Label |
S |
Musiktitel |
Play |
St |
T.-Stil |
Interpret |
Ps |
Begleitung |
Jahr |
Zeit |
Aufn.-Ort |
Aufn.-Dat. |
Vö.-Dat. |
Matrize |
Verweis |
GEMA-Nr. |
CAE/IPI |
Art.-Nr./EAN |
EAN/Art.-Nr |
Label 2 |
Musik: = Komponist, Text: = Texter |
Chart |
Bemerkung |
Musiker |
Quelle |
Seite |
O |
Acorn 300 |
A |
Disc Jockey Boogie |
➧ |
I |
|
Singer, Hal |
|
|
1948 |
2:44 |
New York City |
21.09.1948 |
|
B-907 |
|
|
|
|
|
|
Musik + Text: Thompson, Chester |
|
Sir Charles Thompson Orch |
|
The Savoy Label: A Discography |
0040 |
|
Acorn 300 |
B |
Jiblets |
➧ |
I |
|
Singer, Hal |
|
|
1948 |
3:12 |
New York City |
21.09.1948 |
|
B-906 |
|
|
|
|
|
|
Musik + Text: Thompson, Chester |
|
Sir Charles Thompson Orch |
|
The Savoy Label: A Discography |
0040 |
|
Acorn 301 |
A |
Rock That Boogie |
|
|
|
Little Jimmy & His Orchestra |
|
|
1949 |
|
|
22.08.1949 |
|
SLA-4429-3 |
|
|
|
|
|
|
Musik: Gahagan/Bass |
|
|
|
The Online Discographical Project |
|
|
Acorn 301 |
B |
Jimmie's Idea |
|
|
|
Little Jimmy & His Orchestra |
|
|
1949 |
|
|
08.03.1949 |
|
SLA517 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Acorn 302 |
A |
Going To Canaan |
|
|
|
Patterson Singers, The |
|
|
1950 |
|
|
14.08.1950 |
|
SA6825 |
|
|
|
|
|
|
Musik: Patterson |
|
|
|
The Online Discographical Project |
|
|
Acorn 302 |
B |
Christ Is Coming |
|
|
|
Patterson Singers, The |
|
|
1950 |
|
|
14.08.1950 |
|
SA6827 |
|
|
|
|
|
|
Musik: Patterson |
|
|
|
The Online Discographical Project |
|
|
Acorn 304 |
A |
Too Late Blues |
|
|
|
Big John & His Orchestra |
|
|
1949 |
|
|
27.09.1949 |
|
SLA4433-4 |
|
|
|
|
|
|
Musik: Bass/Crawford |
|
Johnny Crawford And His Orchestra |
|
The Online Discographical Project |
|
|
Acorn 304 |
B |
Shindig |
|
|
|
Big John & His Orchestra |
|
|
1949 |
|
|
27.09.1949 |
|
SLA4432-4 |
|
|
|
|
|
|
Musik: Bass/Crawford |
|
Johnny Crawford And His Orchestra |
|
The Online Discographical Project |
|
|
Acorn 305 |
A |
This Can't Be Love |
|
|
|
Garner, Erroll & His Rhythm |
|
|
1949 |
|
|
07.01.1949 |
|
S4522 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Acorn 305 |
B |
I Want A Little Girl |
|
|
|
Garner, Erroll & His Rhythm |
|
|
1949 |
|
|
07.01.1949 |
|
S4525 |
|
1111560 |
00495559103 |
|
|
|
Musik: Mencher, Murray/Text: Moll, Billy |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Acorn 309 |
|
Sorry Woman Blues |
|
|
|
Cobbs, Danny Boy |
|
|
1949 |
|
|
|
|
S36-153 |
|
|
|
|
|
|
Musik: |
|
|
|
The Savoy Label: A Discography |
|
|
Acorn 309 |
|
Please Don't Leave Me Baby |
|
|
|
Cobbs, Danny Boy |
|
|
1949 |
|
|
|
|
S36-151 |
|
|
|
|
|
|
Musik: |
|
|
|
The Savoy Label: A Discography |
|
|
Acorn 310 |
A |
Hard Hearted Man |
|
|
|
Williams, Billye |
|
|
1948 |
|
|
15.10.1948 |
|
CP-102-2 |
|
|
|
|
|
|
Musik + Text: Williams, Billye |
|
|
|
Discogs |
|
|
Acorn 310 |
B |
Disgusted Blues |
|
|
|
Williams, Billye |
|
|
1948 |
|
|
15.10.1948 |
|
CP-100-2 |
|
|
|
|
|
|
Musik + Text: Williams, Billye |
|
|
|
Discogs |
|
|
Acorn 311 |
|
Beer Bottle Boogie |
|
|
|
Scott, Marilyn & Otis, Johnny |
|
|
1950 |
|
|
19.09.1950 |
|
SS-6836 |
|
|
|
|
|
|
|
|
|
|
British Dance Bands On Record 1911 To 1945 |
|
|
Acorn 311 |
|
Uneasy Blues |
|
|
|
Scott, Marilyn & Otis, Johnny |
|
|
1950 |
|
|
19.09.1950 |
|
SS-6837 |
|
|
|
|
|
|
|
|
|
|
British Dance Bands On Record 1911 To 1945 |
|
|
Acorn 312 |
|
I Want To Die Easy |
|
|
|
Deloatch, Mary & Otis, Johnny |
|
|
1950 |
|
|
19.09.1950 |
|
SS-6838 |
|
|
|
|
|
|
|
|
|
|
British Dance Bands On Record 1911 To 1945 |
|
|
Acorn 312 |
|
I Really Believe |
|
|
|
Deloatch, Mary & Otis, Johnny |
|
|
1950 |
|
|
19.09.1950 |
|
SS-6839 |
|
|
|
|
|
|
|
|
|
|
British Dance Bands On Record 1911 To 1945 |
|
|
Acorn 315 |
|
Black Chariot Blues |
➧ |
V |
|
Carolina Slim |
|
|
1950 |
2:49 |
New York City |
24.07.1950 |
|
US-11643 |
|
|
|
|
|
|
|
|
Pseudonym von „Harris, Edward Paul“. |
|
The Savoy Label: A Discography |
0064 |
|
Acorn 315 |
|
Mama's Boogie |
➧ |
V |
|
Carolina Slim |
|
|
1950 |
2:12 |
New York City |
24.07.1950 |
|
US-11640 |
|
|
|
|
|
|
|
|
Pseudonym von „Harris, Edward Paul“. |
|
The Savoy Label: A Discography |
0064 |
|
Acorn 316 |
|
It's All Right With Jesus |
|
|
|
Moses Gospel Singers |
|
|
1949 |
|
|
|
|
SCO 18002 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Acorn 316 |
|
Jesus, He's A Friend Of Mine |
|
|
|
Moses Gospel Singers |
|
|
1949 |
|
|
|
|
SCO 18001 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Acorn 317 |
A |
Between Two Trees |
|
|
|
Hicks, Billy & His Georgia Crackers |
|
|
1949 |
|
|
|
|
A8906 |
|
|
|
|
|
|
Musik + Text: Walsh, Virginia |
|
|
|
Discogs |
|
|
Acorn 317 |
B |
A Dream Lives On |
|
|
|
Moore, Wally & His Tennesseans |
|
|
1949 |
|
|
|
|
A14008 |
|
|
|
|
|
|
Musik: Carson, Kit/Text: Bowersox, Bob |
|
|
|
Discogs |
|
|
Acorn 318 |
A |
Atlanta Boogie |
➧ |
V |
|
Brown, Tommy |
|
|
1950 |
2:44 |
|
|
|
SGA 21673 |
|
|
|
|
|
|
Musik + Text: Brown, Tommy |
|
|
|
Discogs |
|
|
Acorn 318 |
B |
House Near The Railroad Track, The |
|
V |
|
Brown, Tommy |
|
|
1950 |
|
|
|
|
SGA 21672 |
|
|
|
|
|
|
Musik + Text: Brown, Tommy |
|
|
|
Discogs |
|
|
Acorn 319 |
A |
Pleading Blues |
➧ |
V |
|
Carolina Slim |
|
|
1950 |
2:27 |
New York City |
24.07.1950 |
|
US-11644 |
|
|
|
|
|
|
Musik + Text: Brunner, A. M. |
|
Pseudonym von „Harris, Edward Paul“. |
|
The Savoy Label: A Discography |
0064 |
|
Acorn 319 |
B |
Come Back Baby |
➧ |
V |
|
Carolina Slim |
|
|
1950 |
2:37 |
New York City |
24.07.1950 |
|
US-11641 |
|
|
|
|
|
|
Musik + Text: Brunner, A. M. |
|
Pseudonym von „Harris, Edward Paul“. |
|
The Savoy Label: A Discography |
0064 |
|
Acorn 320 |
A |
Dream |
|
V |
|
Smith, Ben (Quartet) |
|
|
1951 |
2:52 |
|
28.05.1951 |
09.06.1951 |
6644 |
|
|
|
|
|
Regent 1037 |
Musik + Text: Smith, Ben |
|
|
|
45cat |
|
|
Acorn 320 |
B |
I Don't Want You In My Arms |
|
V |
|
Smith, Ben (Quartet) |
|
|
1951 |
|
|
28.05.1951 |
09.06.1951 |
6645 |
|
|
|
|
|
Regent 1037 |
|
|
|
|
45cat |
|
|
Acorn 321 |
|
Bring Back My Love |
|
|
|
Warner, Elmer |
|
|
1951 |
|
|
03.04.1951 |
|
S6849 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Acorn 321 |
|
I Must Be Out Of My Mind |
|
|
|
Warner, Elmer |
|
|
1951 |
|
|
03.04.1951 |
|
S6852 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Acorn 322 |
A |
Step By Step |
|
|
|
Silvertone Singers Of Cincinnati |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Acorn 322 |
B |
I Got good Religion |
|
|
|
Silvertone Singers Of Cincinnati |
|
|
1951 |
|
|
|
|
ACO-6651 |
|
|
|
|
|
|
Musik: Harris, Robert |
|
|
|
The Online Discographical Project |
|
|
Acorn 323 |
A |
Worry You Off My Mind |
➧ |
V |
|
Carolina Slim |
|
|
1951 |
2:53 |
New York City |
22.03.1951 |
|
CS499NI |
|
|
|
|
|
|
Musik + Text: Harris, E. |
|
Pseudonym von „Harris, Edward Paul“. |
|
Discograpy |
|
|
Acorn 323 |
B |
Blues Knocking At My Door |
➧ |
V |
|
Carolina Slim |
|
|
1951 |
3:02 |
New York City |
22.03.1951 |
|
CS498NI |
|
|
|
|
|
|
Musik + Text: Harris, E. |
|
Pseudonym von „Harris, Edward Paul“. |
|
Discograpy |
|
|
Acorn 324 |
|
Rag Mama |
➧ |
V |
|
Carolina Slim |
|
|
1951 |
2:24 |
New York City |
14.06.1951 |
|
AS-23005 |
|
|
|
|
|
|
Musik + Text: Harris, E. |
|
Pseudonym von „Harris, Edward Paul“. |
|
The Savoy Label: A Discography |
69 |
|
Acorn 324 |
|
I'll Get By Somehow |
➧ |
V |
|
Carolina Slim |
|
|
1951 |
2:34 |
New York City |
22.03.1951 |
|
CS497NI |
|
|
|
|
|
|
Musik + Text: Harris, E. |
|
Pseudonym von „Harris, Edward Paul“. |
|
Discograpy |
|
|