blues |
➧ |
V |
|
Pope, Jenny |
|
Tampa Red & Georgia Tom |
1930 |
3:06 |
Memphis |
23.09.1929 |
02/1930 |
M-194 |
|
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|
Musik + Text: Pope, Jenny |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0427 |
|
Vocalion 1438 |
|
Whiskey Drinkin' Blues |
➧ |
V |
|
Pope, Jenny |
|
Tampa Red & Georgia Tom |
1930 |
3:13 |
Memphis |
23.09.1929 |
02/1930 |
M-193 |
|
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|
Musik + Text: Pope, Jenny |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0427 |
|
Vocalion 1439 |
|
Love |
➧ |
V |
|
Jimmie's Blue Melody Boys |
|
|
1930 |
3:22 |
Chicago |
11.11.1929 |
02/1930 |
C-4725 |
|
|
|
|
|
|
Musik: Goulding, Edmund/Janis, Elsie |
|
Pseudonym von „Noone, Jimmie & His Apex Club Orchestra“. Gesang: „Tanner, Elmo“. |
|
Jazz Records 1897-1942. 1.968 Seiten. |
|
|
Vocalion 1439 |
|
Love Me |
➧ |
V |
|
Jimmie's Blue Melody Boys |
|
|
1929 |
3:23 |
Chicago |
19.11.1929 |
02/1930 |
C-4726-B |
|
|
|
|
|
|
Musik: Morse/Alvarez |
|
Pseudonym von „Noone, Jimmie & His Apex Club Orchestra“. Gesang: „Tanner, Elmo“. |
|
Jazz Records 1897-1942. 1.968 Seiten. |
|
|
Vocalion 1440 |
|
Cow Cow Blues |
|
|
|
Davenport, Jed |
|
|
1929 |
|
Memphis |
23.09.1929 |
02/1930 |
M-198 |
|
|
|
|
|
Supertone S 2229 |
Musik + Text: Davenport, Charles |
|
|
|
Blues & Gospel Records 1890-1943 |
|
COVER. Original filtern. |
Vocalion 1440 |
|
How Long, How Long Blues |
|
|
|
Davenport, Jed |
|
|
1929 |
|
Memphis |
23.09.1929 |
02/1930 |
M-197 |
|
1079884 |
00343892540 |
|
|
Supertone S 2229 |
Musik + Text: Carr, Leroy |
|
|
|
Blues & Gospel Records 1890-1943 |
|
COVER. Original filtern. |
Vocalion 1441 |
|
Little Eddie Jones |
|
|
|
Green, Lee |
|
|
1929 |
|
Chicago |
18.10.1929 |
02/1930 |
C-4671 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1441 |
|
Bad Man Napper |
➧ |
|
|
Green, Lee |
|
|
1930 |
3:41 |
Chicago |
18.10.1929 |
02/1930 |
C-4672 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1442 |
|
Cottonfield Blues (Part 2) |
➧ |
V |
|
Akers, Garfield |
|
|
1930 |
3:15 |
Memphis |
23.09.1929 |
02/1930 |
M-202-A |
|
|
|
|
|
|
Musik + Text: Akers, Garfield |
|
|
|
Blues & Gospel Records 1890-1943 |
0002 |
|
Vocalion 1442 |
|
Cottonfield Blues |
➧ |
V |
|
Akers, Garfield |
|
|
1929 |
2:52 |
Memphis |
23.09.1929 |
02/1930 |
M-201 |
|
|
|
|
|
|
Musik + Text: Akers, Garfield |
|
Part 1 |
|
Blues & Gospel Records 1890-1943 |
0002 |
|
Vocalion 1443 |
|
Don't Leave Me Here |
|
|
|
Thomas, Henry |
|
|
1930 |
3:24 |
Chicago |
07.10.1929 |
02/1930 |
C-4624 |
|
|
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|
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|
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|
|
www.musiktiteldb.de |
|
|
Vocalion 1443 |
|
Railroadin' Some |
|
|
|
Thomas, Henry |
|
|
1929 |
3:18 |
Chicago |
07.10.1929 |
02/1930 |
C-4623 |
|
|
|
| Album2712 |
|
Musik + Text: Thomas, Henry |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1444 |
|
Tell It Over Again |
➧ |
V |
|
Rice, D. C. Rev. & Sanctified Singers |
|
|
1929 |
2:53 |
Chicago |
06.11.1929 |
02/1930 |
C-4740 |
|
|
|
|
|
|
|
|
Piano, Tuba & Traps |
|
www.ebay.de |
|
|
Vocalion 1444 |
|
Sin Is To Blame |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1930 |
2:45 |
Chicago |
06.11.1929 |
02/1930 |
C-4739 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1445 |
|
Yo Yo Blues |
|
|
|
Eddie & Sugar Lou's Hotel Tyler Orchestra |
|
|
1930 |
2:26 |
Dallas |
24.10.1929 |
02/1930 |
DAL-449 |
|
|
|
| Deezer |
|
Musik: Fennell, Douglas |
|
|
|
RHJ |
|
|
Vocalion 1445 |
|
K.W.K.H. Blues |
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Eddie & Sugar Lou's Hotel Tyler Orchestra |
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1930 |
2:30 |
Dallas |
24.10.1929 |
02/1930 |
DAL-447 |
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| Deezer |
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Musik: Fennell, Douglas |
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RHJ |
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Vocalion 1446 |
|
He Cares For Me |
➧ |
V |
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Manning, Leola |
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1930 |
2:59 |
Knoxville, WNOX Studios, SI. James Hotel |
28.08.1929 |
03/1930 |
K-131 |
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Musik: Nicht angegeben/DP |
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Blues & Gospel Records 1890-1943 |
0597 |
|
Vocalion 1446 |
|
He Fans Me |
➧ |
V |
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Manning, Leola |
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1929 |
2:49 |
Knoxville, WNOX Studios, SI. James Hotel |
28.08.1929 |
03/1930 |
K-132 |
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Musik: Nicht angegeben/DP |
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Blues & Gospel Records 1890-1943 |
0597 |
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Vocalion 1447 |
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Gettin' Dirty Just Shakin' That Thing |
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Nelson, Romeo |
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1930 |
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Chicago |
09.10.1929 |
03/1930 |
C-4629 |
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The Online Discographical Project |
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Vocalion 1447 |
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Head Rag Hop |
➧ |
I |
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Nelson, Romeo |
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1929 |
3:01 |
Chicago |
05.09.1929 |
03/1930 |
C-4300 |
|
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| Sampler0844 |
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Musik + Text: Nelson, Romeo |
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www.musiktiteldb.de |
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Vocalion 1448 |
|
A Country Man In Town |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Seven Persons |
1930 |
3:30 |
Chicago |
09.12.1929 |
03/1930 |
C-4929;30 |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1448 |
|
You Got The Wrong Man |
➧ |
V |
|
Nix, A. W. (Rev.) |
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1929 |
3:20 |
Chicago |
09.12.1929 |
03/1930 |
C-4926 |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1449 |
A |
Once Or Twice |
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V |
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Cobb, Junie C. & His Grains Of Corn |
|
fj |
1929 |
|
Chicago |
24.10.1929 |
03/1930 |
C-4691-A |
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Musik: Cobb, Junie |
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The Online Discographical Project |
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Vocalion 1449 |
B |
Oklahoma Stomp |
➧ |
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Six Jolly Jesters, The |
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1930 |
2:44 |
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29.10.1929 |
03/1930 |
E-31372-B |
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Musik: Ellington, Duke |
|
Ellington |
|
The Online Discographical Project |
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Vocalion 1450 |
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Corinne Corinna |
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Tampa Red & Georgia Tom |
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1930 |
|
Chicago |
23.12.1929 |
03/1930 |
C-5042 |
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The Online Discographical Project |
|
|
Vocalion 1450 |
B |
Kunjine Baby |
|
V |
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Georgia Tom |
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1929 |
|
Chicago |
23.12.1929 |
03/1930 |
C-5043 |
|
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„Georgia Tom“ ist „Dorsey, Thomas A.“ |
|
The Online Discographical Project |
|
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Vocalion 1451 |
|
I'm A Child Of God |
|
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Bessemer Sunset Four |
|
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1929 |
|
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29.09.1929 |
03/1930 |
NO218 |
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The Online Discographical Project |
|
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Vocalion 1451 |
|
I Will Ever Stand |
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Bessemer Sunset Four |
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1930 |
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29.09.1929 |
03/1930 |
NO219 |
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The Online Discographical Project |
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Vocalion 1452 |
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Leavenworth Prison Blues |
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Bo Jones |
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1929 |
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Dallas |
26.10.1929 |
03/1930 |
DAL-461 |
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The Online Discographical Project |
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Vocalion 1452 |
|
Back Door Blues |
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Jones, Bo |
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1930 |
|
Dallas |
26.10.1929 |
03/1930 |
DAL-460 |
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The Online Discographical Project |
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Vocalion 1453 |
|
Lotta Sax Appeal |
➧ |
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Williams, John & His Memphis Stompers |
|
|
1930 |
2:31 |
|
09.11.1929 |
03/1930 |
KC 601 |
|
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| |
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Musik + Text: Williams, John |
|
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|
The Online Discographical Project |
|
ORIGINAL. Cover filtern. |
Vocalion 1453 |
|
Sumpin' Slow And Low |
|
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Williams, John & His Memphis Stompers |
|
|
1929 |
|
|
09.11.1929 |
03/1930 |
KC 600 |
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Musik: Williams, John |
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|
The Online Discographical Project |
|
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Vocalion 1454 |
|
Dirty Dozen |
|
V |
|
Carr, Leroy |
|
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1930 |
|
Chicago |
02.01.1930 |
03/1930 |
C-5075 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1454 |
|
Workhouse Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1930 |
3:16 |
Chicago |
02.01.1930 |
03/1930 |
C-5076 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2221s“. Siehe auch: Bemerkung. |
|
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Musik: Johnson |
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|
The Online Discographical Project |
|
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Vocalion 1455 |
|
I Never Miss The Sunshine |
|
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Eddie & Sugar Lou's Hotel Tyler Orchestra |
|
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1929 |
|
Dallas |
15.10.1929 |
|
DAL-450 |
|
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Musik: Fennell, Douglas |
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RHJ |
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Vocalion 1455 |
|
There'll Be Some Changes Made |
|
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Eddie & Sugar Lou's Hotel Tyler Orchestra |
|
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1929 |
|
Dallas |
15.10.1929 |
|
DAL-452 |
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Musik: Overstreet, W. Benton/Text: Higgins, Billy |
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RHJ |
|
COVER. Original filtern. |
Vocalion 1456 |
|
Station Time Blues |
➧ |
V |
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Tampa Red |
|
|
1930 |
3:02 |
Chicago |
28.01.1930 |
|
C-5175 |
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The Online Discographical Project |
|
|
Vocalion 1456 |
|
That Stuff You Sell |
|
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Tampa Red & Georgia Tom |
|
|
1930 |
|
Chicago |
28.01.1930 |
|
C-5174 |
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|
The Online Discographical Project |
|
|
Vocalion 1457 |
|
Mr. Devil Blues |
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Williams, Joe |
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|
1929 |
|
Memphis |
24.09.1929 |
|
M-196 |
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Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1457 |
|
I Want It Awful Bad |
|
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|
Williams, Joe |
|
|
1929 |
|
Memphis |
24.09.1929 |
|
M-195 |
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Blues & Gospel Records 1890-1943 |
|
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Vocalion 1458 |
|
Where Shall I Be When The First Trumpet Sounds |
|
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Clayborn, Edward W. Rev. |
|
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1929 |
|
Chicago |
11.10.1929 |
|
C-4640 |
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|
The Online Discographical Project |
|
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Vocalion 1458 |
|
When I Lay My Burden Down |
|
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Clayborn, Edward W. Rev. |
|
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1929 |
|
Chicago |
11.10.1929 |
|
C-4639 |
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The Online Discographical Project |
|
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Vocalion 1459 |
|
Whiskey Head Blues |
|
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Washington, Lizzie |
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1929 |
|
Chicago |
19.10.1929 |
|
C-4675 |
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The Online Discographical Project |
|
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Vocalion 1459 |
|
Everyday Blues |
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Washington, Lizzie |
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1929 |
|
Chicago |
19.10.1929 |
|
C-4676 |
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The Online Discographical Project |
|
|
Vocalion 1460 |
|
I'm Going Back To Tennessee |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
3:16 |
Chicago |
13.08.1929 |
|
C-4053 |
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The Online Discographical Project |
|
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Vocalion 1460 |
|
Don't You Get Tired Of Riding That Same Train |
|
V |
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Carr, Leroy |
|
|
1929 |
|
Chicago |
13.08.1929 |
|
C-4052 |
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The Online Discographical Project |
|
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Vocalion 1461 |
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Lonesome Hut Blues |
|
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Effie Scott |
|
|
1929 |
|
Dallas |
26.10.1929 |
|
DAL-468 |
|
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Musik: Effie Scott |
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The Online Discographical Project |
|
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Vocalion 1461 |
|
Sunshine Special |
|
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|
Effie Scott |
|
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1929 |
|
Dallas |
26.10.1929 |
|
DAL-469 |
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Musik: Effie Scott |
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The Online Discographical Project |
|
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Vocalion 1462 |
|
I Mean To Live So God Can Use Me |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
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1929 |
2:49 |
Chicago |
06.11.1929 |
|
C-4742 |
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Blues & Gospel Records 1890-1943 |
|
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Vocalion 1462 |
|
What Do You Call That Wonderful Counsellor |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
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1929 |
2:49 |
Chicago |
06.11.1929 |
|
C-4741 |
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Blues & Gospel Records 1890-1943 |
|
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Vocalion 1463 |
A |
Squabblin' |
➧ |
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Page, Walter & His Original Blue Devils |
|
|
1929 |
3:05 |
|
10.11.1929 |
|
KC 613 |
|
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|
Musik: Basie |
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|
The Online Discographical Project |
|
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Vocalion 1463 |
B |
Blue Devil Blues |
|
V |
|
Walter Page's Blue Devils feat. Rushing, Jimmy |
|
|
1929 |
2:47 |
|
10.11.1929 |
|
KC 612 |
|
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| Sampler0671 |
|
Musik + Text: Page, Walter |
|
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www.musiktiteldb.de |
|
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Vocalion 1464 |
|
Railroad Bill |
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Bennett, Will |
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1929 |
|
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28.08.1929 |
|
K127 |
|
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The Online Discographical Project |
|
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Vocalion 1464 |
|
Real Estate Blues |
|
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|
Bennett, Will |
|
|
1929 |
|
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28.08.1929 |
|
K128 |
|
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The Online Discographical Project |
|
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Vocalion 1465 |
|
Southbound |
➧ |
I |
|
Hill, Alex & His Orchestra |
|
|
1930 |
2:53 |
Chicago |
08.02.1930 |
|
C-5275 |
|
|
|
| Sampler0576 |
Supertone S 2237 |
Musik + Text: Hill, Alex |
|
|
|
Jazz and Ragtime Records 1897-1942 |
|
|
Vocalion 1465 |
|
St. James Infirmary |
➧ |
V |
|
Hill, Alex & His Orchestra |
|
Dixon, George |
1930 |
3:26 |
Chicago |
08.02.1930 |
|
C-5273;4 |
|
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|
|
|
Supertone S 2237 |
Musik: Traditional/Text: Primrose, Joe |
|
Vokalist aus Diskografie im Datenfeld „Begleitung“. |
|
Jazz and Ragtime Records 1897-1942 |
|
COVER. Original filtern. |
Vocalion 1466 |
|
Have A Little Faith In Me |
➧ |
|
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Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
3:15 |
Chicago |
06.02.1930 |
|
C-5371 |
|
|
|
| Album0656 |
|
Musik: Lewis, Samuel M./Young, Joseph/Text: Warren, Harry |
|
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|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1466 |
|
Crying For The Carolines |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
3:37 |
Chicago |
06.02.1930 |
|
C-5370 |
|
1339671 |
00029260492 |
| Album0656 |
|
Musik: Warren, Harry/Text: Lewis, Sam M./Young, Joe |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1467 |
|
Bud Low Joe |
|
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|
Green, Lee |
|
|
1929 |
|
Chicago |
11.10.1929 |
|
C-4683 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1467 |
|
If I Get Drunk Who's Gonna Carry Me Home |
|
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|
Green, Lee |
|
|
1929 |
|
Chicago |
11.10.1929 |
|
C-4682 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1468 |
A |
Charmin' Betsy |
|
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|
Thomas, Henry |
|
|
1929 |
3:04 |
Chicago |
07.10.1929 |
|
C-4621 |
|
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|
www.musiktiteldb.de |
|
|
Vocalion 1468 |
B |
Lovin' Babe |
|
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|
Thomas, Henry |
|
|
1929 |
3:07 |
Chicago |
07.10.1929 |
|
C-4622 |
|
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|
|
www.musiktiteldb.de |
|
|
Vocalion 1469 |
A |
Worried Man Blues |
➧ |
V |
|
Tampa Red |
|
|
1929 |
3:17 |
Chicago |
24.10.1929 |
|
C-4721 |
|
|
|
|
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|
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|
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|
The Online Discographical Project |
|
|
Vocalion 1469 |
B |
Mrs. Baker's Blues |
➧ |
V |
|
Tampa Red |
|
|
1929 |
3:10 |
Chicago |
19.12.1929 |
|
C-4722 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1470 |
|
Who Dressed You Up For Easter |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Seven Persons |
1930 |
3:20 |
Chicago |
15.01.1930 |
|
C-5196 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1470 |
|
Pay Your Honest Debts |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Seven Persons |
1930 |
3:09 |
Chicago |
15.01.1930 |
|
C-5197 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1471 |
|
I'm Following You |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
2:35 |
Chicago |
18.02.1930 |
|
C-5522 |
|
|
|
| Album0657 |
|
Musik: Dreyer, Dave/Text: MacDonald, Ballard |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1471 |
|
Should I |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
2:31 |
Chicago |
18.02.1930 |
|
C-5521 |
|
|
|
| Album0660 |
|
Musik: Brown, Nacio Herb/Text: Freed, Arthur |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1472 |
|
Down Home In Kentuck |
|
|
|
Punch Delegates Of Pleasure |
|
|
1929 |
3:16 |
Chicago |
06.12.1929 |
|
C-4918 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1472 |
|
You Got To Wet It |
➧ |
|
|
Jaxon, Frankie „Half-Pint“ |
|
|
1929 |
3:01 |
Chicago |
06.12.1929 |
|
C-4917 |
|
|
|
|
|
|
|
|
W Punch's Delegates Pleasure) |
|
www.musiktiteldb.de |
|
|
Vocalion 1473 |
|
Rainy Day Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
3:23 |
Chicago |
13.08.1929 |
|
C-4046 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1473 |
|
I Won't Miss You When You're Gone |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
3:14 |
Chicago |
13.08.1929 |
|
C-4050 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1474 |
|
John Henry (The Steel Driving Man) (Part 1) |
➧ |
V |
|
Lewis, Furry |
|
|
1929 |
2:52 |
Memphis, Peabody Hotel |
22.09.1929 |
|
M-181 |
|
|
|
| 714298500424 |
|
Musik: Traditional/Text: Lewis, Furry |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1474 |
B |
John Henry (The Steel Driving Man) (Part 2) |
➧ |
V |
|
Lewis, Furry |
|
|
1929 |
3:19 |
Memphis, Peabody Hotel |
22.09.1929 |
|
M-182 |
|
|
|
| 714298500424 |
|
Musik: Traditional/Text: Lewis, Furry |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1475 |
|
Great Judgment |
|
|
|
Senior Chapel Quartet |
|
|
1929 |
|
|
31.08.1929 |
|
K157 |
|
|
|
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|
The Online Discographical Project |
|
|
Vocalion 1475 |
|
Im My Saviour's Care |
|
|
|
Senior Chapel Quartet |
|
|
1929 |
|
|
31.08.1929 |
|
K156 |
|
|
|
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|
|
|
The Online Discographical Project |
|
|
Vocalion 1476 |
|
I'm Talking About You No. 2 |
➧ |
V |
|
Memphis Minnie |
|
|
1930 |
3:13 |
|
08.07.1930 |
|
C-6010-A |
|
|
|
|
|
Banner 32556 |
Musik: Lawlars, Ernest/Text: McCoy, Joe |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1476 |
|
Bumble Bee |
➧ |
V |
|
Memphis Minnie |
|
|
1930 |
3:18 |
Memphis |
21.02.1930 |
|
MEM-773 |
|
|
|
| Sampler0392 |
Banner 32525 |
Musik: Lawlars, Ernest/Text: McCoy, Minnie |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1476 |
A |
I'm Talking About You |
➧ |
V |
|
Memphis Minnie |
|
|
1930 |
2:42 |
Memphis |
21.02.1930 |
|
MEM-772 |
|
|
|
| Sampler0393 |
|
Musik: Lawlars, Ernest/Text: McCoy, Joe |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1477 |
|
Hesitation Blues |
|
|
|
Jackson, Jim |
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|
1930 |
|
Memphis |
15.02.1930 |
|
MEM-0804 |
|
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The Online Discographical Project |
|
|
Vocalion 1477 |
|
St. Louis Blues |
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Jackson, Jim |
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|
1930 |
|
Memphis |
15.02.1930 |
|
MEM-0805 |
|
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The Online Discographical Project |
|
|
Vocalion 1478 |
|
Beale Street Breakdown |
|
|
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Jed Davenport Beale St Jug Bd |
|
|
1930 |
|
Memphis |
20.02.1930 |
|
M-734 |
|
|
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|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1478 |
|
Dirty Dozen |
|
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Jed Davenport Beale St Jug Bd |
|
|
1930 |
|
Memphis |
20.02.1930 |
|
M-763 |
|
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Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1479 |
|
Ball Playing Blues |
➧ |
V |
|
Griffin, Tommy |
|
|
1930 |
3:13 |
Memphis |
20.02.1930 |
|
MEM-769 |
|
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The Online Discographical Project |
|
|
Vocalion 1479 |
|
Bell Tolling Blues |
➧ |
V |
|
Griffin, Tommy |
|
|
1930 |
3:17 |
Memphis |
20.02.1930 |
|
MEM-770 |
|
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The Online Discographical Project |
|
|
Vocalion 1480 |
|
Down The Big Road Blues |
|
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|
Delaney, Mattie |
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|
1930 |
|
Memphis |
21.02.1930 |
|
MEM-785 |
|
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The Online Discographical Project |
|
|
Vocalion 1480 |
|
Tallahatchie River Blues |
➧ |
|
|
Delaney, Mattie |
|
|
1930 |
2:41 |
Memphis |
21.02.1930 |
|
MEM-786 |
|
|
|
| Sampler1032 |
|
Musik + Text: Delaney, Mattie |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1481 |
A |
Dough Roller Blues |
➧ |
V |
|
Akers, Garfield |
|
|
1930 |
3:11 |
Memphis |
21.02.1930 |
|
MEM-776 |
|
|
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|
|
Musik + Text: Akers, Garfield |
|
|
|
Blues & Gospel Records 1890-1943 |
0002 |
|
Vocalion 1481 |
B |
Jumpin' And Shoutin' Blues |
➧ |
V |
|
Akers, Garfield |
|
|
1930 |
3:09 |
Memphis |
21.02.1930 |
|
MEM-777-A |
|
|
|
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|
|
Musik: Akers, Garfield/Text: Brown, Sidney |
|
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|
Blues & Gospel Records 1890-1943 |
0002 |
|
Vocalion 1482 |
A |
He's Got The Whole World In His Hands |
|
|
|
Memphis Sanctified Singers |
|
|
1930 |
|
Memphis |
21.02.1930 |
|
MEM-788 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1482 |
B |
I Will Meet You At The Station |
|
|
|
Memphis Sanctified Singers |
|
|
1930 |
|
Memphis |
21.02.1930 |
|
MEM-789 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1483 |
|
Goodbye Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1930 |
2:49 |
Chicago |
02.01.1930 |
|
C-5074 |
|
|
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|
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|
|
The Online Discographical Project |
|
|
Vocalion 1483 |
|
That's Tellin' 'em |
➧ |
V |
|
Carr, Leroy |
|
|
1930 |
3:01 |
Chicago |
02.01.1930 |
|
C-5069 |
|
|
|
|
|
|
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1484 |
|
Chicago Moan Blues |
➧ |
V |
|
Tampa Red |
|
|
1930 |
3:15 |
Chicago |
07.02.1930 |
|
C-5271 |
|
|
|
|
|
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1484 |
|
Moanin' Heart Blues |
➧ |
V |
|
Tampa Red |
|
|
1930 |
2:48 |
Chicago |
07.02.1930 |
|
C-5270 |
|
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1485 |
|
Death Cell Blues |
|
|
|
Green, Lee |
|
|
1930 |
|
Chicago |
16.01.1930 |
|
C-5181 |
|
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|
The Online Discographical Project |
|
|
Vocalion 1485 |
|
Running Drunk Blues |
|
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|
Green, Lee |
|
|
1930 |
|
Chicago |
16.01.1930 |
|
C-5180 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1486 |
|
Black Diamond Express, The (Part 5) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
McKinney, Nina Mae |
1930 |
3:00 |
Chicago |
08.04.1930 |
|
C-5584 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1486 |
|
Black Diamond Express, The (Part 6) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
McKinney, Nina Mae |
1930 |
3:19 |
Chicago |
08.04.1930 |
|
C-5585 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1487 |
|
What's The Matter Now |
|
|
|
Bozo Nickerson |
|
|
1930 |
|
Memphis |
15.02.1930 |
|
MEM-761 |
|
|
|
|
|
|
Musik: (v+ $50) |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1487 |
B |
What's The Matter Now? (Part 2) |
|
|
|
Bozo Nickerson |
|
|
1930 |
|
Memphis |
15.02.1930 |
|
MEM-771 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1488 |
|
He Brought Joy To My Soul |
|
|
|
Bessemer Sunset Four |
|
|
1930 |
|
Atlanta |
20.03.1930 |
|
ATL945 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1488 |
|
When I Lay My Burden Down |
|
|
|
Bessemer Sunset Four |
|
|
1930 |
|
Atlanta |
20.03.1930 |
|
ATL948 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1489 |
|
Mr. Postman Blues |
➧ |
V |
|
Pope, Jenny |
|
|
1930 |
3:35 |
Memphis |
21.02.1930 |
|
MEM-794 |
|
|
|
|
|
|
Musik + Text: Pope, Jenny |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0427 |
|
Vocalion 1489 |
|
Rent Man Blues |
➧ |
V |
|
Pope, Jenny |
|
|
1930 |
3:07 |
Memphis |
21.02.1930 |
|
MEM-795 |
|
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0427 |
|
Vocalion 1490 |
|
Deep Trouble |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
2:50 |
Chicago |
03.02.1930 |
|
C-5539 |
|
|
|
| Album0656 |
|
Musik + Text: Rose, Fred |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1490 |
|
El Rado Scuffle |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
2:28 |
Chicago |
03.02.1930 |
|
C-5538 |
|
|
|
| Album0656 |
|
Musik + Text: Rose, Fred |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1491 |
|
Friendless Blues |
|
|
|
Tampa Red & Georgia Tom |
|
|
1929 |
|
Chicago |
26.06.1929 |
|
C-3854 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1491 |
|
Dying Mercy Blues |
➧ |
V |
|
Tampa Red |
|
|
1929 |
3:07 |
Chicago |
05.09.1929 |
|
C-4238 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1492 |
A |
Arcade Building Moan, The |
➧ |
V |
|
Manning, Leola |
|
|
1930 |
3:04 |
Knoxville, WNOX Studios, SI. James Hotel |
04.04.1930 |
|
K-8086 |
|
|
|
|
|
|
Musik + Text: Manning, Leola |
|
|
|
Blues & Gospel Records 1890-1943 |
0597 |
|
Vocalion 1492 |
B |
Satan Is Busy In Knoxville |
➧ |
V |
|
Manning, Leola |
|
|
1930 |
3:10 |
Knoxville, WNOX Studios, SI. James Hotel |
04.04.1930 |
|
K-8087 |
|
|
|
| Sampler1041 |
|
Musik + Text: Manning, Leola |
|
|
|
Blues & Gospel Records 1890-1943 |
0597 |
|
Vocalion 1493 |
|
Dyin' With The Blues |
➧ |
I |
|
Hill, Alex & His Orchestra |
|
|
1930 |
2:38 |
Chicago |
08.02.1930 |
|
C-5276 |
|
|
|
|
|
|
Musik: Hill, Alex |
|
|
|
Jazz and Ragtime Records 1897-1942 |
|
|
Vocalion 1493 |
|
Toogaloo Shout |
➧ |
I |
|
Hill, Alex & His Orchestra |
|
|
1929 |
2:59 |
Chicago |
20.12.1929 |
|
C-5036 |
|
|
|
|
|
|
Musik: Hill, Alex |
|
|
|
Jazz and Ragtime Records 1897-1942 |
|
|
Vocalion 1494 |
|
Dyin' Rider Blues |
|
|
|
Nelson, Romeo |
|
|
1929 |
|
Chicago |
26.11.1929 |
|
C-4752 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1494 |
|
11.29 Blues (The Midnight Special) |
|
|
|
Nelson, Romeo |
|
|
1930 |
|
Chicago |
03.02.1930 |
|
C-5257 |
|
|
|
|
|
|
Musik + Text: Nelson, Romeo |
|
|
|
Popsike |
|
|
Vocalion 1495 |
|
My Love Pie |
➧ |
V |
|
Birmingham Jubilee Singers |
|
|
1930 |
3:36 |
Atlanta |
20.03.1930 |
|
ATL-954 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
0073 |
|
Vocalion 1495 |
|
Dixie Bo-Bo |
➧ |
V |
|
Birmingham Jubilee Singers |
|
|
1930 |
3:07 |
Atlanta |
20.03.1930 |
|
ATL-953 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
0073 |
|
Vocalion 1496 |
|
Corinne Corinna #2 |
|
|
|
Tampa Red & Georgia Tom |
|
|
1930 |
|
Chicago |
05.04.1930 |
|
C-5579 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1496 |
|
But They Got It Fixed Right On |
|
|
|
Tampa Red & Georgia Tom |
|
|
1930 |
2:56 |
Chicago |
05.04.1930 |
|
C-5578 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1497 |
|
When You're Smiling |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
2:49 |
Chicago |
16.05.1930 |
|
C-5754 |
|
|
|
| Album0661 |
|
Musik: Fisher, Mark/Goodwin, Joe/Text: Shay, Larry |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Vocalion 1497 |
A |
I Lost My Gal From Memphis |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
2:27 |
Chicago |
16.05.1930 |
|
C-5757 |
|
|
|
| Album0657 |
|
Musik + Text: DeRose, Peter/Tobias, Charles |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1498 |
|
Mississippi Swamp Moan |
➧ |
|
|
Lewis, Alfred |
|
|
1930 |
3:17 |
Chicago |
05.05.1930 |
|
C-4481 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1498 |
|
Friday Moan Blues |
➧ |
|
|
Lewis, Alfred |
|
|
1930 |
3:15 |
Chicago |
05.05.1930 |
|
C-4482 |
|
|
|
| Sampler0679 |
|
Musik + Text: Lewis, Alfred |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1499 |
|
Lifeboat Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
3:02 |
Chicago |
19.03.1929 |
|
C-3146 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1499 |
|
Blue With The Blues |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
3:29 |
Chicago |
13.08.1929 |
|
C-4047 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1500 |
A |
What Fault You Find Of Me |
➧ |
V |
|
Kansas Joe & Memphis Minnie |
|
|
1930 |
2:41 |
Memphis |
21.02.1930 |
15.07.1930 |
MEM-765 |
|
|
|
|
|
|
Musik + Text: McCoy, Joe |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1500 |
B |
What Fault You Find Of Me (Part 2) |
➧ |
V |
|
Kansas Joe & Memphis Minnie |
|
|
1930 |
2:48 |
Memphis |
21.02.1930 |
15.07.1930 |
MEM-766 |
|
|
|
|
|
|
Musik + Text: McCoy, Joe |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1501 |
|
Memphis Fives |
➧ |
|
|
Green, Lee |
|
|
1930 |
3:13 |
Chicago |
16.01.1930 |
|
C-5178 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1501 |
|
Bootleggin' My Jelly |
|
|
|
Green, Lee |
|
|
1930 |
|
Chicago |
16.01.1930 |
|
C-5179 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1502 |
|
Testify-For My Lord Is Coming Back Again |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1930 |
2:34 |
Chicago |
15.01.1930 |
|
C-5186 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1502 |
|
When I Take My Vacation In Heaven |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1930 |
3:27 |
Chicago |
15.01.1930 |
|
C-5187 |
|
|
|
|
|
|
Musik + Text: Buffum, Herbert |
|
|
|
Blues & Gospel Records 1890-1943 |
|
COVER. Original filtern. |
Vocalion 1503 |
|
Barrel House Stomp |
➧ |
|
|
Cellar Boys, The |
|
|
1930 |
3:07 |
Chicago |
24.01.1930 |
|
C-5309-B |
|
|
|
|
|
|
Musik: Melrose, Lester |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1503 |
|
Wailin' Blues |
➧ |
|
|
Cellar Boys, The |
|
|
1930 |
3:09 |
Chicago |
24.01.1930 |
|
C-5308-B |
|
|
|
|
|
Brunswick 80066 |
Musik: Melrose, Lester/Lewis, Ted |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1504 |
|
Piccolo Blues |
|
|
|
Davenport, Jed |
|
|
1930 |
|
Memphis |
20.02.1930 |
|
MEM-775 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1504 |
|
Jug Blues |
|
|
|
Davenport, Jed |
|
|
1930 |
|
Memphis |
20.02.1930 |
|
MEM-764 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1505 |
|
It Was Tight Like That |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Seven Persons |
1930 |
3:29 |
Chicago |
18.02.1930 |
|
C-5523 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1505 |
|
How Long, How Long |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation Of Seven Persons |
1930 |
3:18 |
Chicago |
18.02.1930 |
|
C-5524 |
|
|
|
|
|
|
|
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1506 |
|
On Revival Day |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
2:34 |
Chicago |
28.05.1930 |
|
C-5766 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1506 |
|
I'm Drifting Back To Dreamland |
➧ |
|
|
Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
2:45 |
Chicago |
28.05.1930 |
|
C-5767 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Supertone 2233“. Siehe auch: Bemerkung. |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1507 |
|
Mistreatment Blues |
➧ |
V |
|
Griffin, Tommy |
|
|
1930 |
3:16 |
Memphis |
20.02.1930 |
|
MEM-767 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Vocalion 1507 |
|
Yo Yo Mama Blues |
➧ |
V |
|
Griffin, Tommy |
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1930 |
3:30 |
Memphis |
20.02.1930 |
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MEM-768 |
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The Online Discographical Project |
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Vocalion 1508 |
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Doctor's Blues, The |
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Kansas City Kitty & Georgia Tom |
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1930 |
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Chicago |
13.05.1930 |
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C-5729;30 |
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Musik + Text: Dorsey, Thomas |
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Moanin' Low: A Discography Of Female Popular Vocal Recordings |
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Vocalion 1508 |
A |
You Got That Stuff |
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Kansas City Kitty & Georgia Tom |
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1930 |
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Chicago |
13.05.1930 |
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C-5728 |
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Musik + Text: Dorsey, Thomas |
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Moanin' Low: A Discography Of Female Popular Vocal Recordings |
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Vocalion 1509 |
|
Run Mary |
➧ |
V |
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Birmingham Jubilee Singers |
|
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1930 |
3:17 |
Atlanta |
30.03.1930 |
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ATL-939 |
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Blues & Gospel Records 1890-1943 |
0073 |
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Vocalion 1509 |
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They Crucified My Lord |
➧ |
V |
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Birmingham Jubilee Singers |
|
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1930 |
3:17 |
Atlanta |
30.03.1930 |
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ATL-938 |
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Blues & Gospel Records 1890-1943 |
0073 |
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Vocalion 1510 |
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Wash Day And No Soap Blues |
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Green, Lee |
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1930 |
|
Chicago |
16.01.1930 |
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C-5182 |
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The Online Discographical Project |
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Vocalion 1510 |
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I Don't Care If The Boat Don't Land |
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Green, Lee |
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1930 |
|
Chicago |
16.01.1930 |
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C-5183 |
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The Online Discographical Project |
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Vocalion 1511 |
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Keep It Clean |
➧ |
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Jordan, Charley |
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1930 |
2:47 |
Chicago |
15.06.1930 |
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C-5836 |
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www.musiktiteldb.de |
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Vocalion 1511 |
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Big Four Blues |
➧ |
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Jordan, Charley |
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1930 |
2:43 |
Chicago |
15.06.1930 |
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C-5837 |
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www.musiktiteldb.de |
|
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Vocalion 1512 |
A |
I'm Gonna Bake My Biscuits |
➧ |
V |
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Memphis Minnie |
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1930 |
2:50 |
Memphis |
21.02.1930 |
|
MEM-730 |
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Musik + Text: Memphis Minnie |
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Blues & Gospel Records 1890-1943 |
|
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Vocalion 1512 |
B |
Mister Tango Blues |
➧ |
V |
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Memphis Minnie |
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1930 |
3:34 |
Memphis |
21.02.1930 |
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MEM-731 |
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Musik + Text: Memphis Minnie |
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Blues & Gospel Records 1890-1943 |
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Vocalion 1513 |
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Save Me Some |
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Davenport, Jed |
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1930 |
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Memphis |
20.02.1930 |
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MEM-774 |
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The Online Discographical Project |
|
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Vocalion 1513 |
A |
You Ought To Move Out Of Town |
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Davenport, Jed |
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1930 |
|
Memphis |
20.02.1930 |
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MEM-735 |
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The Online Discographical Project |
|
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Vocalion 1514 |
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Eddie And Sugar Lou Stomp |
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Eddie & Sugar Lou's Hotel Tyler Orchestra |
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1929 |
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Dallas |
24.10.1929 |
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DAL-448 |
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Musik: Fennell, Douglas |
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RHJ |
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Vocalion 1514 |
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Sweet Papa Will Be Gone |
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Eddie & Sugar Lou's Hotel Tyler Orchestra |
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1929 |
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Dallas |
24.10.1929 |
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DAL-451 |
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Musik: Fennell, Douglas/Text: Morgan, Charles |
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RHJ |
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Vocalion 1515 |
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Don't Give It Away |
➧ |
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Dial, Harry & His Blusicians |
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1930 |
3:06 |
Chicago |
15.05.1930 |
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C-4492 |
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Musik + Text: Dial, Harry |
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The Online Discographical Project |
|
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Vocalion 1515 |
|
Funny Fumble |
➧ |
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Dial, Harry & His Blusicians |
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1930 |
3:13 |
Chicago |
15.05.1930 |
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C-4493 |
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Musik + Text: Dial, Harry |
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The Online Discographical Project |
|
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Vocalion 1516 |
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I Can't Stop Loving You |
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Baird, Maynard & His Orchestra |
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1930 |
|
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07.04.1930 |
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K-8101 |
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The Online Discographical Project |
|
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Vocalion 1516 |
|
Postage Stomp |
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Baird, Maynard & His Orchestra |
|
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1930 |
2:41 |
|
07.04.1930 |
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K-8100 |
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| Sampler0615 |
|
Musik: Goebel/johnston ($250) |
|
|
|
www.musiktiteldb.de |
|
|
Vocalion 1517 |
|
Knox County Stomp |
➧ |
|
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Tennessee Chocolate Drops |
|
|
1930 |
3:03 |
|
03.04.1930 |
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K-8066 |
VO5472 |
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Vocalion 5472 |
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|
The Online Discographical Project |
|
|
Vocalion 1517 |
|
Vine Street Drag |
➧ |
|
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Tennessee Chocolate Drops |
|
|
1930 |
2:51 |
|
03.04.1930 |
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K-8067 |
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|
The Online Discographical Project |
|
|
Vocalion 1517 |
|
Knox County Stomp |
➧ |
|
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Tennessee Chocolate Drops |
|
|
1930 |
3:03 |
|
03.04.1930 |
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K-8066 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Vocalion 1517“. Siehe auch: Bemerkung. |
|
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Vocalion C 5472 |
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(released 12/15/30) |
|
The Online Discographical Project |
|
|
Vocalion 1518 |
|
Virginia Lee |
➧ |
|
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Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
3:16 |
Chicago |
01.07.1930 |
|
C-5900 |
|
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|
Jazz Records 1897-1942. 1.968 Seiten. |
|
|
Vocalion 1518 |
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So Sweet |
➧ |
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Noone, Jimmie & His Apex Club Orchestra |
|
|
1930 |
2:28 |
Chicago |
01.07.1930 |
|
C-5901 |
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|
Jazz Records 1897-1942. 1.968 Seiten. |
|
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Vocalion 1519 |
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I Know That I'll Be Blue |
➧ |
V |
|
Carr, Leroy |
|
|
1929 |
3:22 |
Chicago |
13.08.1929 |
|
C-4033 |
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|
The Online Discographical Project |
|
|
Vocalion 1519 |
|
Baby, You Done Put That Thing On Me |
|
V |
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Carr, Leroy |
|
|
1929 |
|
Chicago |
13.08.1929 |
|
C-4049 |
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|
The Online Discographical Project |
|
|
Vocalion 1520 |
|
He Arose Them From The Dead |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1930 |
2:47 |
Chicago |
15.01.1930 |
|
C-5185 |
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|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1520 |
|
Were You There When They Crucified My Lord |
➧ |
V |
|
Rice, D. C. Rev. & Congregation |
|
|
1930 |
2:35 |
Chicago |
15.01.1930 |
|
C-5184 |
|
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|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1521 |
|
You Rascal You No. 2 |
|
V |
|
Tampa Red |
|
|
1930 |
2:35 |
Chicago |
14.07.1930 |
08/1930 |
C-6015 |
|
842429 |
00495567203 |
|
|
|
Musik + Text: Theard, Lovin' Sam |
|
Dieselbe Aufnahme wurde als 'Tampa Red' sowie als 'Tampa Red & Georgia Tom' veröffentlicht. |
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1521 |
|
You Rascal You |
|
V |
|
Tampa Red |
|
|
1930 |
3:05 |
Chicago |
20.07.1930 |
08/1930 |
C-6038 |
|
842429 |
00495567203 |
|
|
|
Musik + Text: Theard, Sam |
|
Dieselbe Aufnahme wurde als 'Tampa Red' sowie als 'Tampa Red & Georgia Tom' veröffentlicht. |
|
The Online Discographical Project |
|
COVER. Original filtern. |
Vocalion 1522 |
|
Bullfrog Blues |
➧ |
V |
|
Pope, Jenny |
|
|
1930 |
2:43 |
Memphis |
15.02.1930 |
|
MEM-757 |
|
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0427 |
|
Vocalion 1522 |
B |
Tennessee Workhouse Blues |
➧ |
V |
|
Pope, Jenny |
|
|
1930 |
2:50 |
Memphis |
15.02.1930 |
|
MEM-758 |
|
|
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|
|
Musik: Nicht angegeben/DP |
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0427 |
|
Vocalion 1523 |
A |
Can I Do It For You |
➧ |
V |
|
Kansas Joe & Memphis Minnie |
|
|
1930 |
3:07 |
Memphis |
21.02.1930 |
|
MEM-790 |
|
|
|
| Deezer |
|
Musik: Memphis Minnie/Text: McCoy, Joe |
|
|
|
The Online Discographical Project |
|
ORIGINAL. Cover filtern. |
Vocalion 1523 |
B |
Can I Do It For You (Part 2) |
➧ |
V |
|
Kansas Joe & Memphis Minnie |
|
|
1930 |
3:09 |
Memphis |
21.02.1930 |
|
MEM-791 |
|
|
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|
Musik: Memphis Minnie/Text: McCoy, Joe |
|
|
|
The Online Discographical Project |
|
|
Vocalion 1524 |
|
We're Going To Walk The Golden Streets |
|
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Bessemer Sunset Four |
|
|
1930 |
|
Atlanta |
20.03.1930 |
|
ATL947 |
|
|
|
|
|
|
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1524 |
|
I've Got A New Name |
|
|
|
Bessemer Sunset Four |
|
|
1930 |
|
Atlanta |
20.03.1930 |
|
ATL944 |
|
|
|
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|
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|
The Online Discographical Project |
|
|
Vocalion 1525 |
|
Bozo Blues #2 |
|
|
|
Nickerson, Bozo |
|
|
1930 |
|
Chicago |
17.04.1930 |
|
C-5597 |
|
|
|
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1525 |
|
Bozo Blues |
|
|
|
Nickerson, Bozo |
|
|
1930 |
|
Chicago |
17.04.1930 |
|
C-5596 |
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1526 |
|
Dirty Dozen, The (Part 1) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation, The |
1930 |
3:15 |
Chicago |
20.06.1930 |
|
C-5868 |
|
|
|
|
|
|
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|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1526 |
|
Dirty Dozen, The (Part 2) |
➧ |
V |
|
Nix, A. W. (Rev.) |
|
Congregation, The |
1930 |
3:02 |
Chicago |
20.06.1930 |
|
C-5869 |
|
|
|
|
|
|
|
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|
|
Blues & Gospel Records 1890-1943 |
|
|
Vocalion 1527 |
|
Memphis Town |
➧ |
V |
|
Carr, Leroy |
|
|
1930 |
2:50 |
Chicago |
02.01.1930 |
|
C-5071 |
|
|
|
|
|
|
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|
|
The Online Discographical Project |
|
|
Vocalion 1527 |
|
|